OREGON

Falling in love with movies and film festivals

Justin Zimmerman of the McMinnville Short Film Festival talks about his gateway films, the festival life, and this weekend's mini-fest fundraiser

The hottest movie ticket in Yamhill County this weekend isn’t at a theater. That distinction belongs to the Ice Auditorium on the Linfield College campus, where the McMinnville Short Film Festival will hold a sneak preview.

Eight films will be screened Saturday night (including one of last year’s crowd favorites, the hilarious I Will Not Write Unless I Am Swaddled in Furs). Afterward, audience members will meet some of the filmmakers and players behind the ninth annual event, scheduled for Feb. 21-23. Tickets are only $5, and Linfield students with ID get in free. The mini film fest runs from 6:30 to 9:30 p.m. Oct. 26. Proceeds will be split between the  McMinnville Short Film Festival and scholarships for immigrant students in Yamhill County.

Justin Zimmerman was involved in the McMinnville Short Film Festival as a filmmaker and a judge before becoming executive director last spring. Photo by: David Bates
Justin Zimmerman was involved in the McMinnville Short Film Festival as an entrant and a judge before being named executive director last spring. Photo by: David Bates

One guy who will be in the audience and working the crowd afterward will be filmmaker Justin Zimmerman, who last spring was brought aboard as the festival’s executive director.

Zimmerman’s Portland-based Bricker-Down Productions has had films in more than 150 international festivals and won in dozens of them. Zimmerman also contributed a story to the Eisner Award-winning graphic novel Love Is Love. His connection with the McMinnville festival, founded by Dan and Nancy Morrow nearly a decade ago, goes back several years — first as an entrant and later as a judge.

I sat down a few weeks ago with Zimmerman during one of his visits to McMinnville, where he’s been discovering our restaurants and shops as he meets with the festival’s growing roster of partners (Linfield College among them) in preparation for February’s event. The festival has expanded to three days, entries are up, and it’s booked the largest auditorium at the local Coming Attractions multiplex for the entire weekend. “I have peers and friends in the world of film festivals, film programmers, executive directors, etc.,” he told me, “who, if they saw the budget of what we’re doing, they would be astounded.”

Zimmerman and I talked for about 90 minutes in a conversation that veered from his background and experiences and the festival to a few geek-out moments over movies we have both seen and loved. The following exchange has been edited for length and clarity.

What was your first movie memory growing up?

Zimmerman: I was fortunate enough to see Return of the Jedi, Gremlins, and Ghostbusters in a theater. Those really hit me. I remember those having a visceral effect. I remember seeing E.T. at a drive-in theater, that one blew me away. Movies really spoke to me. I was pretty young when I realized how powerful a movie could be. I didn’t have the training to contextualize it — the cinematography, the score, the acting, etc. — but it was very early on that I fell in love with movies.

What did you study in college?

Ohio State didn’t have a film production program, so I studied English and film criticism. I was fortunate to have a professor who taught the history of art named Ron Green, who was one of the most amazing film voices you could ever hope to find. I was studying Milton and Shakespeare and comparative world religions. I studied abroad in England and Ireland. Being in Scotland when Trainspotting hit was incredible. I took these courses in English where professors would teach what they were interested in: Feminism in horror movies; Orson Welles into Kubrick; and looking at the films of these wide-angle auteurs. It was remarkable.

Any particular film leap out, get inside your head?

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Coast calendar: Calling all artists, and arts lovers

Lincoln City seeks new public art; Sitka Center holds a fundraiser; Floyd Skloot reads from his new book; and Cannon Beach celebrates stormy weather

If you’ve ever driven through Lincoln City on a summer day, it will come as no surprise that every year 8.8 million vehicles travel that stretch of U.S. 101. While that may be discouraging news if you’re sitting in traffic, it’s no doubt heartening to artists who’d like their roadside work to be seen. That the opportunity to do so comes with a commission of up to $120,000 only sweetens the prize.

Lincoln City’s roster of public art includes the Community Center’s swimming tile mural by Ted and Judith Schlicting. The city is seeking proposals from artists to craft a piece for the new Cultural Plaza.
Lincoln City’s roster of public art includes the Community Center’s tile mural by Ted and Judith Schlicting. The city is seeking proposals from artists to craft a piece for the new Cultural Plaza.

Lincoln City is offering one artist the chance to craft the first major piece of art to be installed in the new Lincoln City Cultural Plaza. But don’t spend too much time thinking about it. The deadline for proposals is Nov. 1. Get your request for qualifications (RFQ) here.  

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Calendar: Fiber arts, author talks, musical theater and whimsical cello

It's a busy month in Yamhill County, with art openings, open mics, author readings, romantic comedy, and music ranging from chamber to Latin jazz

It’s one of those weeks that illustrates the rich artistic and cultural opportunities that abound even in small Oregon towns — a reminder that one need not live in Portland to see good shows and films or hear authors speak. Let’s get to it, in more or less chronological order:

CURRENTS GALLERY IN DOWNTOWN McMINNVILLE just closed a show displaying the work of many fiber artists, only to follow it with another featuring the work of a single artist. Marlene Eichner, one of the gallery’s many owners, unveiled Just Say Sew on Monday, featuring one-of-a-kind wall hangings, pillows, purses, and screens. Stylistically, the collection is all over the map, ranging from the extremes of abstract and realism, and made using an equally diverse range of techniques. I popped in briefly during the installation and was struck by the painterly look of the pieces. The show runs through Nov. 10. A reception is scheduled during McMinnville’s 3rd on 3rd art and wine walk.

"Happy Place," by Marlene Eichner, was made with mosaic and applique techniques and is based on a watercolor by an artist friend, Joan Weins. Eichner calls it a "stylized representational landscape." Photo courtesy: Marlene Eichner
“Happy Place,” by Marlene Eichner, is made with mosaic and applique techniques and is based on a watercolor by an artist friend, Joan Weins. Eichner calls it a “stylized representational landscape.” Photo courtesy: Marlene Eichner

Eichner has been working with fabrics most of her life. Her mother made all her clothes through high school, and she made her own clothes and dolls in junior high home-economics classes. She has a degree in English literature and worked in California’s public sector after her daughter was born, while continuing to dabble in various artistic forms.

“When I retired at 54, I returned to my sewing roots and started a serious cottage industry, merging art and fabric,” she said. “I have made everything conceivable with fabric, including purses, pillows, banners, room screens, etc., starting with traditional projects and styles and gradually gaining confidence to evolve into serious fine art.”

Marlene Eichner unveiled her new fabric show at Currents Gallery in McMinnville this week. The show runs through Nov. 10. Photo by: David Bates
Marlene Eichner unveiled her new fabric show at Currents Gallery in McMinnville this week. The show runs through Nov. 10. Photo by: David Bates

She focuses on wall pieces using not only traditional quilting/piecing techniques, applique, and mosaic, but also incorporating free-style, free-motion machine thread-painting, and embroidery.  “My interest is in the interplay of light and color when using disparate fabrics to form a cohesive finished product,” she said. “So I play with many genres, from very abstract pieces, to both stylized and detailed representational pieces.”

Eichner said she uses either the highest quality fabric she can find, or she makes it herself in one of three ways: She’ll photocopy items such as textured paper and plant material, scan, and even manipulate them digitally, and then print on treated fabric.

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Finn builds a galaxy… with help from a pro

Artist Michael Bernard Stevenson Jr. and 6-year-old Finn Connaughton collaborate on an extraterrestrial installation at the Chehalem Cultural Center in Newberg

The Chehalem Cultural Center in Newberg features an exhibit, Finn Builds a Galaxy, that was created by two artists whose life experiences could scarcely be more different.

Artist Michael Bernard Stevenson Jr. is 32 years old, has studied art at Alfred University School of Art and Design, and is doing graduate work at Portland State University. Stevenson has worked as a figure model, a cook, a grocery store clerk, and a community organizer. Born in Gaithersburg, Md., the artist has traveled to Mexico, Canada, Scotland, Italy, and Germany. For the past 10 years, Stevenson has worked on a variety of projects while also studying.

The exhibit is named after the other artist, Finn Connaughton. He’s 6 and attends first grade at Yamhill-Carlton Elementary School. The son of a pharmacist father, Erin, and Jacki, a stay-at-home mother, he’s fond of Minecraft, building with LEGOS, and Pokémon. And, of course, art. 

Finn Connaughton, 6, and Artist Michael Bernard Stevenson Jr., 32, collaborated on an other-worldly exhibit on display through Oct. 31 at the Chehalem Cultural Center. Photo by: David Bates
Finn Connaughton, 6, and Artist Michael Bernard Stevenson Jr., 32, collaborated on an other-worldly exhibit on display through Oct. 31 at the Chehalem Cultural Center. Photo by: David Bates

At a reception last week, Finn stood on the center’s spacious lobby mezzanine gazing at his galaxy — planets, stars, LEGO spaceships, and a few flying creatures — looking a bit awed by the attention but clearly proud of his galactic creation. Below, his parents and extended family, other visitors, and staff looked up, some taking pictures.

Next to him, Stevenson grinned and offered Finn one of many compliments: “You are even more famous in Newberg than I am!”

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Spotlight shines on movies made in Oregon

Lincoln City's Bijou Theatre hosts the six-day Oregon-Made Film Festival with a dozen feature films, plus shorts and documentaries

Movie buffs learning that the Oregon-Made Film Festival is coming to Lincoln City’s historic Bijou Theatre will no doubt expect to see films such as The Goonies, Sometimes a Great Notion, and One Flew Over the Cuckoo’s Nest. And they will. What they might not expect is the handful of films they’ve probably never heard of and just as likely won’t soon forget.

The film festival will showcase about a dozen Oregon-made feature films, as well as shorts and documentaries, over six days beginning Oct. 25. I talked with Betsy Altomare, co-owner with husband, Keith, of the Bijou, about the festival. Her responses have been edited for length and clarity.

What inspired the Oregon-Made Film Festival?

Altomare: In about 2011, we did it during spring break because there were a lot of really cool movies made in this area, like Sometimes a Great Notion. (People want to see that all the time. Every month or so, someone says, “When are you going to play Sometimes a Great Notion?”) But we only did that in the mornings and just five movies. It was mostly popular with retired people who aren’t working during the week. For The Goonies and Free Willy, of course, we had families. But the films weren’t terribly well attended.

We hope doing a whole week with an Oregon-made film at every show time will change that. We’re going in different directions, too. We’re showing  short films, documentaries, and stories that deserve to be seen. The festival will also feature introductions from directors, as well as other movie experts.  
 

The cast of 1971’s “Sometimes a Great Notion,” based on Ken Kesey’s novel, included (from left) Paul Newman, Henry Fonda, Lee Remick and Richard Jaeckel as members of the Stampher family. It plays Oct. 25 during the Oregon-Made Film Festival.
The cast of 1971’s “Sometimes a Great Notion,” based on Ken Kesey’s novel, includes (from left) Paul Newman, Henry Fonda, Lee Remick, and Richard Jaeckel as members of the Stamper family. It plays Oct. 25 during the Oregon-Made Film Festival.

What were the criteria for choosing the movies?

Partially popularity and partially for information. We chose two documentaries by Salem’s Darrell Jabin. One is the History of Oregon Carousels and the other, the History of Oregon Movie Theatres. We have the silent film The General, made in 1926 in Cottage Grove with Buster Keaton. That’s always popular. Oregon film expert Dean Ingram will be on hand to introduce that. We’re also doing these shorts from the Wandering Reel Traveling Film Festival. Curator Michael Harrington does some really interesting shorts. He will be there to do the introduction.

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Coast calendar: Playing for good causes, and just for fun

The upcoming arts cast includes Curtis Salgado, the Queen of Hearts, Little Buttercup, and Shifty Sailors, as well as painter Sandra Roumagoux

This seems to be the season for music and fundraising, with a variety of performances scheduled up and down the Coast.

On the north end, Cannon Beach, Manzanita, and Nehalem will be the hot spots beginning Thursday and continuing through Oct. 13, as the communities kick off the first Fire Mountain Music festival. Named for Neahkahnie Mountain, the festival features numerous performances and workshops at multiple venues in each of the three towns.

Fingerstyle guitarist Brooks Robertson will perform and lead workshops during the Fire Mountain Music festival.
Fingerstyle guitarist Brooks Robertson will perform and lead workshops during the Fire Mountain Music festival.

A collaboration between nonprofits Cannon Beach Arts Association and Fly Me to the Moon, the festival begins Oct. 3 with performances in Cannon Beach, then continues Oct. 9-13 with events in Manzanita and Nehalem.

The lineup includes Curtis Salgado, 3 Leg Torso, Julie Amici, LaRhonda Steele, Brooks Robertson, and Grammy winner Doug Smith. Robertson and Smith will offer a series of guitar workshops beginning Oct. 9.

Tickets range from $10 for some performances to $90 for a concert package. Proceeds from the festival support the arts association’s arts education program, which includes Oregon Art Day in Clatsop County and summer art camp.  

FARTHER SOUTH ON THE CENTRAL COAST, the Siletz Bay Music Festival is hosting Trick AND Treat at the Lincoln City home of Rudy and Marilyn Salci at 7 p.m. Oct. 26. Ken Peplowski and his “band of ghouls” — including Clairdee, Gary Hobbs, Tom Wakeling, and Randy Porter — will be the featured guests at “Rudy’s Spooky Piano Bar.”  The event is a fundraiser for the festival; tickets are $75 and include drinks and desserts.

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Wine country’s art cup overflows with studio tours

Nearly 40 artists open their studios for Art Harvest tours, Currents Gallery showcases fiber art, and a print show comments on the political/cultural moment

Before we get into the most politically incendiary and mesmerizing gallery exhibition in Yamhill County, first things first: The 2019 Art Harvest Studio Tour is upon us, so for those who have never been, here’s how it works.

Starting Friday and running all this weekend and next, nearly 40 artists from one end of Yamhill County to the other will throw open their studio doors to show their work, and in many instances, where and how they work.

The 27th annual event features artists working in a variety of media. Roughly half are painters and illustrators in oil, watercolor, acrylic, pastels, and egg tempura. Among the other half, you’ll find sculptors, potters, photographers, beaders, jewelry-makers, and more. They’re heavily concentrated and split evenly between McMinnville and Newberg, although this year there’s also a sizable showing in the vineyard-draped hills around Amity and in that city’s bustling downtown.

"Young Buck," a bronze by Steve Tyree, is part of the Art Harvest Studio Tour of Yamhill County exhibit at the Chehalem Cultural Center in Newberg. Photo by: David Bates
“Young Buck,” a bronze by Steve Tyree, is part of the Art Harvest Studio Tour of Yamhill County exhibit in the Chehalem Cultural Center in Newberg. Photo by: David Bates

The show runs Oct. 4-6 and 11-13. Tour buttons good for the entire run cost $8 and are available at all studio locations, which are listed on the website. A good way to start is swinging by the Chehalem Cultural Center in Newberg, where the main gallery features work by all of this year’s artists.

Kathleen Buck, who lives and works in the hills north of Newberg, is a long-time local artist who has participated in the tour for 25 years.

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