Blues minus the Waterfront
Joe Cantrell
July 1, 2020
Minus the big crowds and the riverside, the Blues Festival rethinks itself – and the beat goes on.
Minus the big crowds and the riverside, the Blues Festival rethinks itself – and the beat goes on.
Amid a pandemic and racial reckoning, Friderike Heuer’s photo montages set sail against melancholy.
Photogs Zeb Andrews, Susan de Witt, Julie Moore, Motoya Nakamura, Deb Stoner on work during pandemic.
Voices from the Front: Portland photographers reflect on their work during the pandemic. Part One.
As the festival and parade gear up for an online celebration, a glimpse in photos of pre-pandemic parades past.
Knight, knight: A historic plague knocks Ren Faire off its horse. Picturing how it was & looking ahead.
This year’s big bash is gone with the pandemic wind. As a scaled-back virtual fest begins, an ode to the way it was.
A photographer talks to himself about shadows and the mysteries of black & white.
As we isolate ourselves, photographer K.B. Dixon finds beauty in the splendid solitude of ordinary things.
Messy, sensual, sexual, intoxicating and comforting, food – like art – should dance in your memory.
As the “real” museums shut down. K.B. Dixon tours the city’s murals and discovers a free exhibit on the streets.
As the pandemic empties the city’s center, a paean to the rhythm that has always given Portland a time of solitude.
As online orders keep the great gathering spot going, a look back on its glory days and hope for their return.
As other subjects retreat into solitude, K.B. Dixon shifts his camera gaze to the beauty of domestic things.
We know. It’s tough. But some Portlanders have been practicing it a long time. A look at states of solitude.
Photo First: A Little Street Music (or, remembering Portland as it so recently was).
Opening receptions March 14 at the Visual Arts Center include art ranging from landscapes to whalers to crows.
Ten portraits in black and white by K.B. Dixon of Oregon artists making their mark on the world.
Not “outside”: Portland Art and Learning Studio artists create an exhilarating exhibit at Gallery 114.
A gathering of Native American activists and a documentary film join the battle against climate threats.
Photographer Gillian Laub’s probing of the persistence of racial attitudes is visual activism at its best.
Finding the warp and weft of things in Amanda Triplett’s studio and a trip to the Portland Art Museum.
A showcase of student dancers highlights the talent and promise of a new generation.
At a North Portland school, a music lover and BRAVO music students meet and learn in the circle of life.
A visit to see Dorothy Goode’s joyful, merging, overlapping, playful paintings.
At the Museum of the Oregon Territory, a “gutsy art of overcoming” creates an art show and an auction.
As the U.S. cracks down on “Dreamers,” the Oregon Historical Society digs deep into the stories of new Americans.
Ten portraits by K.B. Dixon of Oregon writers who are making a mark, with excerpts from their work.
Portland Tuba Christmas makes a mighty sound in Pioneer Courthouse Square, renewing a pleasure we’ve been missing.
An expansive exhibit at the Getty gets to the grit of the great German modernist’s life and work.
Photographer Dee Moore tells the tales of 10 artists (including herself) outside the binary norm.
Charles Burt charts a course from the rigors of military life to the rigors of an art academy.
With a storm of Shakespeare’s words and Sibelius’s music, The Oregon Symphony pairs two twilight artists for a last hurrah.
An LGBTQ+ glass art exhibition at the Museum of Glass is a celebration, a memorial, and an unveiling.
A unique sense of color highlights a photographic journey to the world’s second most populous nation.
At the Portland Art Museum, a lively and well-adorned crowd celebrates Mexico’s Día de Muertos.
A collaboration of artists and inmates gives lively, often funny voice to the view from inside the walls.
The weekly paper and its vendor-poets celebrate 20 years as beacons of advocacy for the city’s homeless.
K.B. Dixon begins a new series of artist portraits, starting with the writers.
The power of codes in the art of black women: an adventurous show talks smartly with art on the streets.
An architectural enclave for the uber-wealthy rises in Manhattan, with a hollow folly in the middle.
It all came together under the sun: Maryhill Museum’s audacious, 66-foot long print went to press via steam roller.
As Columbia Gorge print day approaches, artist and veteran Drew Cameron talks about art and war.
As the print date for Maryhill Museum’s Columbia River project approaches, its artists think about the mix of maps and territory.
As white supremacists swarmed downtown Portland, Beaverton’s Night Market celebrated global cultures instead.
Printmaker Molly Gaston Johnson follows Lewis & Clark’s westward path to make her mark on theColumbia River project.
Grand Ronde tribes’ Greg Archuleta links past and future in Maryhill’s Columbia Gorge print project.
Beaverton’s Chalk Art Festival draws evanescent images and crowds to a place where the people are.
STORY AND PHOTOGRAPHS BY FRIDERIKE HEUER “Alchemy – noun : a power or process that changes or transforms something in a mysterious or impressive way.” (Merriam-Webster) * THE ENGLISH WORD ALCHEMY has its historical roots in the Greek term chēmeia (the Arabic article al was added later when the word
Astoria has a garish and dramatic history, its fraught founding meticulously chronicled in Peter Stark’s award-winning book—a book with a title as long as the city’s renovated river walk: Astoria: John Jacob Astor and Thomas Jefferson’s Lost Pacific Empire—A Story of Wealth, Ambition,
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