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In Suzan-Lori Parks’ drama “Fucking A,” the “A” is for “abortionist,” not “adulterer.” Actor Kayla Hanson talks about the issues and the action.
Portland Playhouse opens a comedy set at a funeral in a Black church. But does the play move beyond sitcom platitudes?
When lead actor Richie Stone in Broadway Rose’s musical “The Evolution of Mann” is sidelined by Covid, director Isaac Lamb takes the stage for opening night.
New artistic director Jeanette Harrison brings a commitment to a diversity of voices to Portland’s second largest theater company.
CoHo Clown Festival gets down with some feisty physical comedy; “The Hombres” land at Artists Rep; “tick, tick” heads for its final boom; the enduring wit of Louise Brooks.
PICA’s experimental extravaganza hits the boards again. Plus openings, from sci-fi to farce to ghosts, pajamas, book clubs, stony hearts, midsummer dreams and a mushroom hunt.
“When theater becomes just about plays, only fans of plays come. We’re going to bring a variety-show mentality and challenge forms. And we’re going to be trying to incubate new forms.”
At Historic Alberta House, 60 of the master maskmaker’s artist friends explore hidden and revealed identities – and Fuemmeler unmasks a change of his own.
The co-founder of Rising Tide Productions, which will open “Seascape” on Friday, calls theater a “blood event.” Unlike the movies, “you have a direct, visceral response.”
Celebrating the Oregon Children’s Theatre leader’s life; “tick, tick … BOOM!” blows the lid off the season at Portland Center Stage; Ashland openings; more.
Sure, Hamlet’s the hero, and gets all the praise. But why? asks the actor playing the prince’s put-upon counsel. Isn’t Polonius a reasonable and honest guy, just doing his job?
A revival of a sharp and probing solo drama shows another side from “The Princess Bride.” Also: comedy improv, Hammerstein vs. Hart, more.
Theater review: Salt and Sage’s ambitious dual productions of “Romeo and Juliet” and “Hamlet” reckon with deep questions about love and mortality.
Holly Griffith takes the artistic reins at Portland’s Irish theater company; an outdoor “Tempest,” an indoor “Holy Days,” party with the Bar[d], singing “Newsies,” and a Quixote for today.
New cabaret musical continues Laura Dunn’s comic commingling of theater, music, and social issues.
The late Will Vinton’s musical-theater passion project is carried forward to the Lakewood stage. And, yes, the story’s familiar.
Small-theater stars CoHo, PETE, and Third Rail join forces to beat the real estate game. Plus: Last chance to see Imago’s “Voiceover”; openings & closings.
Jerry Mouawad and Drew Pisarra’s new “Voiceover” dips into dance and sound with an existential twist. Plus the JAW new plays festival, a Stan Foote tribute, openings and closings.
A sea change is happening in America’s rehearsal halls – and combat and intimacy choreographers are piloting the ship of theater into new waters.
The late Claymation master’s musical-theater adaptation of “The Frog Prince” debuts at Lakewood, Twilight opens the Portland premiere of an E.M. Lewis play, “Hadestown” hits Puddletown.
Portland Shakespeare Project gives a “Play On” twist to a tale of jealousy and redemption. Plus openings, closings, and a farewell to Peter Brook.
Carley, 72, was a guiding force for the Portland Black theater company for 40 years and a deeply admired figure in the city’s arts and nonprofit worlds.
Ted Tally’s surreal play about Robert Scott’s ill-fated expedition to the South Pole is seldom staged, but you can see it this month in Salem.
PETE’s “Cherry Orchard” is an energizing jolt of the sweetly unexpected. Plus the opening of “Desperate Measures” and last chance for “Bad World” and “The Music Man.”
After traveling cross-state to play Othello, a Portland actor bids a fond farewell to a brand new Shakespeare festival and its small town in the northeast corner of Oregon.
In a bold new take, Chekhov’s characters are stuck in the Arctic and beset by all sorts of disasters – but they still know how to have fun.
PETE’s radically slimmed-down “Cherry Orchard” streamlines a classic. Plus Risk/Reward, last chance for “Mr. Madam,” and more.
From Portland’s queen of sex-positive theater, a little bit of love at the OUTwright Festival and on its way to the Edinburgh Fringe.
Isaac Lamb stages his “dream show,” a gathering for Tim Stapleton, a pair of Shakespeare festivals, singing cats, openings, closings & more.
In far northeastern Oregon, the curtain’s rising on a brand new Shakespeare festival. A Portland actor revels in the adventure.
The versatile actor moves into the top seat at The Actors Conservatory. Plus: Wade McCollum’s return, openings, closings.
Bobby Bermea traces the growth and success of Portland’s innovative Queer theater festival, which hits its 10th anniversary during Pride Month.
Imago’s “Julia’s Place” starts with Ionesco’s “Rhinoceros” and then stampedes off to an Italian restaurant. Plus openings, closings, and a little improv “Weekend at Bernie’s.”
The dark and twisted Yukio Mishima could be funny, too – and in his kabuki play “Sardine seller,” is. Plus a fresh look at the AIDS era’s “Rent,” the OUTwright Festival and more.
A teller of tales and theater-artist-about-town digs into the “cauldron of creativity” of his happy place, the rehearsal room. And, oh: Got a story idea? Let him know.
After a long Covid layoff the Great White Way is bursting with energy, from “Hadestown” to “Six” to “A Strange Loop” and more.
The widely loved Foote, who retired to Mexico after years of helping Oregon Children’s Theatre rise to national prominence, was 69.
Say hello to Bella, “City Without Altar,” Hand2Mouth, a thin place and a floating bordello. Short runs for “Zandezi,” Shakespeare jokes, and “Shrek Jr.” Last chance for the excellent “The Children.”
Brunish gets his 12th nomination as a producer, for the Broadway revival of “Company.” Beaverton High grad Bean is honored for “Mr. Saturday Night.”
Branden Jacobs-Jenkins’ “Appropriate” spins the word through all of its many meanings, cultural, racial, and personal. Plus openings and closings.
Corrib Theatre’s play about a guy in a bar is being played by a guy in a bar. Oregon Children’s Theatre takes on Shakespeare and a bus trip with Grandma. Freud and C.S. Lewis get down to it.
How should audience members act and react in the theater? Who gets to decide? As the Oregon Shakespeare Festival reopens, the questions rise anew.
Old pros Mendelson and Alper continue a long onstage partnership in Artists Rep’s “The Children.” Plus: Ashland opens, new seasons, Lost Treasures & more.
In Part 2 of the “Queens Girl” trilogy, Lauren Steele dazzlingly embodies voices out of Africa; “Hamilton” and its hip-hop cousin settle in; “Titus” wraps things up.
The Portland stage star, 78, took classic turns in plays by Eugene O’Neill, Arthur Miller, Edward Albee, Noel Coward, and G.B. Shaw.
Picking up what they began in New York, Clackamas Rep and star Lauren Steele take a stellar tale continental. Plus Forgotten Women, Chick Fight, Taylor Mac & more.
Stage notes: A conservatory throws a musical-theater gala, mystery theater and Lea Salonga at the Reser, the slap heard ’round the world.
Anthony Davis and Richard Wesley’s Pulitzer Prize winning opera shows how racism helped send innocent teens to prison
A conversation with writer Cindy Williams Gutiérrez, whose choreopoem “In the Name of Forgotten Women” is debuting at CoHo.
The movie star, who died in Portland on Sunday, performed in four plays with Artists Rep. Also: Getting grisly with “Titus,” comedy & more.
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