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VizArts Monthly
At the clifftop museum overlooking the Columbia Gorge, two new exhibitions follow the river’s flow for 300 miles to create art of the land, water, and Northwest cultures.
The show leads into Linfield’s May 10 Camas Festival, which honors the cultural significance of plants and landscapes important to Northwest Indigenous peoples.
“We might not be interested in war, but war will be interested in us”: An expansive Los Angeles exhibit on propaganda and art during World War I has parallels to the war-torn world of today.
The show at the North View Gallery at PCC Sylvania plays with notions of art and the everyday with some cockroaches thrown in for good measure.
The Portland painter’s show at Russo Lee Gallery focuses on “the complex strangeness of quiet spaces” in the urban landscape.
From clouds to sounds, an artist’s path: “I hear a lot in the paintings … some movement, something that comes after and before and above and below. Like a cropped photograph or a clip from a melody, you know there is more.”
April ushers in spring and plenty of new exhibits and shows. Jason N. Le rounds up some promising offerings from around the state.
The gift, which continues the Schnitzer family’s longtime support of Portland State University, will help fund a new home for the School of Art, support PSU’s Schnitzer Art Museum, and provide outdoor art and other enhancements on campus.
The show of “outsider art” by some 30 creators with no formal training illustrates art in its purest form: Art for the sake of art, art for the artist.
John Bradley, who took up painting 33 years ago when he was 70, is among about 150 members participating in the annual show and convention beginning April 5.
The group exhibition, curated by Cleo Davis and Nina Amstutz, brings together works by artists and organizations that highlight histories of oppression and resistance. Recounting and engaging with the past allows for the imagining of a more equitable future.
Five artists interpret the legendary creature in sculpture, paintings, film, and multi-media work in a show that goes beyond the popular-culture image of Bigfoot.
The abstract paintings hum with an energy entirely befitting for their caffeine-centered display location – Stumptown Coffee Roasters.
A $300 million gift of more than 200 artworks jump-starts the Seattle University Museum of Art. Plus: Maryhill Museum season begins, Asian American writers, Andrew Proctor returns, jazz at Milagro, Billie Holiday tribute night.
K.B. Dixon takes a camera tour through the McMinnville museum, from the Spruce Goose to the world’s fastest jet to replicas of the Spirit of St. Louis and Apollo Lunar Rover & more.
“Las Vegas Ikebana” celebrates five decades of friendship between Maren Hassinger and Senga Nengudi. On view are individual works, collaborations, and ephemera that reveal the richness of their creative intertwining.
At Art in the Cave in Vancouver, Ruth Ross and other artists stitch and weave tales that open up many questions.
The installation by Christina Harkness and Shanna Smith Suttner opens March 22 at the Willamette Heritage Center in Salem, before returning to Lincoln City in August.
Entries are open for May’s “Rising from the Trashes” event, which includes an art gallery, fashion show, and storytelling – all spotlighting trash.
The Dutch-born American artist’s retrospective at the Salem museum showcases neon not as a gaudy symbol of advertising but as a key element of art for art’s sake.
The exquisite enamel artist and traveler to Bali and beyond in pursuit of her art created a legacy of storytelling and beauty.
The exhibition “Strange Weather” at the Jordan Schnitzer Museum of Art at the University of Oregon brings together a diverse roster of artists and perspectives.
For March, Jason N. Le introduces a variety of exhibitions that, from different vantage points, consider how humans make sense of our world. The options range from monsters to machines to meteorites.
The traveling exhibition, created by the Maxville Heritage Interpretive Center, reminds viewers of the multiracial history of Oregon’s timber towns.
Students had a say in picking the artists whose work is featured in the artistically complex and politically engaged exhibition, which runs through March 16 at the McMinnville university.
What would happen if we turned grandiosity into a joke? Building big, artist Erik Geschke sculpts himself into the possibilities.
Looking at “Black Artists of Oregon” and “Africa Fashion” at the Portland Art Museum.
The exhibit, which runs through February, includes both aesthetic and pedagogical components, and has a high “wow” factor. An artists’ reception will be Feb. 16.
“BREATHING-LIGHT,” on view at Oregon Contemporary, offers viewers the chance to surround themselves with the surface of the sun. Hannah Krafcik contemplates this perspectival flip.
K.B. Dixon’s cultural-portrait series continues with black & white images of jazz drummer Ron Steen, multimedia artist Pamela Chipman, musical-theater leader Sharon Maroney, filmmaker Jim Blashfield, and author and environmentalist Allison Cobb.
Commitment to New Year’s Resolutions may be waning but February’s art offerings remind us of the benefits of thoughtful attention and contemplation.
How Beauford Delaney’s “Twilight Street” got from 119 Waverly Place in New York’s Greenwich Village to the studio of art conservator Nina Olsson to the Portland Art Museum’s walls.
The exhibition’s first iteration since the pandemic opens Feb. 1 as an invitational event and honors Henk Pander, the Northwest art giant who died last year.
The father and son artists share gallery space in the “Au Naturel” show of nude art opening Feb. 1 in Astoria’s Royal Nebeker Art Gallery.
The photographer uses self-portraiture to explore trans identity and sacredness. His current exhibition at Blue Sky Gallery is a celebration of self and the journey it took to get here.
The large-scale geometric prints are inspired by 20th-century utopian design movements and offer viewers the chance to relish balance and formal flourish.
The Oregon State University painter passed away in 2021. In 2023, The Crystal Bridges Museum of American Art acquired ‘Last Supper’ and the Oregon State University Press published a new catalog based on ‘First Meal.’
A new exhibit at the Beaverton art center showcases a variety of rising artists displaying fresh work that engages in many kinds of conversations.
A photograph begets a mosaic begets quilted fiber art in an iterative exhibit at the Lincoln City Cultural Center.
The sculptor’s show is the second offering in the collective’s ‘After Image’ series. Herrera’s multi-colored, abstract sculptures made from found materials reflect on the cultural resonance of discards.
The new year brings new exhibitions to galleries and art venues across the state. Jason N. Le introduces some highlights.
In a show of paintings at the Columbia Gorge Museum, the artist reveals a Realism beyond reality – and a gnarly Medusa-like image blowing in the wind.
From the Rothko Pavilion to Converge 45 to the Hallie Ford’s 25th anniversary and much more, a look at some of the highlights of Oregon’s year in the worlds of museums and visual art.
The notable Oregon artist is selected to show his ceramic pieces at the Smithsonian Craft Show in Washington, D.C., this spring, and he hopes to complete a 13-foot owl sculpture in 2024.
The 12-minute show, free and visible from the Bayfront, brings to life images of Native Americans, loggers, fishing fleets, and farmers.
Seventeen prints, made between 1961 and 2005, showcase both the artist’s prowess in print media and the arc of the print renaissance in the United States.
Webb’s colleagues remember him as a passionate and creative supporter of the arts.
From heavy chunks of wet clay the Portland artist creates sculptures that dazzle on the surface as they dive more deeply into memories, experiences, and conflicting meanings.
The paintings and drawings in the artist’s solo exhibition at Adams and Ollman use humor as a vehicle for incisive social reflection. Drawing on social media feeds, they feature everything from human caterpillars to zebra surrogates.
After a lifetime of working with clay, “Fired Up” will showcase the artist’s last works in the medium. The show is at White Lotus Gallery in Eugene through December 30th.
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