Seal Rock couple open Peephole Gallery-Studio in Yachats
YachatsNews.com
October 22, 2021
Joyce Centofanti and Robert Conway’s community-based creative space will have a soft opening Wednesday
Our visual arts coverage is made possible in part by support from The Ford Family Foundation’s Visual Arts Program.
For stories published before 2018, visit our archive site.
Joyce Centofanti and Robert Conway’s community-based creative space will have a soft opening Wednesday
The owners of the Eugene gallery have always been smitten with prints from Sōsaku-hanga or Creative Print movement. A new exhibit showcases standouts from the gallery’s permanent collection.
An exhibit at Linfield Gallery raises deep and abiding questions about social values and the meanings of art.
The painter’s show “Carnival of the Animals” features dinosaurs, pigs, butterflies, and a revised outlook.
Patrick Collier explores Bruce Burris’s multi-layered collages, on view at the Schneider Museum of Art.
It has been a year and a half since monuments started coming down in Portland. Should replacements be permanent?
Lindsay Costello’s monthly roundup of shows and events in October.
Lindsay Costello reviews Thunderstruck Collective’s exhibition of works made after a group pilgrimage to Nancy Holt’s “Sun Tunnels.”
A little bit of architecture and a little bit of Dr. Seuss mix it up in the Oregon artist’s Hallie Ford Museum show.
Blake Andrews interviews Shawn Records about photography, Joseph Campbell, becoming an adult, and his new book “Hero.”
NFTs are typically associated with digital content. What happens when they’re tied to physical objects? Jennifer Rabin explores “New Ownership” at Eutectic Gallery.
Local galleries and theaters share common themes this fall.
Lindsay Costello has the inside scoop on September’s arts offerings in her monthly column.
Shannon M. Lieberman reviews a pair of shows at Nucleus Portland. One features intimate portraits and the other works in miniature.
Double-exposure photographs by Mike Vos, Dinh Q. Lê and Gary Burnley speak to our polarized times.
Lindsay Costello reviews “some rights from a spring reckoning,” a thesis show installed in five parts by five artists at PNCA.
The virtual reality competition of the Venice International Film Festival will be on view in Portland in September.
Sebastian Zinn reviews Storm Tharp and Grace Kook-Anderson’s exhibition of Northwest portraits from PAM’s permanent collection.
On view at the JSMA in Eugene: Belkis Ayón’s collagraphs explore the mythology of an all-male secret society that she could never join.
Plus, Yamhill County galleries offer impressionistic paintings and clocks with an attitude.
From a barn studio in Ashland, the sculptor creates works infused with the spirit of his native Japan.
Once a flight attendant, Sora O’Doherty soars with her large-scale calligraphic performance art.
In Aki Onda’s exhibition at PICA, the collections find their spirit and fly toward the future.
Marianne Nicolson’s “A Feast of Light and Shadows” is a fitting last exhibition for Yale Union as ownership of the building transfers to the Native Arts and Cultures Foundation.
Lindsay Costello reviews Jeanine Jablonski’s (of Fourteen30 Contemporary) latest curatorial project at the Courtyard House in Aurora.
August’s offerings draw inspiration from diverse areas of lived experience, a refreshing respite from the slow dog days of summer.
Stacy Jo Scott’s work in “Lo, A Vase in the Dark” explores the potential for technology to help us understand past, present, and future selves.
1122 Outside may be the perfect post-pandemic panacea. It is a venue for showing art but equally an artist-centered, anti-capitalist community space.
Art Beyond, organized by the Schneider Museum of Art in Ashland, invites viewers to venture out of the gallery and into the beyond.
With their art gallery space on the market, owners are moving the business to Florence’s bayfront.
Five birdhouse-like boxes in Manzanita prove that good things do indeed come in small packages.
Morgan Rosskopf and Manu Torres’s “Color Burn” at Well Well Projects celebrates maximalism and artificiality.
Colorful banners hanging from downtown lamp posts are the Alsea Bay Center for the Arts’ first project.
July’s art offerings provide plenty of opportunities to beat the heat and see art in alternative spaces.
In a Newberg exhibit, Black artists confront racism, as well as speak to the experience of being human.
Lindsay Costello discovered birds in 2020. Fonda’s paintings speak to her new pastime and pandemic confinement.
Blake Andrews reviews Christopher Rauschenberg’s “India Pushtogethers” exhibit on view at Nine Gallery.
Laurel Reed Pavic reviews “Ansel Adams in Our Time” on view at the Portland Art Museum.
Yamhill County calendar: Besides the photography show, the summer promises theater, music, poetry.
Sam Briseño’s welcoming sculpture is undergoing restoration to repair the toll of time and the elements.
Shu-Ju Wang’s art combines her interests in mathematics, her Chinese heritage, and the climate crisis.
Dawn Cerny’s “Weeping Willow Folding Chair” pairs intricate tabletop mobiles and gouache paintings of faces in tears.
Lindsay Costello’s monthly roundup of not-to-miss shows and events for June.
The Portland Art Museum has had a European collection since its founding. What does it mean to exhibit European art in Portland in 2021?
Jovencio de la Paz’s new exhibition at Holding Contemporary probes the space between the digital and the analog. Lindsay Costello reviews.
Crystal Meneses brings art, words, and music together in an effort to put death back in the community’s hands.
Artists emerge from the shutdown with work created in isolation, and live theater returns to the Yamhill County stage.
Photographer Rich Bergeman talks with Blake Andrews about abandoned places and the pull of the past.
Luiza Lukova explores RACC’s new program “Capturing the Moment – Stories from a Pandemic” and highlights artist projects from the debut selections.
Lindsay Costello explores Ryan Pierce’s latest show “Awake Under Vines” on view at Elizabeth Leach Gallery.
Give to our GROW FUND.