Facing the sun (tunnels)
Lindsay Costello
September 21, 2021
Lindsay Costello reviews Thunderstruck Collective’s exhibition of works made after a group pilgrimage to Nancy Holt’s “Sun Tunnels.”
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Lindsay Costello reviews Thunderstruck Collective’s exhibition of works made after a group pilgrimage to Nancy Holt’s “Sun Tunnels.”
A little bit of architecture and a little bit of Dr. Seuss mix it up in the Oregon artist’s Hallie Ford Museum show.
Blake Andrews interviews Shawn Records about photography, Joseph Campbell, becoming an adult, and his new book “Hero.”
NFTs are typically associated with digital content. What happens when they’re tied to physical objects? Jennifer Rabin explores “New Ownership” at Eutectic Gallery.
Local galleries and theaters share common themes this fall.
Lindsay Costello has the inside scoop on September’s arts offerings in her monthly column.
Shannon M. Lieberman reviews a pair of shows at Nucleus Portland. One features intimate portraits and the other works in miniature.
Double-exposure photographs by Mike Vos, Dinh Q. Lê and Gary Burnley speak to our polarized times.
Lindsay Costello reviews “some rights from a spring reckoning,” a thesis show installed in five parts by five artists at PNCA.
The virtual reality competition of the Venice International Film Festival will be on view in Portland in September.
Sebastian Zinn reviews Storm Tharp and Grace Kook-Anderson’s exhibition of Northwest portraits from PAM’s permanent collection.
On view at the JSMA in Eugene: Belkis Ayón’s collagraphs explore the mythology of an all-male secret society that she could never join.
Plus, Yamhill County galleries offer impressionistic paintings and clocks with an attitude.
From a barn studio in Ashland, the sculptor creates works infused with the spirit of his native Japan.
Once a flight attendant, Sora O’Doherty soars with her large-scale calligraphic performance art.
In Aki Onda’s exhibition at PICA, the collections find their spirit and fly toward the future.
Marianne Nicolson’s “A Feast of Light and Shadows” is a fitting last exhibition for Yale Union as ownership of the building transfers to the Native Arts and Cultures Foundation.
Lindsay Costello reviews Jeanine Jablonski’s (of Fourteen30 Contemporary) latest curatorial project at the Courtyard House in Aurora.
August’s offerings draw inspiration from diverse areas of lived experience, a refreshing respite from the slow dog days of summer.
Stacy Jo Scott’s work in “Lo, A Vase in the Dark” explores the potential for technology to help us understand past, present, and future selves.
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