YAMHILL

Yamhill County calendar: From tea to ‘Tightrope’

Gallery shows focus on glasswork, the Rogue River Wars, and tea service; Linfield hosts a one-night play reading; and a native son is coming to town

Yamhill County’s lively gallery scene continues to intrigue this week with a couple of new openings, and we’ve also got a one-night theatrical affair at Linfield Theatre. Finally: Have you read Nicholas Kristof’s new book? There’s still time before he comes to town.

Let’s get to it:

“Ancient Cedars at Fort Orford Site,” by Rich Bergeman. The U.S. Army fort housed more than 200 men and more than 1,000 Indigenous prisoners during the peak of the Rogue River Wars in 1855-56. Nothing of the fort remains.

CHEHALEM CULTURAL Center has several shows ready for your viewing pleasure. Hanging River, an installation of glasswork by Takahiro Yamamoto and Andy Paiko, occupies the Parrish Gallery, visible to visitors as they enter the Newberg center. You’ll marvel at both the glass pieces themselves and the exquisite care it must have taken to install them. In the Founder’s Gallery at the rear of the building is a collection of Fretta Cravens’ stunning botanical photography, titled Intimate Conversations.

Down the hall to the right is a new exhibit that’s been traveling around Oregon: Rich Bergeman’s collection of photographs documenting the landscape of the mid-19th-century Rogue River Wars of Southern Oregon. The Land Remembers is both an exhibit and a handsome book (available for sale). Bergeman used infrared light for the images, which are mostly void of any sign of human presence. “I felt that the haunting quality of infrared would help transport viewers to another time,” he writes in the introduction to his book. “And because the infrared spectrum is invisible to the human eye, it seemed especially appropriate for photographs that follow in the footsteps of ghosts.” The show runs through Feb. 28. Highly recommended.

Tea is the theme of a show by ceramicist Jonathan Steele in George Fox University’s Minthorne Gallery. Photo courtesy: George Fox University

A FEW BLOCKS AWAY at George Fox University, we find … tea! I haven’t seen this one yet, but it looks inviting: In the Service of Tea features ceramic work by Jonathan Steele in  the university’s Minthorne Gallery in the Hoover Academic Building. A reception for the show, which opened last week, will be from 4 to 5:30 p.m. Monday, Jan. 27, in the gallery. Steele will perform a Chinese tea service at the free event. An artist’s talk follows from 6 to 7 p.m. in the Chehalem Cultural Center.

“Tea is a quiet joy – art is a fervid one,” Steele said of his exhibit in the press materials. “I make the tea to be still, to observe the present moment, to watch slowly unfurling leaves, feel the weight of the warm cup pressing against my fingertips, steam rising through my nostrils, the sweet, light astringency of the perfect steep welling on my tongue. I make the teapot, the cup, the tray and boat, the floral arrangement, the interior décor, the room and the house itself – all to the same end.”

Continues…

McMinnville gallery showcases young at art

A student show at The Gallery at Ten Oaks provides an encouraging snapshot of arts education in Yamhill County

Conventional wisdom — to the extent that there still is such a thing in our highly mediated, hyper-compartmentalized, and socially fractured world — is that arts in the public schools have taken a beating over the years. New football stadiums and practice facilities seem to get built with no problem or objection, but teachers and parents often are forced to scrape together resources on the fundraising circuit just to bring in a professional artist for a week.

“The Look” by Gemma Bell, age 17, Delphian School (acrylic, 16 by 16 inches)

In actuality, the picture obviously varies — from district to district, from school to school — but the show that opened last week in The Gallery at Ten Oaks in McMinnville provides a snapshot of the state of arts education in Yamhill County, and it’s encouraging.

For the second year, owners Dan and Nancy Morrow have opened the premium first-floor display space in their gallery to students. Last March, they invited McMinnville High School students to submit work, and they felt the show was successful enough to merit bringing in all Yamhill County high schools this year. “The students who came to the reception last year were so jazzed,” Dan said. “Nancy had name badges for every student. It’s those little things. It’s like, ‘Look, you’re here at a reception and people are coming to see your work on the wall.’”

Paintings, drawings, and ceramics by artists who attend high schools in Yamhill-Carlton, Amity, and Sheridan (as well as the private Delphian School) will greet visitors to the gallery through Feb. 2, and a reception will be held at 6 p.m. Wednesday, Jan. 15. Art by McMinnville and Newberg students will be showcased starting Feb. 4, with the reception set for 6 p.m. Feb. 12.

“Girl Falling” by Abby Renee Hornsby, Sheridan Middle School Grade 8 (digital art, 11 by 14 inches)

I recall being impressed with the overall quality at last year’s show, and the same holds true this time. Several portraits of young women by Delphian students stand out. My eye kept drifting back to a couple of delightful acrylics by 15-year-old Chloe Latch. Another acrylic, by 17-year-old Delphian Gemma Bell titled The Look, seems to challenge the viewer to come up with a word that describes just what that look (the girl’s expression) actually means, what sort of emotional and cognitive state is going on there. It’s nuanced, complex, and contradictory. This piece, along with several others, could easily be relocated upstairs with the pros.

Continues…

Vision 2020: Sean Andries and Carissa Burkett

Leaders of Newberg's Chehalem Cultural Center look forward to more performing arts, celebrating diversity, and exploring culture through a new culinary center

The Chehalem Cultural Center in Newberg would be a remarkable resource even in the culturally rich neighborhoods of Portland. That it happens to be in rural Yamhill County serves as an inspiration to any community that seeks to create space for the arts.

Sean Andries, the center’s director, has been at the cultural center for two years following previous roles with Portland Center Stage and the Circus Project. He has a bachelor’s degree from the University of Oregon in theater and arts administration and a PTP Certificate from the Dell’Arte School. Carissa Burkett, curator and director of arts programs, also has worked at the Chehalem center for a little more than two years. She received her BA in studio art from Azusa Pacific University and her MFA in visual arts from Vermont College of Fine Art.


VISION 2020: TWENTY VIEWS ON OREGON ARTS


The center is housed in a sprawling, two-story brick building just north of Newberg’s city library. Originally a school built in 1935 as a Works Progress Administration project, the building is owned by the Chehalem Park & Recreation District. The nonprofit cultural center is responsible for everything inside, including several visual art galleries and exhibition halls that have featured some stunning exhibitions over the past couple of years. There also are studios and classrooms for arts classes, clay work, and music recording; a 5,200-square-foot ballroom; and a kitchen/culinary arts studio. More is in the works, including a 250-seat theater. 

Carissa Burkett and Sean Andries are excited about the Chehalem Cultural Center’s new Cox Family Culinary Enrichment Center as an avenue to explore art and culture. “So much of our culture is wrapped up in the food we eat and the people we share it with,” Andries says.
Carissa Burkett and Sean Andries are excited about the Chehalem Cultural Center’s new Cox Family Culinary Enrichment Center as an avenue to explore art and culture. “So much of our culture is wrapped up in the food we eat and the people we share it with,” Andries says.

How would you characterize the general state of artistic and cultural life in Newberg and Yamhill County?

Burkett: Throughout the two years that I have been working at the CCC, I’ve seen exponential growth in the ways that the community engages with and is impacted by the center. 2020 will be the 10th year that the center has been running, and as with any organization, we spent a substantial amount of time establishing ourselves in the community, defining who we are and what it is that we do, and then trying to get the word out. In the past two years, our youth and adult art classes have almost doubled both in what we offer and in students signing up. The quantity and caliber of visual art exhibitions has grown and the engagement with these exhibits has taken off. Folks are excited about what is happening and there seems to be a significant impact, more than ever before.

Continues…

Remembering the Big Blow

Book author John Dodge will speak in Cannon Beach about the 1962 Columbus Day Storm and its effect on Oregon and its wine and timber industries

On Oct. 12, 1962, the strongest windstorm in the recorded history of the West Coast battered the Pacific Northwest, claiming lives, destroying homes and businesses, and decimating farmland and forest — the latter resulting in an unexpected silver lining of sorts. John Dodge was 14 at the time, living in the Olympia area with his family. He would go on to a 40-year, award-winning career in journalism, serving as columnist, editorial page writer, and investigative reporter for The Olympian before retiring in 2015.

John Dodge says many people who attend his talks about the Columbus Day Storm are seeking closure for the event they lived through 58 years ago. Dodge was a teenager living in Olympia when the storm hit in 1962.

In 2018, Oregon State University Press published his book, A Deadly Wind: The 1962 Columbus Day Storm.  Dodge will kick off the Cannon Beach History Center & Museum’s lecture series on Jan. 16 with a presentation about that deadly day.

The free talk will be from 4 to 5 p.m.  Plan to arrive early, as no one will be admitted after 4:15.

We talked with Dodge about his memories and his research. His comments have been edited for length and clarity.

Where were you when the storm hit?

I was at a football game and right before kickoff, a state trooper came out and told everyone to go home — a big storm is coming. Right about then, the lights went out and the winds kicked up. We lived in the woods in a very rural area on property with a lot of Douglas firs. Our fear was our house was really vulnerable and we didn’t think it would be safe there. So our family went to a friend’s house in a suburban development. Then a tree came down. We were lucky not to be in the room where the tree fell. Later, after the storm had passed, Dad and I got in our truck and drove back to the house. Lo and behold, there were trees all over, but nothing hit the house. It was one of those ironies, we went to a house to get safe from the trees only to be struck by a tree.

Among the casualties of the 1962 Columbus Day storm was the Campbell Hall bell tower at the Oregon College of Education (now Western Oregon University) in Monmouth. The iconic photo shot by college student Wes Luchau illustrates the cover of John Dodge’s book, “A Deadly Wind.”

What is notable for you about the storm?

Most notable is that it seems the number of fatalities and injuries could have been much greater. There were a lot of “there but for the grace of God go I” type of experiences. I tallied 63 direct and indirect deaths. Indirect would be folks who died of, say, a heart attack the next day cleaning up debris or someone who fell off their roof trying to attach a TV antenna. Direct deaths — people who died in the storm — are closer to 46. There were 300 serious injuries requiring someone to be hospitalized.

We’re used to some big wind here on the Coast. How big was this?

The highest peak winds were probably at Cape Blanco (four miles north of Port Orford) on the headland. There was a Coast Guard station there. Their wind gauge blew out before the worst of the winds arrived. When it blew out, they had already recorded a 145 mph gust. Most of those at the station thought the winds hit 175 to 185 mph gusts. There were sustained winds of over 110 mph. That would be the equivalent of a Category 3 hurricane. Ground zero of the storm was the Willamette Valley. You’ll find the most harrowing stories coming from Salem, Eugene, Corvallis, and Portland. People succumbed to the wind all the way to Vancouver, B.C.

Continues…

Yamhill County calendar: Winter warmers

The new year rolls in with a little of everything: gallery exhibitions, TEDx talks, readings, and music

I’m not sure whether to chalk this up to naivete or the fact that Yamhill County’s arts and culture scene has been developing momentum in recent years, but there was a time not so long ago when I assumed things slowed down in the winter. 

Perhaps it did once, but not anymore. Even when the skies turn gray and the trees are bare in Oregon’s wine country, our cultural calendar remains packed full. So follow along as we dive into 2020 with a peek at what’s in store over the next couple of months.

CURRENTS GALLERY IN DOWNTOWN McMINNVILLE is one of several businesses housed in the Elks Lodge building on Third Street. The top floor of the 1908 structure, once occupied by lodge space (including a ballroom), was renovated in 1993 by locals Matt and Marilyn Worrix into a sprawling 10,000-square-foot apartment. Having visited there over the years, I could wax poetic for some time about the place, but the point is the building is on the market, and the couple’s downsizing strategy includes selling much of the art collection that filled the apartment: paintings, etchings, ceramics, glass, and more.

Matt and Marilyn Worrix are downsizing and selling much of their art collection, such as this acrylic painting by Matt Worrix, through Currents Gallery in McMinnville.  

Currents Gallery will host the affair, which kicks off with a reception from 2 to 6 p.m. Saturday, Jan. 11, in the gallery. The show runs Jan. 7 through Feb. 16 during regular gallery hours. Artists whose work will be on display include Nils Lou, Marg Johansen, Chris Johnson, Glen Hashitani, and more. A second reception will be held for the monthly 3rd Friday on 3rd Street artwalk, from 5 to 8 p.m. Jan. 17. For more information, call 503-435-1316.

THE CHEHALEM CULTURAL CENTER IN NEWBERG opens 2020 with three new shows in January. In the Parrish Gallery, look for a stunning glass installation, Hanging River, by Takahiro Yamamoto and Andy Paiko, beginning Jan. 7. Also opening that day is Intimate Conversations, a botanical photography exhibition by Fretta Cravens. Rich Bergeman’s The Land Remembers opens Jan. 14. The series of black-and-white infrared landscape photography, inspired by events during the Rogue River Wars of 1851-56, has been bouncing around the state and lands in Newberg for a show that runs through February. Visit the website for more information and details on receptions for all three shows.

The “Hanging River” show by Takahiro Yamamoto and Andy Paiko at the Chehalem Cultural Center includes multiple transparent objects, including a large glass sculpture resembling a stringed instrument.

While you’re there, check out the staged reading series that begins Feb. 1 (tickets are on sale now) courtesy of Newberg-based Penguin Productions. More? The 2020 Boxed Show Series begins Feb. 21.

TWO SHOWS HIGHLIGHTING art by local youth will be featured in The Gallery at Ten Oaks in McMinnville this month and next. The first runs Jan. 7 through Feb. 2 and showcases work by students from high schools around Yamhill County, including Yamhill-Carlton, Sheridan, Amity, and the Delphian School. An opening reception is set for 6 p.m. Wednesday, Jan. 15. Then, work by students from high schools in McMinnville and Newberg will be unveiled Feb. 5, with a reception at 6 p.m. Feb. 12.

Continues…

The medium is the mask

The Chehalem Cultural Center fills its galleries with masks by Tony Fuemmeler and others depicting human emotions, anthropomorphic animals, and one evil bunny

The Chehalem Cultural Center in Newberg is closing out the year with an extraordinary exhibit (four exhibits, actually, it just feels like one) that virtually anyone – even those who don’t usually visit galleries — will find intriguing.

The subject is the human face and the oceans of meaning the face either reveals or conceals. The medium is the mask — hundreds of them.

Tony Fuemmeler’s Evil Bunny is a character from Grand Guignol, the Paris theater famous for staging horror stories (paper-mache, acrylic, fleece, fabric, wire). Photo by: David Bates
Tony Fuemmeler’s “Evil Bunny” is a character from Grand Guignol, the Paris theater famous for staging horror stories (papier-mâché, acrylic, fleece, fabric, wire). Photo by: David Bates

More than two years in the making, A Universal Feeling is a collaborative effort spearheaded by Portland mask-maker and theater artist Tony Fuemmeler and featuring work by more than 60 artists from around the United States and the world. The intellectual seeds of the project go back to the 1960s, when a group of psychologists suggested that a few universal facial expressions convey emotions understood across the entirety of human culture: fear, joy, surprise, anger, sadness, and disgust.

Fuemmeler, whose masks have appeared on stages up and down the West Coast and around the country, gave around 70 fellow mask-makers a task. He sent them a papier-mâché mask based on one of the six expressions and asked them to complete it, drawing (consciously or otherwise) on whatever identity, styles, experiences, and cultures inform their work.

The results are stunning, fascinating, playful, and occasionally disturbing. “It was an experiment,” he told me as we strolled through the exhibit recently. “I had no idea what would happen. I was very curious how people would respond.”

Respond they did, and alongside three other mask-themed exhibits that fill the center until Jan. 3, the exhibit is a riveting exploration of inner life as conveyed by the simultaneously simple and complex image of the face as rendered by a mask — an art form that goes back to ancient times.

Beth Bondy created Surprise 07: Paper Insect from cardstock scraps. Photo by: David Bates
Beth Bondy created “Surprise 07: Paper Insect” from cardstock scraps. Photo by: David Bates

“I have long admired Tony’s work, and have had the pleasure of playing his masks onstage in several settings,” said Sean Andries, executive director of Chehalem Cultural Center, in the press materials. “The ability of a well-crafted mask, full of life, to reveal the true sense of the performer who wears it has always transfixed me. When I heard about Tony’s vision for A Universal Feeling, coupled with an exhibit of his mask-making journey with Reveal/Conceal, I was immediately intrigued. By collaborating with artists from many cultures and backgrounds to ‘finish’ the masks he created for this special project, Tony has found a new way to reveal the nature of the artist within.”

Andries refers to Fuemmeler’s other exhibit, Reveal/Conceal: The Transformative Masks of Tony Fuemmeler, a selection of his own work, including some of his earliest pieces. Most are human, but some are not, and one is, arguably, both: Bottom from A Midsummer Night’s Dream makes an appearance. All, he points out, were made for and used on the stage. This is the first time Fuemmeler has shown his masks in a gallery exhibit. It is a welcome debut.

Continues…

‘Caught up in the riptide’: ‘Sweat’ at Linfield Theatre

Lynn Nottage's drama of working-class life is difficult and ambitious -- and Linfield College is putting on a production that leaves the audience gobsmacked

You might be forgiven lowered expectations when a college theater launches a production of a work as ambitious and difficult as Lynn Nottage’s Sweat, which opened last week at Linfield College in McMinnville and continues this weekend. Actors lack the experience generally seen on a professional stage; some may not have had theater training beyond the rehearsals. Young people who perhaps haven’t even thought of having children play parents, etc. It’s not ideal.

All that said, Linfield’s Sweat, which I saw on opening night, is a triumph and reminder that local theater can leave you as gobsmacked as anything you might see in Portland or Ashland. After the heartbreaking final scene, there were tears in the audience. During a talkback session, one audience member quietly noted that she couldn’t talk about it; she needed some time. One man said, “I’ve lived that.” I saw the play in 2015 at the Oregon Shakespeare Festival, so I knew how it ends. And I was gobsmacked all over again.

I found myself sitting almost dead center, next to Ronni LaCroute, whose sponsorship helped make the production — and the hiring of guest director Adleane Hunter — possible. Behind me was Miles Davis, the college’s president. He’d brought with him a young man from McMinnville High School who had, apparently, never seen a play before. I can’t even. Talk about setting the bar high! Who knows what seed that experience planted? All told, it was a memorable evening.

Nicole Tigner (left) plays Jessie and Elise Martin plays Tracey in a scene from Lynn Nottage's Pulitzer Prize-winning “Sweat,” which continues its run at Linfield College Theater in McMinnville 7 p.m. Thursday through Saturday. Photo courtesy: Linfield College Theatre
Nicole Tigner (left) plays Jessie and Elise Martin plays Tracey in a scene from Lynn Nottage’s Pulitzer Prize-winning “Sweat,” which continues at 7 p.m. Thursday through Saturday at Linfield College Theatre. Photo courtesy: Linfield College Theatre

Sweat opens with two tense exchanges. A parole officer (Linfield junior Robert Santos, lending solid credibility to the play’s smallest role) interviews two parolees: Jason (Sam Hannigan, a junior from Hood River) is an angry young man sporting white supremacist tattoos who seems coiled to strike at any moment, and Chris, a young black man (played by Isaiah Alexander, one of three guest artists featured in the cast) who is more subdued and defeated. We learn that they’ve been in prison several years and recently met for the first time since an incident that got them locked up. Yes, the audience eventually sees what the incident was, and yes, it’s horrible.

Continues…