Franz Xaver Messerschmidt’s sculpted screams

Trick and treat: Once the sculptor to Vienna's royal family, the 18th century artist's life and work took a turn to the macabre. For this tortured yet talented soul, every day became Halloween.
VEXED MAN & GARGOYLE, 2024
VEXED MAN & GARGOYLE, 2024


Photographs and Text by K.B. DIXON


Sponsor

Hallie Ford Museum of Art Willamette University, Salem Oregon

Halloween is coming up, so I assembled my office staff to celebrate with a commemorative photo. As you can see, none of them particularly cared for the idea.

Some OAW readers may recognize a few of the gargoyles featured here from an earlier ArtsWatch piece, “Gargoyles and Grotesques.” The human faces, however, are relatively new additions to my cabinet of curiosities. They have assumed supervisory positions and spend the better part of their day listening to their shelfmates’ complaints about pretty much everything.

These busts are replicas of work done by the 18th century Austrian sculptor Franz Xaver Messerschmidt — an unusual artist, or should I say an artist of the unusual. Once the sculptor to Vienna’s royal family, he suffered what has been retroactively diagnosed as a schizophrenic breakdown.

He sold off most of his earthly goods and abandoned Vienna for a hermit’s cottage in Slovakia, where he spent the last years of his short life (he died at 47) working on a personal project, a distinctly idiosyncratic collection of uniquely peculiar portrait busts he called “character heads.”

Unfortunately, Messerschmidt never christened his creations. They were originally thought to be the work of a lunatic, and the bizarre and occasionally comic names they have been given were supplied after his death by a cavalcade of prats. There is, for example, The Incapable Bassoonist, The Enraged and Vengeful Gypsy, and The Man Afflicted with Constipation.

One of the characters here in my modest collection has been flagrantly misnamed “Yawning Man.” It is possible, I suppose, to see him as yawning, but I never have. I have always seen him as “Screaming Man.” Consequently, I have become “Annoyed Man”—irritated by the anonymous effort to co-opt my interpretation.

The diametric divergence of these readings made me think immediately of that famous poem by Stevie Smith:

Sponsor

Hallie Ford Museum of Art Willamette University, Salem Oregon

“Nobody heard him, the dead man,

But still he lay moaning:

I was much further out than you thought

And not waving but drowning.”

Yawning Man is not yawning but SCREAMING — as well he should be. Most days are frightening for him. Halloween is nothing new.

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Screaming Man & 4 Gargoyles, 2024

Screaming Man & 4 Gargoyles, 2024

Sponsor

Chamber Music NW Summer Festival Portland Oregon

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Vexed Man & 3 Gargoyles, 2024

Vexed Man & 3 Gargoyles, 2024

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Screaming Man & 3 Gargoyles, 2024

Screaming Man & 3 Gargoyles, 2024

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Vexed Man & 2 Gargoyles, 2024

Vexed Man & 2 Gargoyles, 2024

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Sponsor

Hallie Ford Museum of Art Willamette University, Salem Oregon

3 Character Heads & Gargoyle, 2024

3 Character Heads & Gargoyle, 2024

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Vexed Man & 3 Gargoyles #2, 2024

Vexed Man & 3 Gargoyles #2, 2024

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Screaming Man & 3 Gargoyles #2, 2024

Screaming Man & 3 Gargoyles #2, 2024

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5 Character Heads & 2 Gargoyles, 2024

5 Character Heads & 2 Gargoyles, 2024

Sponsor

Chamber Music NW Summer Festival Portland Oregon

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Screaming Man & 2 Gargoyles, 2024

Screaming Man & 2 Gargoyles, 2024

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Vexed Man & 3 Gargoyles #3, 2024

Vexed Man & 3 Gargoyles #3, 2024

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Screaming Man & 3 Gargoyles #3, 2024

Screaming Man & 3 Gargoyles #3, 2024

K.B. Dixon’s work has appeared in numerous magazines, newspapers, and journals. His most recent collection of stories, Artifacts: Irregular Stories (Small, Medium, and Large), was published in Summer 2022. The recipient of an OAC Individual Artist Fellowship Award, he is the winner of both the Next Generation Indie Book Award and the Eric Hoffer Book Award. He is the author of seven novels: The Sum of His SyndromesAndrew (A to Z)A Painter’s LifeThe Ingram InterviewThe Photo AlbumNovel Ideas, and Notes as well as the essay collection Too True, Essays on Photography, and the short story collection, My Desk and I. Examples of his photographic work may be found in private collections, juried exhibitions, online galleries, and at K.B. Dixon Images.

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