Oregon ArtsWatch

Arts & Culture News
Independent. Insightful. Inspiring.

‘In Her Wake’: Rebecca Hooper finds artistic renewal via her tapestry of an orca pair along the Coast Highway near Seal Rock

A trip to Europe and a timely request inspire the fiber artist to dump the doormats and work large.
Rebecca Hooper worked in public along U.S. Route 101 for more than two weeks weaving an orca mother and calf out of discarded marine rope on an 8-foot arbor. Photo courtesy: Rebecca Hooper
Rebecca Hooper worked in public along the Coast Highway for more than two weeks weaving an orca mother and calf out of discarded marine rope on an 8-foot arbor. Photo courtesy: Rebecca Hooper

A new piece of art on Highway 101 in Seal Rock is stopping traffic — as is the intention. But the fiber art depicting a mother orca and her offspring is more than a showstopper for a local art gallery. For Newport-area artist Rebecca Hooper, the piece, titled In Her Wake, marks not only a new way forward as an artist, but also an unexpected end to a business that was wildly successful.

Two months ago, Hooper took a break from her work as a weaver for some much needed time off with family. She expected soon to be back to the work that — once fueled by passion — had become a grind. But that’s not the way it went. Instead, Hooper returned a different person with a clear idea that her life had to change. But how? The answer arrived in the form of a phone call and a request.   

About three years ago, Hooper hit upon the idea of weaving discarded marine rope into doormats — a design originally created in the 1970s by Maine entrepreneur Dave Carter. After mastering the art of the doormat, Hooper moved on to making baskets, wall art, and her signature jellyfish. The demand was beyond anything she’d imagined, and soon Hooper was working well into the evening, routinely putting in more than 50 hours a week to keep up.

In 2023, Hooper wove and sold 286 doormats, 364 baskets, 198 jellyfish, 39 wreaths, and 96 pieces of wall art. A year later, when the Lincoln City Cultural Center hosted Hooper’s first solo show, she sold nearly everything on display — then hurried back to her Gypsea Weaver Studio to weave more. On and on it went.

“The business part of weaving mats and baskets and jellyfish just turned my creativity into a manufacturing plant, where it was just weaving to get them done,” Hooper said. “I was running my own little sweatshop.”

The orca mother and calf tapestry were commissioned for display outside the Little Taste Gallery in Seal Rock. Photo by: Lori Tobias
The orca mother and calf tapestry were commissioned for display outside the Little Taste Gallery in Seal Rock. Photo by: Lori Tobias

In June, Hooper said, she “wove my ass off” to stock shop shelves before taking her daughter and granddaughters to visit family in New Mexico and then overseas.

“None of us had been to Europe, and so we approached it like a buffet,” Hooper said. “We flew into London and then took a train to Paris, to Milan, to Rome, to Naples…. We would walk five to 10 miles a day, and around every corner was something new. It was just being open and curious and being completely in the right-now, just enjoying what I’m doing, what I’m smelling, what I’m eating, what I’m looking at. It was the first time I felt stress-free in three years. Vacation changed me. When I came back, I knew I couldn’t keep doing what I was doing.”

Sponsor

Trinity Episcopal Cathedral Christmas Organ Music Concert Portland Oregon

She couldn’t “make one more doormat,” but the way forward wasn’t obvious. Then, she got a call from Lori Vallelunga, owner of the Little Taste Gallery and Fire Rock Ocean Sky Healing Arts (under construction) in Seal Rock. Vallelunga said she’d bought a metal arbor — 8 feet in diameter — from a local welder who creates the arbors from reclaimed materials and was hoping Hooper would weave something on it. The outdoor tapestry would be on display outside Little Taste Gallery.

“She told me I could weave whatever I wanted,” Hooper said. “She gave me free rein.”  Hooper, a former aquatic biologist, decided on the orca theme after reading recent bad news about the animals: “I’d just read that there are less than 80 southern resident orcas in existence. That really hit me. I knew they were endangered, but I hadn’t realized the population was so low.”

Along Highway 101, in view of the thousands of passersby, Hooper began weaving.  

“There were people stopping and talking about what I weaving,” Hooper recalled. “They were saying, ‘It gives me goosebumps,’ or ‘I want to buy it when you are done.’ They didn’t even ask what I would charge. It was very rewarding to weave, but also slow and tedious and physically exhausting. I had to get a massage halfway through. But as I was weaving it, every strand just kept getting deeper into my bones. I just felt so alive. I thought, this is what I want to do. I need this — for my art heart.”

Rebecca Hooper takes a break on the tidepool-themed bench she crafted on an arbor welded from reclaimed metal. Photo courtesy: Rebecca Hooper

Hooper was on site for more than two weeks, weaving 1,500 feet (about 85 pounds) of discarded marine rope over 35 hours. Back in her studio, she put out word that she was done with doormats and jellyfish and sold all that remained.

Since then, Hooper has fielded calls from locals, a city public arts committee, and the people who watched her work alongside the highway looking to commission a piece of their own. She’s been working on a tidepool-themed bench and an ocean portal — both already sold — and has plans to enter In Her Wake, in an international fiber arts show. She’s also planning to create outdoor tapestries on discarded crab rings — about 3 feet in diameter.

“Tapestry has always been an indoor art, woven with wool and materials that will last hundreds of years, but they have to be indoors. This is tapestry made to be outdoor art,” she said. “The thing I love is that it really makes a statement. It’s colorful, fun, and it’s reclaimed material.”

Sponsor

Expand access to trusted local arts news.

Hooper attaches the commercial dungeness crab permit tags to her tapestries as a signature of sorts as well as a nod to the vessels that fish out of the Port of Newport. Photo by: Lori Tobias
Hooper attaches the commercial dungeness crab permit tags to her tapestries as a signature of sorts as well as a nod to the vessels that fish out of the Port of Newport. Photo by: Lori Tobias

Lori Tobias is a journalist of many years, and was a staff writer for The Oregonian for more than a decade, and a columnist and features writer for the Rocky Mountain News. Her memoir “Storm Beat – A Journalist Reports from the Oregon Coast” was published in 2020 by Oregon State University press. She is also the author of the novel Wander, winner of the 2017 Nancy Pearl Book Award for literary fiction and a finalist for the 2017 International Book Awards for new fiction. She lives on the Oregon Coast with her husband Chan and Rescue pups Gus and Lily.

Conversation

Comment Policy

  • We encourage public response to our stories. We expect comments to be civil. Dissenting views are welcomed; rudeness is not. Please comment about the issue, not the person. 
  • Please use actual names, not pseudonyms. First names are acceptable. Full names are preferred. Our writers use full names, and we expect the same level of transparency from our community.
  • Misinformation and disinformation will not be allowed.
  • Comments that do not meet the civil standards of ArtsWatch's comment policy will be rejected.

If you prefer to make a comment privately, fill out our feedback form.

Leave a Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Sign up for our weekly newsletter
Subscribe to ArtsWatch Weekly to get the latest arts and culture news.
Name