Portland writer Steven Christiansen’s YA novel, ‘The Blue Line Letters,’ chronicles life along the MAX line

The tale of a 17-year-old riding the train weekdays from Gresham to Hillsboro is an entrancing read, full of teenage trauma and yearning.
Steven Christiansen, a counselor at Estacada High School, estimates 60 percent of the stories in his first novel, “The Blue Line Letters,” really happened.

About a quarter century ago, when he was in college, Steven Christiansen had a summer job in Hillsboro. He lived in Gresham, 33 miles away.

The two cities are at opposite ends of the Portland area’s MAX Blue Line light-rail train. The trip takes about an hour and a half each way. On his daily journey, Christiansen had plenty of time to take notes.

Now in his early 50s, he’s finally pulled all those notes, with a good deal of intelligence and verve, into a young adult novel called The Blue Line Letters

Ty Clark, a 17-year-old high school rising senior, rides the train every weekday from Gresham to his internship in downtown Hillsboro. He doesn’t talk about the job at all, but in a series of letters to his high school English teacher, Ms. Warne (referred to at one point as Obi-Warne), he describes his daily experiences.

“The Blue Line Letters” is published by Ooligan Press at Portland State University.

Each chapter is named after one of the 48 stations on the Blue Line. An extra chapter is reserved for Powell’s Books, which is definitely not on the Blue Line but is a favorite of Ty’s — and Christiansen’s. 

The result is an entrancing read, full of teenage trauma and yearning. There’s a girl — she rides the MAX to her volunteer job at the Oregon Zoo — and she shares her secret life with Ty at the end.

Meanwhile, a lot happens in this summer on the train. In no particular order: A woman gives birth, Ty poops his pants (too much Honey Bunches of Oats for breakfast), he gets to know some of the other regulars, and a scruffy “prophet” climbs on and off the train, prophesying. 

Sponsor

Clackamas Repertory Theatre Sherlock Holmes Oregon City Oregon

At one point, the prophet takes on country music. Ty recounts his ramblings but doesn’t get the references at all:

“The red dirt road always leads to a ring of fire where you and I go fishing in the dark. If tomorrow never comes, I need you now, because rain is a good thing…. Country roads take me home because I’m gonna stand by your man before he cheats something fancy.”

He might not know country music, but Ty is a special kid, even a budding academic. He tosses about terms like “deus ex machina” and can spell “Bismarck.” He’s reading Jane Eyre as a school assignment and comes, grudgingly, to appreciate it. I had no idea any high school teacher ever assigned that book, but Christiansen, who taught English at Estacada High School before becoming a counselor there, says it does happen.

He says maybe 60 percent of the stories in the book really happened, including the recounting of the death of Ty’s brother by drowning at a water park. Christiansen lost a brother that way.

Christiansen originally self-published his book, but when it was featured by the Multnomah County Library Writers Project, it was picked up and published by Ooligan Press, the student-run press of Portland State University.  Christiansen, who has a degree in teaching English from PSU, is delighted. “I love that the book is about Portland and it’s a Portland press,” he said.

Fran Gardner spent most of her career in the newsroom of The Oregonian, as an editor and writer. Many years retired, she curates insights, photos, and poems into a weekly posting called Becoming. Find it at frangardner.substack.com.

Conversation

Comment Policy

  • We encourage public response to our stories. We expect comments to be civil. Dissenting views are welcomed; rudeness is not. Please comment about the issue, not the person. 
  • Please use actual names, not pseudonyms. First names are acceptable. Full names are preferred. Our writers use full names, and we expect the same level of transparency from our community.
  • Misinformation and disinformation will not be allowed.
  • Comments that do not meet the civil standards of ArtsWatch's comment policy will be rejected.

If you prefer to make a comment privately, fill out our feedback form.

Leave a Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Sign up for our weekly newsletter
Subscribe to ArtsWatch Weekly to get the latest arts and culture news.
Please enable JavaScript in your browser to complete this form.
Name