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Dance

Review: NW Dance Project dancers impress in Carmen+, the classic tale with a twist

The world premiere of Caroline Finn's "Don't Forget to Panic" and the return of Ihsan Rustem's "Carmen" with original stars Andrea Parson and Franco Nieto create a pleasurably riveting evening.

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November DanceWatch: From Dracula to Dia de los Muertos to Cirque Nutcracker, let the holidays (and more) begin

The month's dance calendar also includes Balinese dance, a "Sleeping Beauty" with lights, Barcelona's RUNA, push/FOLD's "Catalysts," "Enchanted Toyshop" and more.

Preview: Eugene Ballet’s ‘Dracula’

Suzanne Haag’s full-length world-premiere reimagines Dracula with a film noir theme, multi-media scenery, and gravity-defying choreography.

Review: Complexions’ dances of life

In a three-night run at Portland's Keller Auditorium, the contemporary ballet troupe reflected growth, change, humor, and a welcome energy of joy.

Deborah Hay at BodyVox: A postmodern icon reveals her inner dance

At the end of a weeklong residency in Portland, the legendary dance minimalist talks onstage about her artistic process and thinking at a cellular level.

October DanceWatch: Celebrating democracy in dance

From OBT's "Dracula" and White Bird's Complexions and Limon troupes to a seasonal "BloodyVox," dance from Korea, India and the Philippines, and small-scale contemporary works, October dance opens its doors to all.

TBA Festival: keyon gaskin’s dark mirrors

"tba: to be diasporic un determined," in PICA's annual Time-Based Art Festival, feels like "a co-creation of a world in the making; a portal to (Black) possibility."

Dance Review: Carlyn Hudson’s ‘A Presentation’ is a dazzling complexity

The dancer and choreographer, whose work blends the precision of ballet with contemporary impulses and a dash of comedy, continues through Sept. 14 at Boyvox.

‘GRIOT’: Celebrating the keepers and creators from Senegal to Brazil and beyond

Rejoice! Diaspora Dance Theater's newest work, debuting Sept. 12-21 at Reed College, dives into the soul of the tradition-keeping griot from past to present and future.

Linda Austin’s Performance Works Northwest celebrates 25 years with Foreman Fest Redux

Playing with the words of theater experimentalist Richard Foreman, Austin and a host of fellow performers celebrate a quarter-century of cutting-edge dance in Portland.

September DanceWatch: PICA’s TBA Festival and a harvest of fresh and classic works

From the Time-Based Art Festival to Griot, flamenco, classic dance of India, the legendary Deborah Hay, the Portland Dance Film Fest, Grand Kyiv Ballet's "Swan Lake" and much more, the fall dance season gets off with a bang.

Dance Review: JmeJames Antonick’s XO-interstitium blends connection & oblivion

Dark whimsy, electronica, flashing lights, slow stoicism and a certain softness mark the debut of the troupe Trash Babe Productions at Performance Works Northwest.

‘It’s just home’: Marianas Festival will share Pacific Island culture and heritage with thousands this weekend

The three-day festival includes workshops in Vancouver, Wash., as well as dance, music, and food across the river in Fairview’s Blue Lake Regional Park.

Siletz’s Nesika Illahee Pow-Wow is a chance to reconnect, remember, celebrate, and open tribal community to all

The annual event, held last week, is both an act of commemoration and resilience. "For me these steps aren’t just a dance, it’s reconnecting with Mother Earth, with water and air,” says one dancer.

August DanceWatch: Linda Austin’s 25 Hours!, Art in the Dark, Indian dance fest

High summer brings a swelter of dance performances, including a Vancouver arts festival, Summer Soup, NW Dance Project, and more.

Katherine Murphy Lewis’s ‘From the Ground UP’ plans for the future

Lewis's nonprofit is a home for developing adventurous new performance ranging from dance to physical theater, femme storytelling, clowning, and more.

At Florence children’s theater group C.R.O.W., family is a big part of the fun

Children’s Repertory of Oregon Workshops — C.R.O.W. — offers low-cost classes in dance, musical theater, and performance — not to mention The Tutu Dads.

July DanceWatch: An overflow of dances as tempting as a glass or two of fine wine

From Ten Tiny Dances to dancing in the trees, July's lineup bubbles with well-seasoned complexity and frisky flavors.

Dance Maker Discussion: Tahni Holt’s long-term collaboration with community and open systems

The Portland and global dance artist creates "a landscape in which there is room for glimpses of everyone’s stories."

Remembering dancer, choreographer and teacher Anita Menon

The much-loved advocate of the Bharatanatyam dance of her native India, who established Portland's Anjali School of Dance and also worked on Western theater projects, is praised for her openness and collaborative approach to art.

NW Dance Project’s playful, slyly defiant ‘Piaf’ and ‘Midsummer Night’s Dream’

In the face of a federal war on the arts and queer expression, the Portland company closes its season with a pair of shows that range from robust parody to pandemonium to Pride.

Toni Pimble: Passing the ballet torch

After 46 years as artistic director of Eugene Ballet, Pimble is handing leadership to longtime company members Jennifer Martin and Suzanne Haag. For Pimble and Eugene, it's been a rich and rewarding near-half-century – and more to come.

Andrea Parson’s ‘You Can’t Be Serious’

In her hometown of Hillsboro, the dancer and choreographer's evolving one-woman show about her younger sister's death from cancer goes through grief and pain and "the mess of loving."

June DanceWatch: Griot, Riverdance, OBT and a chat with Barry Johnson about Portland’s evolving contemporary scene

Plus: Shining the Light at The Reser, NW Dance Project's student showcase, OIBA's 10th anniversary show, Alembic Artists' new work, a Ballet Folklorico debut.

BodyVox’s bubbly Bardic double feature

The dance company's trademark humor (and Champagne for the audience) bring some welcome fizz to reimaginings of "Romeo and Juliet" and "A Midsummer Night's Dream."

Preview: Eugene Ballet’s ‘A Midsummer Night’s Dream’ and ‘Silk & Steel’

The two dances, both choreographed by Toni Pimble, mark the end of Pimble's almost half-century as the Eugene company's co-founder, artistic director, and creative force.

Dance Review: Grupo Corpo thrills with precise and dizzying energy

The Brazilian dance company, renowned for its precise synchronized dancing and Afro-Brazilian movement, provided a joyful night that transfixed and transported its Portland audience.

May DanceWatch: Springing into action

Oregon's busy May dance calendar ranges from world premieres to personal solo work, rock operas, Indian dance, African dance, Shakespearean remixes and more.

Dance Review: Canada’s Rubberband is a joy to behold

In its White Bird performances at The Reser in Beaverton, the company brilliantly blends hip-hop, contemporary and classical elements into a fused whole.

‘Kalyana Mitra’: A dance of friendship

Subashini Ganesan-Forbes' new work, performed with Angela Mazziotta and Jordan Isadore, embraces Buddhist concepts and blends Bharatanatyam and contemporary movement.