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OBF2025

But these are inhuman: Paul Jacobs and “The Art of Fugue” at Oregon Bach Festival

The superlative organist, a long-time OBF favorite, tackled Bach’s late masterpiece on Central Lutheran Church’s Brombaugh organ.

Standing between darkness and light: A concert of peace at Oregon Bach Festival

OBF artistic partner Craig Hella Johnson and guest pianist Awadagin Pratt combined music by Samuel Barber, Jesse Montgomery, Arvo Pärt and Vaughan Williams.

This chant of life: Craig Hella Johnson’s “Considering Matthew Shepard” at Oregon Bach Festival

The choral superstar and OBF artistic partner led the OBF chorus and modern orchestra – along with a few hundred surprise guests – through a heartfelt performance of his exquisitely crafted “fusion oratorio.”

A Tale of Two Venues: Discovering and Rediscovering Bach’s “B Minor Mass” and Stangeland Family Youth Choral Academy at Oregon Bach Festival

Two OBF concerts, two venues – Mt. Angel Abbey and Beall Hall – and two totally distinct choral experiences with their own triumphs and challenges.

Jam the sound that light makes: ‘Passion for Bach and Coltrane’ at Oregon Bach Festival

Imani Winds, Harlem Quartet, A.B. Spellman, and a jazz trio joined forces to bring Jeff Scott's award-winning homage to Bach and Coltrane back to Oregon.

Hearkening back: Joseph Marcell narrates ‘Markus Passion’ at Oregon Bach Festival

The actor, along with four singers and the OBF Baroque Orchestra directed by Julian Perkins, performed the Malcolm Bruno reconstruction of Bach's "pocket passion."

Sheer, trembling majesty: Oswald Huỳnh’s Bach ode, Berio’s “Folk Songs,” and Fauré’s “Requiem”

Mezzo Fleur Barron and baritone Elliot Madore joined the Oregon Bach Festival Chorus and Modern Orchestra for a concert of stellar performances.

Music chose me: Kit Armstrong at CMNW and OBF

The keyboardist, composer, and mathematician discusses his storied background; his performances of Bach and his own music at this year’s summer festivals; the church he bought in France; and why he never practices.

Telling the tale: Fleur Barron and Gloria Chien at Oregon Bach Festival

The mezzo-soprano (star of several OBF and Chamber Music Northwest concerts this year) and pianist (co-artistic director of CMNW) delivered a stirring “Liederabend” concert at Beall Hall.

What do I like about this? Caroline Shaw discusses the influence of Baroque music on her “Concerto for Harpsichord and Strings”

The composer reflects on the playfulness of Bach, Corelli, and Vivaldi–and their impact on her recent concerto, performed at Oregon Bach Festival and Chamber Music Northwest this summer.

More brilliantly shines the beauty: The “Brandenburg Concertos” in Oregon

Shunske Sato, violinist and master of Historically Informed Practice, led a wonderfully fresh rendition of Bach’s “six concertos for several instruments” in a collaboration between Chamber Music Northwest and Oregon Bach Festival.

Heaven on earth: A history of University of Oregon’s Beall Concert Hall and its famous Jürgen Ahrend organ

Celebrating the 100th anniversary of the concert hall, the well-tuned home of many Oregon Bach Festival concerts.

MusicWatch Monthly: Summer of feasts

Britt Music & Arts Festival, In A Landscape, Oregon Bach Festival, Chamber Music Northwest, Makrokosmos Project–plus “Celilo Falls,” esperanza spalding, two from Cascadia Composers, and the return of “Bird Songs of Opera.”

Alive and awake fully in this life: Considering Oregon Bach Festival’s choral offerings

From Craig Hella Johnson’s “Considering Matthew Shepard” to a reconstruction of Bach’s “St. Markus Passion” to a balletic “Carmina Burana,” and plenty more.

A complete ecosystem of music: Discussing the Oregon Bach Festival Composers Symposium with founder and director Dr. Robert Kyr

The composer lays out the history, mission, and philosophy of the OBFCS, now in its 30th year bringing together composer-performers.