Theater

For stories published before 2019, visit our archive site.

August Wilson & Kevin Kenerly help kick off Oregon Shakespeare Festival’s 90th season

Kenerly, a 26-year veteran of the Ashland festival who has starred in other works by the great American playwright, digs into Wilson's world of "Jitney" as the season begins.

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Artists Repertory Theatre Portland Oregon

Center Stage’s searing ‘Virginia Woolf’: Why now?

Edward Albee's 1960s masterwork of two toxic marriages gets a bold and skillful new performance. Sixty years later, does its evening of drink and destruction still sting?

‘Hamilton’ roars back into Portland

The latest Broadway tour of Lin-Manuel's historical hit musical, back in town through March 23, thrillingly tells its early American tale in contemporary style.

As Ashland’s theater season kicks in, an actor does double duty without a doubt

Daniel Molina, who will be in "Shane" at the Oregon Shakespeare Festival this summer, gets an early start in Rogue Theater Company's "Doubt" and "Cat on a Hot Tin Roof."

Unexpected connections, onstage and off

Bringing authenticity to neurodiversity: PHAME Academy and Artists Rep collaborate on Diana Burbano’s "Sapience," a play that deals in part with being on the spectrum.

Review: Third Rail’s potent ‘A Case for the Existence of God’

Actors Isaac Lamb and Charles Grant shine in Samuel D. Butler's empathetic drama about two men struggling to discover answers to life's big questions.

‘Sapience’: A loving look at diverse abilities

Artists Repertory Theatre’s warm and colorful premiere of Diana Burbano’s play embraces its array of characters.

DramaWatch: A whole new fairy tale world

Speculative Drama’s immersive show “Bitter Herb: A Play in Movement” invites audiences to explore the realm of fairy tales. Plus: other openings, continuing shows, theater news.

Shakespeare, minimalist and feminist

Bag&Baggage Productions’ snappy "Beginnings & Endings" presents a stripped-down "Richard III" and a modern look at the Bard’s women.

‘Notes from the Field’: A play for today

Portland Playhouse's sterling production of Anna Deavere Smith's play about the school-to-prison pipeline meets the nation's political and cultural moment.

A satirical and entrancing ‘Antipodes’ at Shaking the Tree

Review: Samantha Van Der Merwe’s production of Annie Baker’s play is a beguiling blend of realistic dialogue and theatrical magic.

21ten’s broadly comic ‘Chekhov: 3 Farces’ offers some rowdy and welcome laughs

Review: New translations and superb performances (plus a little Looney Tunes) bring "The Bear," "The Proposal," and "The Ravages of Tobacco” to invigorating life.

The future of Portland theater? Seven young artists who are making a difference

Despite tough times, theater is NOT dead, Bobby Bermea declares, and talks with seven up-and-coming theater artists who are changing the game on Portland stages.

DramaWatch: Only connect, all over town

With a multitude of shows opening in the next few weeks, the artistic teams read like a who’s who of Portland theater favorites. Plus: Other openings, including a bold new adaptation of Shakespeare’s “Macbeth.”

Stage & Studio: A conversation with the star and director of ‘Notes From The Field’

In Anna Deavere Smith's solo play opening at Portland Playhouse, there are "heavy issues" but also "moments of light and hope. And joy.”

A farewell to theater critic Misha Berson

The longtime Seattle theater and culture writer, who also contributed often to Oregon ArtsWatch, embraced life and art with passion and a constant case of curiosity.

Vin Shambry: Peeling the ‘Pass Over’ onion

Antoinette Nwandu's play, a co-production of Corrib Theatre and Historic Alberta House, holds a fascinating conversation between Black American life and "Waiting for Godot."

North County Recreation District: From a pool to plays, Nehalem’s hub serves coastal community

Based in a school designed by A.E. Doyle, the 30-year-old NCRD is home to concerts, lectures, an art gallery, and soon, a new $16.4 million aquatics center.

Review: Don Horn’s ‘Gospel’ leap of faith

With "J.C.: Gospel According to an Angel," the founder of Triangle Productions! and composer Michael Allen Harrison turn biblical debates into a transcendent new musical.

Remembering theater and music artist Ernie Lijoi

The multi-talented actor, playwright, composer, singer, lyricist, and recording artist, who came to Portland from New York City, leaves a host of memories and fine work.

Ashland youths experience theater as a creative act

In the heart of Oregon Shakespeare country, Empowered Arts Ensemble participants study before the performance how to connect on stage — and collaborate on their own play.

DramaWatch: Michael Allen Harrison, composing a new musical, lives by his father’s advice to ‘love what you do’

The prolific composer thrives on his packed schedule, which includes rehearsing for "JC: Gospel According to an Angel," a new musical at Triangle Productions. Plus: Other openings, still running, and theater news.

Remember Sowelu? The experimental ensemble is back with three new plays

Bobby Bermea: After several years of shifting to award-winning independent films, the ensemble returns to the theater stage with a short run of one-act plays.

Dylan Hankins’ ‘Faena’ at PETE: A bull, a matador, and button-pushing comedy

The short-run play, performed in Spanish with English interpretation, challenges convention, its author says: “I like pushing buttons. I like being kind of wrong and perverted.”

Review: Lauren Yee’s ‘Samsara’ at Profile is not to be missed

Playful and richly unsettling, Yee's drama about surrogacy and impending parenthood and a kind of colonialism is a gift in the best and most complicated ways.

‘Mrs. Harrison’: Movable mosaic of a showdown in an upscale bathroom

Review: R. Eric Thomas's densely stitched two-hander play at Portland Center Stage raises a complex tapestry of questions about race, friendship, and storytelling.

Bobby Bermea: Talking babies and surrogates and ‘Samsara’ with Lauren Yee

The prolific playwright, whose drama about an American couple and a surrogate mother in India is playing at Profile Theatre, talks about big dreams and "the prickly, messy places where cultures collide."

DramaWatch: Performers from two thought-provoking plays talk about their characters.

Audiences and actors alike have the chance to engage with the issues presented in “American Son” and “Samsara.” Plus: Openings, mid-run shows, coming up, theater news.

Breathtaking performances, lush set make Imago’s ‘Streetcar’ a stunning experience

Review: Jerry Mouawad is the maestro behind this tragic but artistically magical reimagining of Tennessee Williams's great American drama "A Streetcar Named Desire."

‘Kimberly Akimbo’: A quick-aging teen’s musical dash through time

The Broadway hit, the touching and often funny tale of a girl whose body ages rapidly far beyond her years, settles into Portland's Keller Auditorium for an eight-show run.