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Theater

Theatre Diaspora: Moving ahead with a fresh new look

The company, Oregon's only Asian American, Native Hawaiian and Pacific Island-focused theater, is expanding its vision and opening up to ideas from its audiences.

‘Much Ado About Nothing’: Cranking up the color and charisma

Theater review: Salt and Sage offers a merry comedy of Shakespearean romantic mix-ups.

Northwest Theatre Workshop’s Creative Evolution

As its founding leader steps down after a decade, the Portland theatrical innovator celebrates its play development model with a two-play showcase this weekend and next — and a coming new model of artistic leadership. 

‘Oliver!’: An impoverished orphan finds love amidst rousing music

Stumptown Stages' colorful revival of Lionel Bart's classic 1960 musical version of Charles Dickens' novel of scoundrels and pickpockets is an exuberant delight.

‘Black Nativity’: Let the spirits soar

Review: PassinArt continues its long tradition with a gorgeous and moving production of Langston Hughes's gospel songplay, this year at Alberta Abbey.

DramaWatch: World premiere of ‘Death of a Drag Queen,’ holiday shows and more

Plus: Holiday shows, Northwest Theatre Workshop’s Founder’s Showcase, continuing shows, reading series celebrating William S. Gregory, theater news.

At Portland Center Stage, an author joins her ‘Little Women’ onstage

Review: In Lauren Gunderson's stage adaptation, Louisa May Alcott plays a central role among her creations, bringing an old-favorite novel into the modern age.

Stage & Studio: A timely ‘Christmas Carol’

Dmae Lo Roberts' new podcast gets the lowdown from director Charles Grant and star La'Tevin Alexander on this year's Dickens classic onstage at Portland Playhouse.

Best Christmas ever! North Bend’s Liberty Theatre completes 10-year-restoration just in time for holiday shows

The Little Theatre on the Bay presents a double-header of Christmas plays, followed by its ‘Little Ole Christmas Opry,’ in the renovated 1924 theater.

DramaWatch: Late fall shows, from Christmasy to classical … and beyond

“Little Women,” lots of musicals, and Recta the drag clown are among the offerings for this holiday season. Plus: Continuing shows and Rogue Theater Company’s new season.

A Grimm spin: ‘Stilt’ successfully turns a dark story into theatrical gold

Review: Corrib Theatre’s world premiere production draws from the tale of Rumpelstiltskin to challenge the online narratives of today’s far right.

In Newport, ‘The SpongeBob Musical’ at Porthole Players is a community — and family — affair

The extravaganza received help from the Siletz Tribe and Oregon Coast Aquarium. “The county is all-in on this production,” says director Morgan Locklear.

‘Recent Tragic Events’: Taking a trip back in time to better understand today

Review: Celebrating its 20th anniversary, Third Rail Rep’s pitch-perfect revival of its inaugural show sheds light on the events of 2025.

Something witty this way comes

Ashland to host its first-ever Sarcasm Festival Dec. 5–7 as a host of comedians converge on Shakespeare territory and aim for audiences' funny bones.

Ten Fifteen Productions: The Astoria theater company that doesn’t shy from the controversial

The theme of the community theater’s next season is “America the Beautiful?” And, yes, the question mark is intentional.

‘Madonna of the Cat’: Everyday emotions, abandoned child, and, oh – a talking bear 

Review: The world premiere at 21ten Theatre of Sue Mach’s play filling in the 16-year gap in Shakespeare's "The Winter's Tale" uses fantasy and whimsy to explore real-life woes.

Third Rail Rep: Back to the beginning

As it enters its 20th season, the company brings back its very first show, Craig Wright's "Recent Tragic Events," for another go-around with original director Scott Yarbrough.

DramaWatch: The Fertile Ground Connection

Former festival producers are spreading their roots and wings this month with new and revised productions. Plus: Season openers from Third Rail Rep and Corrib Theatre.

Lauren Modica-Soloway: Beyond ‘Witch’

As the Portland actress approaches the final week in the title role of Profile Theatre's hit show, she looks back on the highs and lows of her creative career and her return to the stage from a five-year hiatus.

Oregon Shakespeare Festival’s 2026 season will feature some fan-favorite actors

The Ashland festival announces key cast members for next year's 10-play season; tickets go on sale for members in November and for the general public Dec. 2.

Stage & Studio: ‘Madonna of the Cat’

Podcast host Dmae Lo Roberts talks with playwright Sue Mach and director Gemma Whelan about Mach's play that creatively fills in the gaps in Shakespeare's "Winter's Tale."

‘Shucked’: Broadway’s corn-fed comedy comes to Portland

In a musical split between town and country, star Miki Abraham declares: "Getting to play a strong Southern woman pays homage to all the matriarchy in my life."

Wicked witchcraft, abundant comedy

Review: Like an irresistible layer cake, Profile Theatre's staging of Jen Silverman's devilishly humorous "Witch" is a rich and tasty experience.

Rogue Theater Company’s ‘Godot’ finds depth in the waiting

Review: In Ashland, Samuel Beckett’s classic delivers humor, humanity and introspection, leaving audiences deeply moved.

DramaWatch: Bring it on, from Bart Simpson to The Bard

Oregon's theaters are offering a host of innovative entertainment in the coming weeks. Plus, continuing shows, a peek at early November offerings, and theater news.

‘The Yeomen of the Guard’: A feast for the eyes as well as the ears

Review: With delightful music and motion, Light Opera of Portland’s production of Gilbert and Sullivan’s tragicomedy is a perfect October treat.

Design for Living: Champagne bubbles with the hint of a brooding Bordeaux

In Imago Theatre’s production of Noël Coward’s 1933 play, a three-way affair is cause for comedy as well as angst for its characters.

An Irish tale born in Ashland earns a ticket to Off-Broadway

"Parcel From America," based on a story Tomáseen Foley told in Ashland in 1998, is green-lighted for a musical production in New York

Who’s Afraid of Virginia Woolf? Not McMinnville’s Gallery Theatre

The Yamhill County theater takes on the challenge of Edward Albee's great and gritty American drama, and photographer Dee Moore follows the process from beginning of rehearsal to final preview performance.

Jen Silverman and the season of the ‘Witch’

The playwright and novelist's tale, riffing off a Jacobean tragicomedy about community and outcasts, takes "risks with humor, and what can be funny” at Profile Theatre.