Stage & Studio: Olga Kravtsova’s ‘Harvest of Woman’

Dmae Lo Roberts talks in her podcast with the Russian-born performer about her immigrant experience and her show about "women’s unseen labor, endurance, and survival.”
Olga Kravstova, whose show Harvest of Woman plays July 4-6 at CoHo Theatre.
Olga Kravstova, whose show Harvest of Woman plays July 4-6 at CoHo Theatre.

Olga Kravtsova is a Russian-born movement director, performer, and interdisciplinary artist artist who lives in Portland. She is opening a new solo show called Harvest of Woman, which she describes as a “raw excavation of women’s unseen labor, endurance, and survival.” She first workshopped her piece at this year’s Fertile Ground Festival in April, and is now premiering it July 4–6, 2025 at Coho Theater.

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In this podcast Dmae Lo Roberts talked with Kravtsova about … 

Her immigrant journey: “ I start cleaning a waterpark, which is Wings and Waves in McMinnville, where I was hired as custodial. And I didn’t know I was hired as a custodial because I didn’t speak English and I was just smile and act as I am a American. (And) I graduated from University of Washington in Seattle last year.”

How Stanislavski differs in America:  I have been trained in Stanislavski system back home and I also have education in the Russian folk dance.  I didn’t know there is a difference before I moved here and Americans took it to the extreme.  In Moscow, where I’m from, there’s like five major schools. … You know exactly what each element means — what objectives objectives or what obstacles, what beats are. And here … they, they can mean totally different things.”

Why a potter, K.C. Renée, is onstage with her: “ This woman archetype that I brought to life … with all their problems and struggles, I try to create unique environment and world for each of them where their problem actually make total sense.  So this is theme of the potter and it’s, it’s cyclical, it’s returns and transforms through the performance. I was just, one day I was like, I need a potter … I had a picture sometimes in my head and I just know I need this. And I’m so grateful.”

Olga Kravstova as one of the characters in Harvest of Woman. Photo: Jason Okamoto
Olga Kravstova as one of the characters in Harvest of Woman. Photo: Jason Okamoto

Harvest of Woman
By Olga Kravstova

Sponsor

Clackamas Repertory Theatre Sherlock Holmes Oregon City Oregon

Premieres July 4–6, 2025
All shows at CoHo Theater, 2257 N.W. Raleigh S.t, Portland
Tickets at: Coho Theater or https://www.olgaskravtsova.com/harvest-of-woman

More about the show: Created and performed by movement artist Olga Kravtsova, this immersive performance is a raw excavation of women’s unseen labor, endurance, and survival — brought to life through movement, sound, and living installation. Harvest of Woman is a visceral solo performance excavating the unseen labor, silence, and endurance that women carry — across generations, cultures, and expectations. Rooted in raw physical storytelling, the work moves among ritual, domesticity, and surrealism, refusing spectacle in favor of something more intimate and unsettling.

Developed during Kravtsova’s CoHo Theater Residency and supported by the Regional Arts & Culture Council (RACC) and a Grow Grant from the Fertile Ground Festival, Harvest of Woman has evolved from a meditation on caregiving and sacrifice into a sensory rite where the body becomes archive. The work invites audiences into a space where persistence is both survival and defiance, and where the stories of women — often hidden or unheard — are given urgent, physical voice.

Olga Kravstova as Fish Woman in Harvest of Woman. Photo: Jason Okamoto
Olga Kravstova as Fish Woman in Harvest of Woman. Photo: Jason Okamoto

About the Creative Team:

Olga Kravtsova is a Russian-born, Portland-based movement director, performer, and interdisciplinary artist. Her work blends Russian theatrical tradition with raw, experimental practices. She has presented work at Fertile Ground Festival, OFF’24, Base, and 18th & Union (Seattle).

Jason Okamoto is a Portland-based filmmaker, musician, and photographer, known for evocative soundscapes and layered experimental visuals. His work creates a haunting sonic world for Harvest of Woman.

Dmae Lo Roberts

Dmae Roberts is a two-time Peabody winning radio producer, writer and theatre artist. Her work is often autobiographical and cross-cultural and informed by her biracial identity. Her Peabody award-winning documentary Mei Mei, a Daughter’s Song is a harrowing account of her mother’s childhood in Taiwan during WWII. She adapted this radio documentary into a film. She won a second Peabody-award for her eight-hour Crossing East documentary, the first Asian American history series on public radio. She received the Dr. Suzanne Ahn Civil Rights and Social Justice award from the Asian American Journalists Association and was selected as a United States Artists (USA) Fellow. Her stage plays and essays have been published in numerous publications. She published her memoir The Letting Go Trilogies: Stories of a Mixed-Race Family in 2016. As a theatre artist, she has won two Drammys, one for her acting and one for her play Picasso In The Back Seat which also won the Oregon Book Award. Her plays have been produced in Portland, Seattle, Los Angeles, NYC and Florida. Roberts is the executive producer of MediaRites, a nonprofit multicultural production organization and co-founder of Theatre Diaspora, an Asian American/Pacific Islander non-profit theatre that started as a project of MediaRites. She created the Crossing East Archive of more than 200 hours of broadcast-quality, pan-AAPI interviews and oral histories. For 23 years, Roberts volunteered to host and produce Stage & Studio live on KBOO radio. In 2009, she started the podcast on StagenStudio.com, which continues at ArtsWatch.

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