Stage & Studio: Vanport Mosaic turns 10!

The "memory activism" festival, established to tell stories of the lasting cultural effects of the 1948 Vanport Flood, continues with a rich tapestry of music and theater. Dmae Lo Roberts talks with the Mosaic's leaders and co-founders.
Laura Lo Forti (left), Damaris Webb, and canine friend of Vanport Mosaic.
Laura Lo Forti (left), Damaris Webb, and canine friend of Vanport Mosaic.

For ten years Vanport Mosaic has inspired memory activism for Portland’s history.  Starting as a one-time memorial festival of the Vanport Flood, which on Memorial Day 1948 wiped out a town of 18,000, about a third of them African American, in what is now a stretch of north Portland near the Columbia River, the organization grew to a year-round presentation that has included outdoor walking experiences, arts exhibits, theater productions, concerts,  panels, videos and oral histories.

This multidisciplinary arts organization’s biggest offerings are now a two-week festival: This year’s theme is “A Decade of Memory Activism.” The festival begins Friday, May 16, and continues through June 1 at Alberta Hall and other locations in Portland such as CoHo Theatre, as well as historic sites such as the Portland Expo Center.

Laura Lo Forti and Damaris Webb have run the Vanport Mosaic Festival as co-directors for ten years, which in itself is an admirable achievement built on trust, hard work and mutual friendship, each respecting the other’s desire for art, activism and community engagement.

Dmae Lo Roberts talked with the co-directors to hear about the organization they built. They also give us an overview of festival. This includes a walking tour with former Black Panther Kent Ford, a bus tour to call attention to the history of racial discrimination in Portland housing, Damaris Webb’s new devised theater piece Precipice from Third Rail Rep, and We Are Still Here, Chisao Hata’s collaboration with composer Kenji Bunch that commemorates the World War II Incarceration of Japanese Americans and the impact of that legacy.

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In this podcast we’ll hear:

How Vanport Mosaic is weathering the current freezing of national grants …

Sponsor

Chamber Music NW Summer Festival Portland Oregon

Laura Lo Forti: “We are heart-broken witnessing what’s happening to so many of our partners and friends. We have a a national archives federal grant that was frozen ,and wouldn’t be surprised if it vanishes. That’s for a huge project and these are all reimbursable grants that we front (costs) and we hope to see it.”

The festival’s humble beginning …

Damaris Webb: “It was just supposed to be one festival to kind of, you know, amplify all these efforts that had been being offered in the community and … then, show you know, and … honoring of those who had lived there with a private reunion dinner.”

About how Webb traveled almost all Oregon counties for Precipice

Damaris Webb: “I knew that as a Black person or a mixed race family, we stayed on I-5. And even then, there are only particular places that we’re going to stop for gas or eat or hang out at. And so the idea that I could go into these other places and see the land or maybe even find home there, just at tears, right? And I mean, I was like, this is, could I do that? So I figured if I made a project, I could go do that. And so Precipice has been the last project couple years of going out to places like the Painted Hills or, or other parts of Oregon.”

About Chisao Hata’s collaboration on June 1 with Kenji Bunch and Resonance Ensemble at the Portland Assembly Center…

Laura Lo Forti: “We’ll have this immersive site-specific performance in the very place where nearly 4,000 Japanese Americans were incarcerated (during World War II). And there will be music, there will be movement, there will be poems, and there will be memories.”

Sponsor

Chamber Music NW Summer Festival Portland Oregon

Damaris Webb contemplating her Precipice.

Precipice

  • Conceived & performed by Damaris Webb
  • Written by Chris Gonzalez
  • Presented by Third Rail Repertory Theatre
  • May 16–June 1
  • Thursdays–Saturdays at 7:30 p.m. | Sundays at 2 p.m.
  • Location: CoHo Theatre
  • 2257 NW Raleigh St, Portland, OR 97210
  • More info: https://thirdrailrep.org/
From left: Chisao Hata, Kenji Bunch and Shohei Kobayashi.
From left: Chisao Hata, Kenji Bunch and Shohei Kobayashi.

We Are Still Here

  • Location: Portland Expo Center / Assembly Center, 2060 N. Marine Drive, Portland
  • When: June 1

Resonance Ensemble and Vanport Mosaic present an immersive site-specific performance of music, theater, and movement, featuring the award-winning voices of Resonance Ensemble, choral music curated and conducted by Shohei Kobayashi, the world premiere of a new work by acclaimed composer Kenji Bunch, and the Portland Assembly Project by Chisao Hata, co-directed by Heath Hyun Houghton. More info: https://www.vanportmosaic.org/

Dmae Lo Roberts

Dmae Roberts is a two-time Peabody winning radio producer, writer and theatre artist. Her work is often autobiographical and cross-cultural and informed by her biracial identity. Her Peabody award-winning documentary Mei Mei, a Daughter’s Song is a harrowing account of her mother’s childhood in Taiwan during WWII. She adapted this radio documentary into a film. She won a second Peabody-award for her eight-hour Crossing East documentary, the first Asian American history series on public radio. She received the Dr. Suzanne Ahn Civil Rights and Social Justice award from the Asian American Journalists Association and was selected as a United States Artists (USA) Fellow. Her stage plays and essays have been published in numerous publications. She published her memoir The Letting Go Trilogies: Stories of a Mixed-Race Family in 2016. As a theatre artist, she has won two Drammys, one for her acting and one for her play Picasso In The Back Seat which also won the Oregon Book Award. Her plays have been produced in Portland, Seattle, Los Angeles, NYC and Florida. Roberts is the executive producer of MediaRites, a nonprofit multicultural production organization and co-founder of Theatre Diaspora, an Asian American/Pacific Islander non-profit theatre that started as a project of MediaRites. She created the Crossing East Archive of more than 200 hours of broadcast-quality, pan-AAPI interviews and oral histories. For 23 years, Roberts volunteered to host and produce Stage & Studio live on KBOO radio. In 2009, she started the podcast on StagenStudio.com, which continues at ArtsWatch.

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