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Still Life in a Time of Sequestration, Part 2

As we isolate ourselves, photographer K.B. Dixon finds beauty in the splendid solitude of ordinary things.

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TEXT AND PHOTOGRAPHS BY K.B. DIXON


It has been a month and a half and I am still here sequestered, hiding from an angry-looking microbe. The people I am sequestered with are still not interested in being photographed, and the places I am sequestered in still remain private rather than public—so, as a photographer trying to stay photographically fit, I am obliged to continue focusing my attention on the mystery and charm of “things.” For instance, yesterday morning I discovered—as if for the first time—the raw materials of my breakfast. Today it was a pair of bookends that, when on the job, keep a heavy, three-volume set of Edward Gibbon’s The Decline and Fall of the Roman Empire standing upright on a chest of drawers. (Note to self: Consider re-reading. Somehow the time seems right.)


EGGS, 2020



STEEL TULIP (POGAN), 2020



HONEYDEW, 2020



PINECONES, 2020



CANDLE, 2020

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COFFEE MUG, 2020



BOOKENDS, 2020



VASE, 2020



DECOY, 2020



WOOD CARVING (MAWEMA), 2020


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Photo Joe Cantrell

K.B. Dixon’s work has appeared in numerous magazines, newspapers, and journals. His most recent collection of stories, Artifacts: Irregular Stories (Small, Medium, and Large), was published in Summer 2022. The recipient of an OAC Individual Artist Fellowship Award, he is the winner of both the Next Generation Indie Book Award and the Eric Hoffer Book Award. He is the author of seven novels: The Sum of His SyndromesAndrew (A to Z)A Painter’s LifeThe Ingram InterviewThe Photo AlbumNovel Ideas, and Notes as well as the essay collection Too True, Essays on Photography, and the short story collection, My Desk and I. Examples of his photographic work may be found in private collections, juried exhibitions, online galleries, and at K.B. Dixon Images.

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