Aaron Greene

MusicWatch Weekly: generation next

Music by and for young Oregonians highlights this week's concerts

It’s probably too late for the next generations to save our planet from the greed and selfishness of their elders, but at least they’ll have music to console them. Young musicians, like young Americans in general, do give me what little hope remains for our future. This month offers numerous opportunities to hear music by and for young Oregonians.

Metropolitan Youth Symphony plays new and old music this weekend.

• Metropolitan Youth Symphony teams up with Fear No Music’s valuable Young Composers Project in the inaugural performance of its new series of student commissions called “The Authentic Voice,” presented and performed by MYS. Sunday’s concert at Portland’s Arlene Schnitzer Concert Hall features Tone Poem No. 1: Orpheus and Eurydice, a brand new piece composed and conducted by high school senior Jake Safirstein, one of three composers who this year receive supportive training in a series of private lessons and small group workshops led by Fear No Music’s master musicians in addition to orchestral readings with MYS’s Symphony Orchestra. The program also includes Italian-themed music by Rossini, Tchaikovsky and Berlioz, plus music that’s delighted kids for decades when it appeared in Fantasia: Ponchielli’s Dance of the Hours from La Gioconda.

• Portland Youth Philharmonic’s Saturday concert in the same venue offers a rare opportunity to hear music by the dean of African American classical composers, William Grant Still, whose still-appealing music, often drawing on folk traditions, was underplayed in his lifetime because of racism, orchestras’ snobbish disdain for American composers, and mid-century trend-setters’ fear of music that could be enjoyed by broad audiences. That included Still’s 1957 American Scene: Five Suites for Young Americans, one of those worthy but neglected works by African American composers that Damien Geter wrote about in his ArtsWatch story last month. Along with its The Far West section, PYP will play the first movement of Tchaikovsky’s Violin Concerto with soloist 17-year-old violinist Aaron Greene, winner of PYP’s 2018-19 Soloist Competition, and Dvořák’s Symphony No. 6. Next month, we’ll tell you about FNM’s own concert pertaining to children and our future.

Violinist Aaron Greene performs with Portland Youth Philharmonic. Photo: Brian Clark

• We’re getting an early jump on next Wednesday’s BRAVO Youth Orchestras Breaking the Cage, a multi-media event at Portland’s Old Church featuring collective compositions by the young BRAVO musicians (some with personal connections to immigration) responding to the cruel detentions and family separations perpetrated by the government at America’s southwestern border. Along with ashort documentary film about the project, the show also features engaging Portland looping violinist and songwriter Joe Kye.

• Audiences should also look a lot younger than usual at the Oregon Symphony’s Tchaikovsky vs. Drake concert at Schnitzer Thursday night. Guest conductor Steve Hackman, perpetrator of last season’s similarly conceived “Brahms vs. Radiohead” program, this time brings three singers and a rapper to mashup a dozen hits by Drake (whose Scorpion is the year’s biggest album so far) with Tchaikovsky’s Fifth Symphony, with help from Dance West and Pacific Youth Choir.

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MusicWatch Weekly: jazz week

Blue notes flutter like autumn leaves through Oregon concerts this week, along with classical orchestral and chamber music

It used to be that Portlanders had to wait till winter’s PDX Jazz Festival to catch several strong jazz shows in a row. No more! Just check out this week’s improv-oriented offerings.

Jazzmeia Horn sings Wednesday night at Portland’s Old Church.

• Wednesday. One jazz’s rising young stars, Jazzmeia Horn (besides bearing the coolest first name ever) has won the two most prestigious international vocal jazz competitions, performed with top jazz artists, and regularly plays major NYC venues. PDX Jazz brings her to Portland’s Old Church Wednesday night.

• Thursday. Portland Jazz Composers Ensemble has been engaging in some cool collaborations lately, and the next one looks fascinating. Boundary-busting Portland composers Amenta Abioto, Sage Fisher (from Dolphin Midwives), and Floom’s Maxx Katz — whose music ranges from soundscapes to death metal to experimental improv — have scored new music to accompany the classic 1968 zombie film Night of the Living Dead, which they’ll perform Thursday night while the film and heads roll at Portland’s Holocene club. Rock those Halloween costumes!

•The pianist/guitarist team of Bryn Roberts and Lage Lund play their lyrical original music Thursday night at Portland’s Classic Pianos.

• Saturday. You may not instantly recognize the band name Circuit Rider, or even its leader, cornetist Ron Miles, but any jazz fan will recognize and revere the trio’s other two members: chameleonic / prolific Seattle guitarist Bill Frisell, and drummer Brian Blade. But Miles, who shares Denver roots with Frisell and who plays in Art Farmer’s lyrical tradition, really should be better known, and Saturday night’s trio performance at Lewis & Clark College’s Agnes Flanagan Chapel presented by PDX Jazz offers a rare and splendid opportunity.

• Sunday. The next night’s PDX Jazz show, this one back at Portland’s Old Church, is also a low-key winner. Danish guitarist/composer Jakob Bro (whose trio also includes bassist Thomas Morgan and drummer Joey Baron) recently released a pair of terrific albums on the great ECM label and make another highly recommended entry in this fall’s excellent PDX Jazz lineup.

For more jazz this week, check out the lineup at Eugene’s Jazz Station, which ArtsWatch’s Daniel Heila recently spotlighted.

Orchestra

Composer Andrew Norman

• One of the country’s hottest youngish composers, Californian Andrew Norman composed his 2015 “hyperactive fantasy” Split for the great LA pianist Jeffrey Kahane, who’ll perform it with the Oregon Symphony Friday at Salem’s Willamette University and Saturday through Monday at Portland’s Arlene Schnitzer Concert Hall, 1037 SW Broadway Ave.

Fronting an orchestra that includes abundant percussion (timpani, kick drums, slapsticks, guiro, temple blocks, opera gongs, triangle, flower pot, washboard, wood blocks, brake drum, bongos, splash cymbal, vibraphone, ratchet, log drum, tin cans, spring coil), Kahane, a frequent Oregon visitor, plays (musically speaking) a prankster who gradually becomes “more the pranked,” Norman writes, “an unwitting protagonist trapped in a Rube Goldbergian labyrinth of causes and effects who tries, with ever greater desperation, to find his way out of the madness and on to some higher plane.” The concert also celebrates Leonard Bernstein’s 100th birth anniversary with three orchestral episodes from his lively 1944 musical On the Town and Tchaikovsky’s fourth symphony.

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