Aberdeen

The Cabin (and the Music) in the Woods

"Aberdeen," Matt Sheehy’s musical memoir of grief and rebirth, is livestreaming this weekend

By the time I was done watching the new, live-streaming performance of Aberdeen, a surreal and soulful album from the Portland indie-rock band Lost Lander, I felt like an expert on its star, Matt Sheehy. I wasn’t, of course—Aberdeen is just one 75-minute fragment of Sheehy’s psyche—but the performance was so intimate that I felt like I was.

Part concert, part confessional and part woozy fantasy, this rendition of Aberdeen may seem like old news to people familiar with Sheehy’s nakedly emotional, gently yearning songs. Those who aren’t acquainted with his work are about to discover a brilliant and bizarre plunge into the mind of a singular artist.

Matt Sheehy, in a screen shot from the promo video for “Aberdeen.”

Aberdeen begins with Sheehy standing alone in a forest (the performances are being streamed from Corbett, Oregon). With disarming frankness, he begins telling us about some of the most anguished moments of his life, including the death of his mother. In one of the show’s many flashbacks, his girlfriend Sarah (bandmate Sarah Fennell) asks him, “Did your mom dying make you want to have kids?”

Continues…