#ACTforART

ArtsWatch Weekly: A world on fire

Trees in Trouble. Farewell, Tim Stapleton. Maryhill finally opens. Lots of music. Women in film. Pop-up posters. TBA, Street Roots & more.

NOTHING I CAN WRITE ON A DAY LIKE THIS IS MORE IMPORTANT than the story sweeping across Oregon and the West, where high winds and wildfires and crackling-dry conditions have unleashed historic devastation. Whole communities have been erased. Main highways are blocked off; others have been bumper-to-bumper crawling with people fleeing danger zones. Hundreds of people have been burned out of house and home. Complex ecosystems have been uprooted; wildlife flee with no sure place to go. In Oregon as of Thursday afternoon at least 800 square miles of land was burning, much of it out of control. 

Amid the chaos I’ve seen many small tales of courage, generosity, and resourcefulness. People in the country offering refuge for horses, livestock, pets. Parking lots and driveways offered for people escaping in their trucks or campers. Neighbors helping clear downed trees. Medical and utility and emergency workers, already stretched by the mounting catastrophes of this most extraordinary year, laboring overtime under daunting and exhausting circumstances. As I sit at my desk at 10 in the morning and look out the window the sky has turned from blood-orange to a pink-tinged gray. The acrid smell of smoke seeps through the cracks and into my nostrils. And I am deeply aware, and immensely grateful, that I am one of the fortunate ones, sitting in a stretch of Portland that’s been spared the worst of these multiple conflagrations, and that, barring a radical shift in weather patterns, is likely to remain a safe shelter. 

How did we get here? Where are we heading? In search of some answers ArtsWatch’s Barry Johnson talked with Portland writer Daniel Mathews, author of the recent book Trees in Trouble: Wildfires, Infestations, and Climate Change. Mathews takes a long view of the state of the forests, the destabilizing effects of climate change, the role of public policy, and other factors contributing to the chaos of the land. “I’m heartbroken looking at the maps and seeing so many towns and forests I visited just in reporting for this book,” Mathews tells Johnson. “This week’s fires are shocking and truly historic: it’s likely that more acres burned in the West than in any 48-hour period in written history, including the Big Blow-up of 1910. … I  guess there are a lot of disconnects between science and policy in this country, but forest fire policy is one of the most stubborn.”


TIM STAPLETON: FAREWELL TO A GREAT SPIRIT


The much loved Tim Stapleton, in transition. Photo courtesy Gary Norman

TIM STAPLETON, THE LONGTIME PORTLAND set designer, visual artist, writer of uncommonly good memoirs, and occasional actor, died at a hospice care center on Labor Day morning, Sept. 7, from the effects of ALS, Lou Gehrig’s Disease. He leaves legions of friends and admirers, and an enormous hole in Portland’s artistic community. Tim, born in Kentucky coal country in 1949, constantly called in his work on memories of those days and that culture, and before he had to move to hospice care he made his home in The Holler, a stretch of country-in-the-city in a tucked-away part of northern Portland, which is where photographer Gary Norman took the portrait above. In it, Tim seems to be simply walking away, toward something, taking his soft wry voice and sometimes jagged laughter and passion and wit with him, but leaving a trail of memories behind. 

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Converge 45: Popping up with the times

Responding to a year of crisis, Newberg's Chehalem Cultural Center hosts a show of Oregon contemporary posters for public spaces

One of the strengths of gallery programming at the Chehalem Cultural Center in Newberg is that the deep, long-term planning that arts director Carissa Burkett packs into the calendar for as much as a year in advance is coupled with an ability to pivot when circumstances change, when new opportunities and challenges present themselves.

Like, for example, 2020 — the year, one might add, of the center’s 10th anniversary. 

The #Act for Art posters in their natural public-spaces habitat. According to the National Endowment for the Arts, Converge 45 said via Twitter, Portland has the fifth-largest concentration of artists in the nation, after Manhattan, San Francisco, Brooklyn, and Los Angeles. Photo: Converge 45.

The center has already had a couple of COVID-inspired pop-ups this year, and for a few more days, visitors will find the latest of these unscheduled surprises: #ACTforART is originated as a PDX-centric project organized by Converge 45: a series of commissioned posters for public spaces that share the artists’ vision during this new, weird normal. Yes, theaters are shut down and concert halls are closed, but windows and fences and walls provide space for art, so the group has been spreading the love in lieu of its traditional programs, which typically involve exhibitions and gatherings where the six-foot rule wouldn’t work. The work is also being shared on social media platforms.

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