Addams Family

And the Drammy goes to …

Broadway Rose, "Tender Napalm" and a not-so-friendly gong rule the Portland theater scene's 2018 Drammy Awards

How about that gong? This year’s Drammy Awards ceremony Monday night at The Armory may have been an epic affair packed with tearful acceptance speeches, technical difficulties and even bingo, but the unofficial star of the night was the golden, disc-shaped gong that was on hand just in case any long-winded winners needed a nudge to get off stage.

In many ways, the gong embodied the spirit of the show, which honored the best achievements on Portland area theater stages in the 2017-18 season: It was playful, but added a simmering tension to the night. The show was two hours shorter than Artists Rep’s Magellanica (which should have been a contender, but Artists Rep, like Portland Center Stage, doesn’t participate in the awards) but felt longer and didn’t exactly spread the wealth around (at times it felt like the Drammy Committee’s main goal was to honor Broadway Rose and Broadway Rose). But there were entertaining, human moments as well, thanks to some powerful speeches as the comedic verve of host Claire Willett.

Lisamarie Harrison as Morticia in Broadway Rose’s “The Addams Family,” winner of the best musical production Drammy. Photo: Sam Ortega

So who won? The aforementioned Broadway Rose took home an armload of prizes for two musicals, The Addams Family (best production/musical)and Trails. Dancing Brain’s Tender Napalm also dominated with awards in, to name a few, the best production/play, directing, acting, and fight choreography categories. And the biggest loser of the night was easily Donald Trump, who was the subject of several oblique but unmistakable criticisms (side note: did the night really pass without a single thank you to Ronni Lacroute?).

At the end of the day, what I savored the most were the moments that peeked through the show’s structure. I’m thinking of Trisha Mead’s fearless onstage reckoning with her mortality (Mead founded Fertile Ground, which received a special achievement award). I’m thinking of Charles Grant winning best actor in a musical for his performance in Oregon Children’s Theater’s A Year With Frog and Toad and describing the letter that a young black girl who saw the show sent him: “Dear Frog: I love you and you are dark-skinned.”

And then there was Fertile Ground Director Nicole Lane, who delivered the best line of the night: “Please don’t gong me, Agatha.” It was a perfect moment because it was a reminder that the Drammys are capable of delivering the kind of onstage action that makes them an entertaining play in their own right.

The nominees and winners in each category, with the winner listed in boldface:

 

Best Actor in a Musical

Charles Grant, A Year with Frog and Toad, Oregon Children’s Theatre

John Ellingson, Cinderella, Northwest Children’s Theatre and School

Joel Walker, Trails, Broadway Rose Theatre Company

James Sharinghousen, A Year with Frog and Toad, Oregon Children’s Theatre

 

Best Actor in a Play

Josh Weinstein, Tender Napalm, Dancing Brain Productions

La’Tevin Alexander, And in This Corner: Cassius Clay, Oregon Children’s Theatre

Wrick Jones, Two Trains Running, PassinArt: A Theatre Company

Ted Rooney, Quietly, Corrib Theatre

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PAMTAs: It’s ‘Scarlet,’ ‘Addams’

Portland Playhouse's adaptation of "The Scarlet Letter" and Broadway Rose's "Addams Family" top Portland's night of musical-theater awards

The 2018 PAMTA awards, Portland’s annual celebration of its year in musical theater, swept into the Dolores Winningstad Theatre in downtown Portland Monday night like a showstopper tune.

Big winners in the award ceremony, hosted by actor Darius Pierce, included outstanding original musical winner Scarlet, Portland Playhouse’s adaptation of Nathaniel Hawthorne’s novel The Scarlet Letter; and Broadway Rose’s The Addams Family, which took the best-revival PAMTA and, like Scarlet, several individual awards.

Lisamarie Harrison as Morticia in Broadway Rose’s “The Addams Family,” winner of the outstanding revival PAMTA. Photo: Sam Ortega

One of the evening’s highlights was a special “outstanding contribution” award to the popular and highly admired performer Sharonlee McLean.  “Sometimes without even knowing it an actor brings something to the room, something intangible, special, weighty, an asset they may not even know they possess,” the introduction said. “Such a unique, wonderful and magnificently talented actor is Sharon Lee McLean.”

Susannah Mars and Eva “Rainbows” Hudson Leoniak in Portland Playhouse’s outstanding original musical, “Scarlet.” Photo: Brud Giles

This year’s PAMTA awards, for achievement during the 2017-18 season. Categories and winners are in boldface, with finalists listed after:

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ArtsWatch Weekly: making it work

You can help us keep the engine running; summer music festivals, "Cabaret" and "The Addams Family," "Baskerville" and more

We have a lot on our minds here at ArtsWatch this week, from the kickoff of the Chamber Music Northwest season to free ballet in the park to a chorus line of Broadway musicals. We’ll get to all of that, and more.

But first, we want to talk about something basic.

ArtsWatch has been here when you’ve needed coverage. Now we ask you to support our important work. Unlike many media outlets, we don’t operate behind a paywall. Everything we publish is freely available to you and anyone who wants to read it. That means we’re in a partnership with our readers, and to continue to grow and thrive we need your support.
It’s especially key right now, as coverage of the fine and performing arts in other media continues to drop dramatically. ArtsWatch has become the leading source for substantial, informed arts news that you don’t find anywhere else.
 If you’re an arts organization, you count on us to get your word out. If you’re a devoted follower of the arts, you count on us to know what’s going on. You count on us to begin and continue compelling conversations. ArtsWatch can’t continue to do that without your contributions.
ArtsWatch is a crucial part of the arts ecosystem in the community. You rely on ArtsWatch to provide vital feedback, smart and substantive coverage, validation for grants, marketing gold in quotes and links, and a way to keep yourselves and your audiences engaged and educated.
Now we ask for your help.
How can you support us? It’s simple.
  • Make a donation. Click this link to pay online or send us a check.
  • Buy an ad and promote your good work. Contact Laura Grimes at laura@orartswatch.org.
  • Give us a shout-out on social media, in your newsletters, and at your events.
EVERY donation and ad sponsorship goes to pay writers and editors for their professional time and effort. ArtsWatch is a nonprofit 501(c)3 organization, and you may be able to deduct your charitable contribution from your taxes.
Thank you for giving us the opportunity to cover the vibrant arts community in Portland and throughout Oregon. Everyone at ArtsWatch is deeply grateful for all our readers and supporters.

 

With heartfelt thanks,

Barry Johnson
Bob Hicks
Brett Campbell
Laura Grimes
and all of our talented freelance writers

 


 

Oregon Ballet Theatre dancer Xuan Cheng in rehearsal for Giaconda Barbuto’s new work in “Choreography XX” at the Washington Park Rose Garden Amphitheater Thursday and Friday. Photo: Yi Yin

 

WHAT’S COMING UP THIS WEEK:

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