African dance

Studio show: a time to dance

The Portland Ballet's young dancers, with the even younger Kúkátónón Children’s African Dance Troupe, give a glimpse of the future

There is, it says in the Old Testament book of Ecclesiastes, a season for everything, including a time to dance. For the young dancers in The Portland Ballet’s Studio Company that time is now, and as they showed in the closing performance of their annual studio concerts Sunday afternoon, did they ever!

The program, designed by TPB co-artistic directors Nancy Davis and Anne Mueller to demonstrate the stylistic range of these pre-professional dancers, certainly had its challenges, as did the venue. As lovely as the studio theater is, the audience sits very close to dancers who quite rightly are being taught to project in the large opera houses and theaters in which they dream of dancing one day in the not too distant future.

The Portland Ballet performs the contemporary “Rip/Tide,” created by BodyVox directors Jamey Hampton and Ashley Roland and set by Zachary Carroll. Photo: Blaine Truitt Covert

Two of them already have. Lauren Kness and Henry Winslow (the sole male in the company) performed last December as guest artists in the Ballet Nacional Dominicano’s Nutcracker at the Teatro Nacional in Santa Domingo, dancing an “Arabian” pas de deux choreographed for the occasion by John Clifford.

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