American in Paris

Gershwin in Paris: S’wonderful

The Broadway tour of "An American in Paris" creates a gorgeous spectacle of song and dance inside Keller Auditorium

“S’wonderful, it’s marvelous,” this Broadway version of An American in Paris, playing at the Keller Auditorium through Sunday.

I thought so when I saw it in New York a year ago, and I still thought so last night, when the national touring company version opened here with a cast that is not as accomplished as the one I saw on Broadway, but nevertheless gave some outstanding and absorbing performances. All the other elements that make this such a wonderful show are, happily, unchanged, except for the orchestra, which is smaller. Christopher Wheeldon’s signature choreography; Bob Crowley’s stylish multimedia sets and costumes, which put you squarely in wartime Paris; and Natasha Katz’s lighting design, giving us both a city of light and one of war-time darkness, remain the same, as does the book by Craig Lucas.

Puttin’ on the ritz: the “American in Paris” company. Photo: Matthew Murphy

These elements come felicitously together in the service of George Gershwin’s music, the jazzy orchestral “American in Paris,” composed in 1928 as an homage to the city of the Lost Generation, as well as songs with lyrics by Ira Gershwin such as “I Got Rhythm,” “S’Wonderful,” and “I’ll Build a Stairway to Paradise,” familiar to the many members of the not-so-young audience who remember the 1951 film on which the show is based.

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ArtsWatch Weekly: Really big show

Going big: Perséphone with puppets, an American in Paris, Mahler's grand sweep, the sounds of Cuba and Lou Harrison

At the Portland Showtime Bistro, audiences like things well-done, but often served small to medium. We enjoy our intimacy, from compact ensembles like Portland Baroque Orchestra and FearNoMusic to closeup theater spaces like CoHo, the Back Door, the Ellyn Bye Studio, Shoebox, and Shaking the Tree. Summer’s coming, and with it, once again, that sprawling celebration of good things in small packages, the Chamber Music Northwest summer festival (with a welcome emphasis this year on women composers).

But sometimes you want the whole darned smorgasbord, and only big will do. Portland can provide that, too, and lately it’s been doing so … well, big-time.

Big night on the town: Portland Opera’s “La Bohème.” Photo: Cory Weaver.

Portland Opera’s just completed its grand-scale production of Puccini’s overflowing romantic potboiler La Bohème (Terry Ross reviewed it for ArtsWatch here) and is saddling up for a June musical-theater adventure in giant-windmill territory with Man of La Mancha (featuring Grimm star Reggie Lee as one of the best sidekicks in history, Sancho Panza).

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