Astoria art

Vision 2020: Kristin Shauck

The Clatsop Community College teacher and artist loves Astoria’s grittiness and diverse arts scene, but sees gentrification putting the squeeze on her students

Kristin Shauck teaches drawing, painting, design, watercolor, and art history at Clatsop Community College, where she also oversees the Royal Nebeker Art Gallery. Originally from Texas, Shauck grew up expecting to pursue a career in music, but while studying at Baylor University, she shifted gears and instead received her bachelor’s degree in fine art.

Early influences include an artist mother, who made sure Shauck always had art supplies available, and a mathematician father, who made history as the first pilot to make a transatlantic flight using ethanol fuel. He followed Charles Lindberg’s original flight.


VISION 2020: TWENTY VIEWS ON OREGON ARTS


“I have always been very proud of my dad,” Shauck said. “He is brilliant and charismatic, and I admire him so much for all he has achieved throughout his lifetime.  I developed passionate love of learning from his example, and particularly of cross-disciplinary learning. He taught me that math and science are connected to everything in life, including visual art and music. ”

Kristin Schauk, shown here with self-portrait, says she cannot  imagine being an educator without being an artist, and vice versa. Photo courtesy: Clatsop Community College
Kristin Schauck, shown here with self-portrait, says she cannot imagine being an educator without being an artist, and vice versa. Photo courtesy: Clatsop Community College

After college, Shauck taught in several arts programs before answering an ad for a teacher at Clatsop Community College in 2004.  “I got to Astoria and I fell in love with the community. The campus and the faculty here are amazing.”

What, good or bad, has had the biggest impact on arts and culture in your area in the past few years?

The fact that we have such a vibrant arts community is really attracting people to this area, and that’s a mixed bag. It does kind of price out local artists and locals in terms of living spaces and studio spaces, because we see that kind of gentrification happening. I’ve seen a lot of that since I first came in 2004. What I love about Astoria is it’s never lost its grittiness. It’s not too slick and too cool. Everyone here respects everyone else’s eccentricities. Especially, coming from Texas — it’s not like that. People conform. They don’t accept the individualities of people. People are much more open-minded here.

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Art on the Road: Au Naturel, Astoria

The Royal Nebeker Art Gallery's evocation of the contemporary nude in international art reveals the human, unadorned

Story and photographs by FRIDERIKE HEUER

We have this thing in our household about language. Well, someone has a thing in our house about my language – more specifically, my usage of the verb to love as applied to something other than a human being. Don’t devalue such a strong emotion, I am told, by wasting it on things, not persons! (That from the same Beloved who still despises split infinitives…)

Jay Senetchko, Sleepwatcher at the End, oil on wallpaper, detail

I can’t help it. Here I go again: I love this state. I love finding out new, beautiful things about it, even after 33 years since our arrival from New York City. You turn around and face surprises, in the natural as often as in the cultural landscape. Case in point was a recent visit to Astoria. I have written here before about this small former fishing and cannery town at the mouth of the Columbia river. I’ve described the increasingly vibrant art community, the diversity of what is on offer, from music to photography, from the perspective of a visitor as well as from that of an exhibiting artist.

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