AWOL Dance Collective

Even amidst the chaos in our world right now, artists are getting creative and finding ways to perform for you. September’s performances are a combination of live, live- streamed, and recorded performances. 

In preparation for this month’s live performances that require social distancing, let’s play a few games. Let’s imagine that social distancing is a dance and that you are a performer in this dance. A dance that includes everyone around you. All the world’s a stage, right?

First, find a broom. Hold the broom out to your side, parallel with the floor, with one end about a foot from your center. This is approximately six feet. Two arms length. This is the suggested distance that we are supposed to keep between us to keep us safe from catching and spreading Covid-19. Now, walk around the house moving the broomstick around your body 360 degrees and experience what this measurement actually feels like. Yup, it’s bigger than you think. Watch out for those dishes and that lamp! 

If this doesn’t work for you and you need a different visual, measure six feet out from your center and place objects from your house in a circle around you on the floor. Now feel your feet on the ground, reach your fingertips up to the sky, and spread your arms out on either side of you and turn in place carving out the edges of your space with your fingertips. You can even take this a step further and explore your space beyond the vertical and horizontal tracing all of the areas in between. Now take this imaginary space that you have explored and create a giant bubble with it and put yourself in it. You now live in a bubble at all times! Stay in your bubble!

Next game. Imagine that you have a string attached to your bellybutton that connects your body to others. Imagine that we are all connected to each other, all the time, through this extensive web of strings. Take a moment to feel what this really feels like, to keep other people around you in your consciousness at all times. Imagine being out in the world and stringing yourself to people walking by you or folks standing in line with you at the grocery store or protestors downtown. You CAN be conscious of yourself and others all at the same time. 

Now, get into your gigantic bubble and connect your string to the people around you. Keep your distance but stay connected and go forth into the world. 

These are exercises or dances that dance teachers often give to their youngest students to help them learn body awareness and to keep them from bumping into and injuring each other during class. These awareness tools can keep us safe, create compassion, and connection. And don’t forget your costume, your mask!

Performances keep popping up, so I will be adding them to this list as they come up. Check back often. 

September Dance Performances

The beautiful Portland performer and community activist, Chisao Hata.
Photo courtesy of Chisao Hata.

Luminaries
Echo Theater Company PDX
9-10pm September 1

Under the full moon, in an undisclosed location somewhere in Portland (The event address will be emailed the day of the show), Echo Theatre, Portland’s zany, forward thinking, acrobatics, aerial dance, and physical theater company, will present, Luminaries, an hour long performance of music, dance, and storytelling. The event features Japanese-American performing artist and community organizer Chisao Hata, triple threat Bevin Victoria, Korean-American actor, writer and director Heath Houghton, and theatre and television actor Tessa May. Topping off the evening will be performances by the renowned Echo Theatre Company Education Director Wendy Cohen and Director of Operations and Community Engagement Aaron Wheeler Kay, who specializes in acrobatics, aerial dance, and physical theater.

The audience is requested to wear masks and engage in physical distancing. Please bring a blanket or chair. 

Performance artist Lu Yim. photo by Mario Galluci Studios.

Happy Hour with Lu Yim
Presented by Performance Works NW/Linda Austin Dance
5-6 pm September 2
RSVP here by 3pm September 2 in order to receive the Zoom link.

In a mindful approach that provides financial support to artists of color in the community, while centering dance and experimental performance, PWNW has created a Happy Hour on Zoom that features a variety of artists, twice monthly! The evening includes a cocktail demo (featured drink this week is the Oaxaca Old Fashioned), a toast, a performance, PWNW-themed Bingo, and prizes, of course! 

Happy Hour this week will feature performance artist and choreographer Lu Yim​ who creates work from her interests in body politics, language, and the mechanics of memory. 

About the work-in-progress presentation in Lu Yim’s own words:

“I embarked on Before the Dying That Will when I witnessed my father get up and perform an impromptu dance in an effort to settle a dispute with his sister. They were arguing about the ungodliness of homosexuality. With curiosity I started to archive this dance by conjuring it in my own body, discovering its connections to other bodies, geographies and timescapes. I imagined the archive of his dance through my version of it, coming via ancestral, cellular and inexplicably miraculous catalogues of information. It turns out the dance emerges by way of escaping, so I stopped looking at it or for it, like, I don’t need to hold on to it, and like, sometimes meaning is better when it is hacked anyway.”

Happy Hour will resume in October

Dancers of Espacio Flamenco performing onstage at The Alberta Rose Theatre.
Photo by Dennis Glisson of Glisson Imaging PDX.

Espacio Flamenco on the Portland Music Re-Stream
The Alberta Rose Theatre
7-8pm September 2
Rebroadcast from The Alberta Rose Theatre

Espacio Flamenco, Portland’s premier flamenco producer, will rebroadcast a previous performance from a night at The Alberta Rose Theatre right to your living room. 

Flamenco, an improvisational form of dance, is an amalgamation of centuries of cross-pollination between the many cultures that have existed in Spain, and combines singing, dancing, instrumentals (guitar mostly), hand clapping and finger snapping. It is also one of the few dance forms that requires audience participation, so get up and clap along and shout out words of encouragement to the performers on the screen as they perform.

Oregon Ballet Theatre dancers taking company class at Director Park in Portland, Oregon. Photo courtesy of Oregon Ballet Theatre.

OBT Moves/ Exposed
September 8-October 3
Check Oregon Ballet Theatre’s schedule for times and locations.

In a rare look behind the scenes, Oregon Ballet Theatre moves out of the studio and onto Portland city streets. For a month, the company will participate in week-long residencies that rotate between four Portland locations: Zidell Yards, OMSI, Hacienda CDC, and the last location to be decide. OBT will present a variety of non traditional performances that include a look into the ritual of how ballet dancers train and the process of ballet making. Check Oregon Ballet Theatre’s schedule for exact times and locations.

An A-Wol Dance Collective dancer stretching herself to the limits.
Photo courtesy of A-Wol Dance Collective.

A-Wol Pop Up Park Performance
A-Wol Dance Collective and Circus Rose
5-8 pm September 12
The performance will be repeated at the top of every hour
Mary S Young Park, 19900 Willamette Drive, West Linn

In a normal summer, which this is not, you would find the artists of A-Wol dance collective, a fantastically creative, Portland based aerial dance company, suspended from trees under the stars in their annual Art in the Dark performance along the Willamette River in West Linn, at Mary S. Young Park. But, because their  season was cancelled, due to Covid-19,  and they love their work so much, they’ve decided to do it anyway. So bring a blanket, snacks, a mask, and stay socially distant in this one-off, pop up performance of dancer favorites. 

A video still from Fernanda D’Agostino’s film collaboration Peace Movements performed at the Palace of Fine Arts. Photo courtesy of Fernanda D’Agostino.

Time-Based Arts Festival
Presented by The Portland Institute For Contemporary Art
September 10-30

For 21 days, The Portland Institute For Contemporary Art’s annual Time-Based Arts Festival will share the work of 40+ artists through performances, films, audio projects, publications, conversations, music, workshops, and participatory events, with a mix of virtual and in-person programs. 

The festival is inherently interdisciplinary and champions local, national and international artists who reflect and respond to our times. It’s a mind-altering, opinion-changing, heart-opening extravaganza of the senses. 

Matter writer and actor Charles Grant from his solo show in 2017 standing on the set of The Language Archive.
Photo courtesy of Portland Playhouse.

Matter
Conceived, written, and performed by Charles Grant
A co-production of  Many Hats Collaboration and Portland Playhouse
September 25 – October 1
Matter will be available for free viewing here and on Portland Playhouse’s website. 

This very personal portrait of a Black Everyman follows writer and performer Charles Grant on his journey to find answers to police brutality and gun violence. While not strictly a dance work, Matter does include a lot of movement, as life should, and includes sections that could be called dances with movement direction by Many Hats Artistic Director Jessica Wallenfels. 

Inspired by recent and not so recent events, Matter centers the embodied experience of being continually bombarded with systemic racism and injustice. 

Dance Performances in October

October 2-8, Portland Dance Film Fest
October 2-23, A Taste of Dance, A co production of Chapel Theatre and Milwaukie Arts Committee

DanceWatch Monthly: Marquee TV leaps into the void

A new streaming channel for the performing arts joins local live stage performances this month

Have you heard of Marquee TV? It’s the new Netflix for the dance, opera, and theatre that you can stream in HD onto just about any electronic device. It is now possible to see an abundance of beautifully filmed, full-length productions by some of the biggest choreographic names in contemporary dance, ballet, and dance film-productions. You wouldn’t normally have access to unless you were a frequent traveler to Europe and Russia, and they are not available anywhere else on the web. Subscriptions are reasonably priced, too: You can either pay either pay $8.99 monthly or $89.99 a year to have access to all of the channel’s content. 

Marquee TV  has categories for Contemporary Dance, Ballet, British Choreographers, American Choreographers, works from the Royal Ballet, works from The Bolshoi Ballet, Dance Films, Unique Fusion works, Hip Hop inspired dances, Ballet documentaries, Behind the Scenes films, Opera and Theatre. There are works by Crystal Pite, Herve Koubi, Sidi Larbi Cherkaoui, Akram Khan, Alexander Ekman, and Anne Teresa de Keersmaeker, to name just a few, of course. And there are pieces by such American choreographers as Mark Morris, Bill T. Jones, Alonzo King of Lines Ballet, and Seattle choreographer Catherine Cabeen. 

There are also choreographers and works available on the site that we here in Portland are familiar with thanks to White Bird—I’m thinking Crystal Pite’s Betroffenheit, and French-based Compagnie Hervé KOUBI.

Betroffenheit by Crystal Pite. Photo by Michael Slobodian.

It is important to the Marquee TV co-founders Marc Kirschner and Kathleya Afanador that the channel not be an archive, a repository, or library for older works, but a living representation of the best performing arts that are being produced today. “It is a curated, constantly refreshed source for those who love the arts,” Afanador said during a series of emails and phone calls I had with the pair. 

“Marquee TV is actually a combination of two teams,” Kirschner said. “Our New York team, led by Kathleya and myself, came from TenduTV, which was the earliest digital outlet/distributor of dance programming. Our London team is mainly comprised of BBC veterans and is led by our third co-founder, Simon Walker, who was a lead architect of Arts Council England’s digital strategy.”

“We’ve designed the Marquee platform to be something that adds to the live arts ecosystem, not something that exists outside of it or competes with it,” Afanador said. “So part of the curation strategy is really about building ongoing partnerships with the arts organizations and positioning Marquee as a digital extension of the great work they’re already doing.  

For Marc, he consider venues like White Bird to be their spirit animals or guides as to what Marquee TV should screen.

Marquee is piloting a “digital membership” program with some arts organizations. That will give their members and patrons access to their content on Marquee, Afanador said.

“Our acquisition strategy is very much focused on staying current, Afanador said.

ALICE by Christopher Wheeldon for The Royal Ballet. Photo by Johan Persson.

Although the channel will have and will acquire great classics, it is committed to showcasing the new work being created and the diverse artists voices that are out there right now, Afanador said. “We look at what’s being written about and reviewed; what productions are going to be touring; what choreographers are getting commissioned and who’s setting work on various companies around the world.” 

There is an assumption that seeing performances live is the ultimate experience, and that digital experiences will drive people away from the theatre, but I would argue, now that I’ve experienced Marquee TV, that that’s not true. What you get is an intimate experience with choreographers and their work on your own timeline. You can get up for snacks and go to the bathroom as many times as you want without disturbing anyone. 

“It’s about risk management.” Kirschner said, “People don’t want to have a bad experience. Given how much tickets are, people want to know they will enjoy it.”

Kirschner said they surveyed four thousand people in the US and found that younger audiences want familiarity with an artist and their work and will watch what they can see online and go to the theatre as well. 

In Europe, digital is a part of every arts organizations mission, Kirschner explained. The goal is to reach a variety of communities through digital media, to create the biggest impact, and to draw people into the theaters to see the work live. 

Sidi Larbi Cherkaoui’s Sutra. Photo courtesy of Marquee TV.

Now I did have one issue with watching Marquee TV on my own TV, which Marc explained is an Apple one. Because I have a first generation Apple TV I can’t get to the Apple TV App Store to get the Marquee TV App. But I can easily watch through AirPlay and get an upgraded Apple TV which I’ve been wanting to get anyways. 

“We are expanding our reach as we speak—we’re about to launch on a major cable app platform, and we have a few more similar deals in the pipeline. From a device perspective, the only problematic ones are LG and Samsung TVs. However, both of those manufacturers have begun supporting AirPlay on their higher-end models, so that barrier is coming down for us. Plus, now that many streaming middleware providers (Roku, Amazon Fire, AndroidTV) are embedding their systems directly into newer generations of Smart TVs, we’re rapidly reaching a point where Marquee will be accessible to any new device that supports streaming.”

So get those snacks, get cozy, and get watching your favorite choreographers or discover new ones, on Marquee TV. You can find all the details on the website.

Dance Performances in January 2020

Week 1: January 1-5

ZooZoo

Imago Theatre, Carol Triffle and Jerry Mouawad
January 1-5
Imago Theatre, 17 SE 8th

ZooZoo is back! This longtime, audience favorite magnifies the quirkiness in our everyday life with an expert composition of elaborate costumes, masks, dance, music, physical comedy, and anthropomorphic humor. ZooZoo features a zany cast of characters like playful polar bears, firefly eyes, hippos with insomnia, arrogant anteaters, introverted frogs, acrobatic worms, self touting accordions, and tricky penguins, in this carnival of the absurd. 

Founded in 1979 by Carol Triffle and Jerry Mouawad, Imago presents original productions using masks and elaborate costumes making the humans disappear and the imaginative creatures appear.

Week 2: January 6-12

Might I suggest, Marquee TV?

Week 3: January 13-19

Dancer Andrea Parson in She’s Here: A One Woman Show. Photo courtesy of Andrea Parson.

She’s Here: A One Woman Show
Andrea Parson and Susan Banyas
January 16-18
CoHo Productions, 2257 NW Raleigh Street

Choreographed and performed by veteran NW Dance Project dancer and Princess Grace Award winner Andrea Parson, She’s Here: A One Woman Show investigates the spiritual roots of one woman through dance and storytelling. Directed by Portland writer and performance artist Susan Banyas, this evening-length work weaves personal stories, oral history, and myth to trace spirituality, magic and witchery in Parson’s Sicilian lineage. 

a world, a world by Linda Austin. Photo by Chelsea Petrakis

a world, a world
Choreographed by Linda Austin in collaboration with the performers: Austin, claire barrera, Muffie Delgado Connelly, Nancy Ellis, Hannah Krafcik, Danielle Ross, and Noelle Stiles
Presented by Performance Works NorthWest 
January 16-25
Performance Works NW, 4625 SE 67th Ave

Performed for an intimate audience of 30, a world, a world, drops the viewer into the same, saturated, arena-like environment that the dancers themselves inhabit. The work offers an immersive experience that is an amalgamation of movement, sound, image, and language.

An American in Paris
Presented by Broadway in Eugene
January 17-18
The Hult Center for the Performing Arts, Silva Concert Hall, 1 Eugene Way, Eugene

Post-war Paris is full of romance and youthful optimism as World War ll veteran Jerry Mulligan begins to make plans for a new life as a painter. But things get complicated when he meets a young Parisian shop girl with secrets. In this musical, the power of love is rediscovered through gravity-defying choreography and soaring Gershwin melodies that include, but are not limited to, I Got Rhythm, Liza, S Wonderful, But Not for Me, and Stairway to Paradise.

Week 4: January 20-26

a world, a world by Linda Austin continues through the 25th.

Berto Boyd and the artists of Flamenco Pacifico. Photo courtesy of Berto Boyd.

Flamenco Pacifico
Presented by Berto Boyd
7:30 pm January 24 
The Old Church Concert Hall, 1422 SW 11th Ave 

In the spirit of convivencia (“coexistence” in Spanish), Flamenco Pacifico’s acclaimed guitarist and composer Berto Boyd integrates Brazilian samba and American jazz with traditional Spanish flamenco in this one-night-only performance. Boyd, with guitarist/singer Grant Ruiz, percussionist Terry Longshore, and bassist Randy Tico, will accompany dancers Elena Villa and Melissa Cruz.

An artist of Flip Fabrique’s Blizzard enjoying the snow. Photo courtesy of Flip Fabrique.

Blizzard
Flip Fabrique
8:00 pm January 25
Hult Center for the Performing Arts, Silva Hall, 1 Eugene Way
&
Presented by Portland’5
7:00 pm January 26
Keller Auditorium, 222 SW Clay Street, Portland

Canadian circus company, Flip Fabrique, started by a group of friends in 2011, appropriately takes on the extreme experience of winter as a canvas for storytelling, through circus arts, creating arresting visual poetry. Blizzard, captures the magic of winter and invites you to lose yourself in the wonderment and joy of movement. 

Olga Smirnova as Giselle and Artemy Belyakov as Albrecht in Alexei Ratmansky’s reconstructed “Giselle” at the Bolshoi Ballet. Photo by Damir Yusupov/Bolshoi Theater

Giselle
The Bolshoi Ballet in Cinema, Fathom Events
12:55 pm January 26

This romantic ballet in two acts follows the peasant girl Giselle as she learns that her aristocratic lover (Albrecht) is promised to another. After going mad and dying from a broken heart, she returns from the dead as a vengeful spirit (a Wili) and she and her tribe of Wilis, force Albrecht to dance to his death.

In this brand-new production by Alexei Ratmansky for the Bolshoi Ballet, former director of the Bolshoi Ballet (2004-09) and now the artist in residence with American Ballet Theater, gives Giselle a refresh. 

To create this new version of Giselle, Ratmansky drew from several historic sources that include notations made in the 1860’s by the French ballet master Henri Justamant that were a combination of written notes and miniature drawings of the choreography, and notes scribbled on musical scores that he found in various Russian archives. The ballet, according to a review by Marina Harss for Dance Tabs, “is both familiar and new. Watching it on opening night and on the following evening, with different casts, was like seeing a faded painting regain its colors,” she said. 

Debuting in Moscow on November 21, 2019, this screening was captured live from the Bolshoi Ballet in Moscow.

Week 5: January 27-February 2

Fertile Ground Festival of New Work and Groovin’ Greenhouse
January 31-February 8
Check the Groovin’ Greenhouse and Fertile Ground websites for locations and times

The Fertile Ground Festival of New Works and its dance-centric arm, Groovin’ Greenhouse (hosted by Polaris Dance Theatre), unfold in venues around town for 9-days. The performances feature new work in various stages of development, from the fully staged to workshops, in theater, comedy, dance and film, and everything else in between.

Groovin’ Greenhouse will be performed at Polaris Dance Theatre’s home theatre located at 1826 NW 18th. The choreographers and companies being presented there are: Polaris Dance Company, ELa FaLa Collective, Mark Koenigsberg and Sara Naegelin, Polaris Junior Company and NEO Youth Company, ELXR Dance Company, and Central Catholic Dance. Check the Groovin’ Greenhouse schedule for dates and times.

Independent Fertile Grounds dance productions

Interplay
Echo Theater Company 
January 31- February 9
Echo Theatre Company, 1515 SE 37th Avenue

Featuring dance, video, music, physical theatre, aerial expression, Shibari (Japanese rope bondage), and more, this mixed repetoire highlights the work of traditionally marginalized communities and will be sex and size positive. Each weekend will feature a different group of artists presenting 10-20 minute vignettes. To view these works is to explore what arises when several performance disciplines unite to produce an original piece of work.

Weekend A: Heavy Is The Head that Wears the Crown: Mental Health Memoirs of the Black Woman by Noelle Simone, Bad Grrls of Bellydance by Sasshole, self-titled Rip/Pull Effect, and We Belong Here by Echo Theater Company.

Weekend B: CITRINE by Joni Renee Whitworth, The Book of J by Sara Fay Goldman and Marc Schreiner, Textured by Flo Buddenbaum, Summer Olsson and Aurora Rupert, and We Belong Here by Echo Theater Company.

Junction
AWOL Dance Collective, push/FOLD, and Tempos Contemporary Circus 
January 31-February 2
A-WOL Performance Warehouse, 513 Northeast Schuyler StreetPortland

Performing together for the first time are aerial dance company A-WOL Dance Collective, contemporary dance company push/FOLD, and contemporary circus company Tempos Contemporary Circus. For this performance, each company was tasked worked with the concept of connectivity as their choreographic theme-the state or extent of being connected or interconnected

AWOL Dance Collective, ​is a non-profit arts organization with their own performance warehouse space in NE Portland that embodies the idea of “aerial without limits,”and believes that the arts build community and enhance the quality of life and in its various forms, fosters creativity, empowers individuals and brings people together.

push/FOLD, is the vision of composer-choreographer Samuel Hobbs, whose work fuses the power of his athletics and dance career with his professional practice in Osteopathic medicine. With a minimalistic visual design and Hobbs’ original sound scores, push/FOLD features momentum-based choreography and sculpturesque partnering that craft immersive moodscapes and virtuosic dance performance.

Tempos Contemporary Circus is an ensemble that combines dance, music, acrobatics, and physical theater to explore the connection between the vulnerability in ourselves and within our community.

Left: Subashini Ganesan (Photo by Intisar Abioto); right: Yashaswini Raghuram.

Listening to Silence
Collaborative choreography and performance by Subashini Ganesan and Yashaswini Raghuram
January 31-February 2
New Expressive Works, 819 SE Belmont Suite 2, located In the WYSE Building. (Use the building doors located on the South side of the building.)

In her new work, “Listening to Silence,” Portland-based Bharatanatyam dancer Subashini Ganesan, alongside Portland-based Bharanatayam/Odissi dancer Yashaswini Raghuram, explores the undefinable nature of silence through the writings of Rainer Maria Rilke, Jiddu Krishnamurti, and the Rig Veda poem, Nasadiya Suktam (10.129), which considers the origin of the universe and creation. The duet also examines contemporariness in relation to tradition, through construction, deconstruction, and reconstruction of the Bharatanatyam vocabulary and rhythm.

Ganesan is the Creative Laureate of Portland, the executive director of New Expressive Works, and was recently awarded the White Bird 2019 Community Engagement Award.

Raghuram is a professional Bharatanatyam and Odissi dancer and teacher, and performs internationally as the principal dancer and the assistant director of the Odissi Dance Company. 

***

Upcoming Performances

February 
January 31-February 8, Fertile Ground Festival of New Work and Groovin’ Greenhouse
February 2, Holy Goats!, Performance Works NW
February 5-9, Niv Sheinfeld and Oren Laor, White Bird
February 8-9, Alice in Wonderland, Eugene Ballet
February 10, Fall in Love with Flamenco, Hosted by Espacio Flamenco
February 12, Grupo Corpo, Presented by White Bird
February 14-15, Darvejon Jones Dance Ensemble, BodyVox Artist in Residence
February 14-16, Been Ready, Rejoice: Diaspora Dance Theater
February 15-23, The Sleeping Beauty, Oregon Ballet Theatre
February 21-22, Ten Tiny Dances/Corvallis
February 21-23, ORIGIN: Humble Beginnings, PDX Contemporary Ballet
February 22, Interplay, Eugene Ballet and The University of Oregon School of Music and Dance
February 22, Nrityotsava 2020, A Benefit Program for Kalakendra
February 23, Swan Lake, The Bolshoi Ballet in Cinema, Fathom Events
February 27-29, Cirque Alfonse, White Bird
February 28-March 7, Attention Everyone!, Presented by A-WOL Dance Collective
February 29, BodyVox on Tour in Medford, Oregon
February 29, Bal Utsav 2020, Hosted by Nartana Kuchipudi

March
March 5-7, Rennie Harris Funkedified, White Bird
March 7, Bootleggers Ball, BodyVox
March 6-8, Dragon and The Night Queen, Ballet Fantastique
March 13-15, Alembic Resident Artists Performance: Sarah Brahim, Maggie Heath, and Cat Ross, Performance Works NW
March 20-22, Since the First Sunrise/COMING HOME, Tracy Broyles
March 26-April 5, NINETEEN * TWENTY (world premiere), BodyVox and Chamber Music Northwest
March 29, Romeo and Juliet, The Bolshoi Ballet in Cinema, Fathom Events

April 
April 2-4, Camille A. Brown and Dancers, White Bird
April 4-5, Heaven and Earth, Eugene Ballet
April 9-12, Beautiful Decay, Oregon Ballet Theatre
April 15, ChangMu Dance Company, White Bird
April (dates TBA): Linda Austin & Allie Hankins ║ The Traveler & the Thief
April 19, A Taste of Dance, Chapel Theatre
April 19, Jewels, The Bolshoi Ballet in Cinema, Fathom Events
April 23, Drum Tao 2020
April 23-25, The Rite Of Spring, NW Dance Project
April 25-28, X-Posed, Polaris Dance Theatre
April 30-May 2, Contact Dance Film Festival, BodyVox

May
May 1-2, Contact Dance Film Festival, BodyVox
May 3: Holy Goats!Plus, Performance Works NW
May 8-9, Current/Classic, The Portland Ballet
May 8-10, Luna Mistica, Ballet Fantastique
May 12-13, Dance Theatre of Harlem, White Bird
May 15 – 17, Junior Artist Generator, BodyVox
May 22-24, ARISE: What Dance Could Be, PDX Contemporary Ballet
May 29-31, Portland Tap Dance Festival, Portland Tap Alliance

 June
June 5-13, The Americans 2.0, Oregon Ballet Theatre
June 11-13, Summer Splendors, NW Dance Project
June 12-14, Up Close, The Portland Ballet


Dance is a global affair this spring, a series of international alliances and cultural collaborations that we can enjoy both in person and from afar.

Merce Cunningham centennial celebrations are in full swing all over the world and will continue throughout the summer. (Cunningham’s actual birthday, April 16, saw dancers in London, L.A., and New York City performing his work in a live stream of Night of 100 Solos). The Bolshoi, meanwhile, continues its live streaming series with that most Russian of ballets, Petrushka, showing this month in local theaters with a Cuban partner, Alfonso Alonzo’s Carmen Suite (see below). Not to be outdone, Eugene’s Ballet Fantastique is offering a live broadcast of its world-premiere work Cleopatra (see below). And BodyVox returns with the Contact Dance Film Festival, featuring shorts and feature-length dance movies created by choreographers from all over the world (see below).

On local stages, you’ll find a full complement of dance styles and traditions, sometimes intersecting in unexpected ways. To wit: our first entry.

International and cultural dance styles

Dormeshia Sumbrey-Edwards. Photo by Eduardo Patino

Tap dancer Dormeshia Sumbry-Edwards finds commonalities with kathak dancer Seema Mehta at Interwoven. Photo by Eduardo Patino.

Interwoven: Kathak/Tap, and Sitar
Featuring Seema Mehta, Dormeshia Sumbry-Edwards, Josh Feinberg, and Nilan Chaudhuri
May 5
Old Church, 1422 SS 11th St.

In April, White Bird brought us Savion Glover, one of tap’s brightest lights. This month we’re treated to another: the Bessie Award-winning hoofer Dormeshia Sumbry-Edwards. Like Glover, she’s a veteran of film (Tap, Bamboozled) and Broadway (Black and Blue, Bring in Da’Noise, Bring in Da’ Funk), and her appearance is one of the better kept secrets on the Portland performance calendar.

Continues…

Weekend Dance: They’re even dancing in trees

While AWOL Dance heads to the forest, lots of other dance action stays in town

This week in Portland dance news, Ching Ching Wong of Northwest Dance Project received the Princess Grace Award. She is the fourth dancer in the company to receive it. The Princess Grace Award was created by Prince Rainier III of Monaco to honor his wife, Princess Grace Kelly. The Foundation’s mission is to identify and assist emerging talent in theater, dance, and film by awarding grants in the form of scholarships, apprenticeships, and fellowships.

We congratulate our new honoree, and we think this is a good week to look for other worthy and amazing local dancers all over our beautiful city.

Galaxy Dance Festival
Polaris Dance Theatre
August 6-8
Simon & Helen Director Park, 815 SW Park Ave
Polaris Dance Theatre, founded in 2002 under the artistic direction of Robert Guitron, is newly installed in its brand new home at 1826 NW 18th Ave. Polaris is a contemporary dance company that focuses on accessibility through community performances, classes and outreach.

In its 3rd year, the Galaxy Dance Festival is one of those programs, bringing together a large swathe of Portland’s dance community with classes and performances at Director Park. The featured dance companies that will perform during the three day festival: Polaris Dance Theatre, Polaris Junior Company, Pacific University, Northwest Conservatory of Dance, Automal, Pendulum Aerial Arts, The Skylark Tappers & PDX Dance Collective, The Circus Project, 3rd Shift Dance, WHYTEBERG and NW Fusion Dance Company.

AWOL Dance Collective will hit the trees this weekend.

AWOL Dance Collective will hit the trees this weekend.

Art in the Dark
AWOL: Dance Collective
August 7-16
Under the Trees at Mary S Young Park, West Linn
Awol’s Art in the Dark, is an annual happening in the forest, suspended from trees. This year’s event will recreate a fantastical, Old World circus performance that includes lions, poodles, mimes, clowns, strongmen, a ringmaster and, of course, beautiful dancing aerialists.

This will also be Emily Running’s last performance with Awol. Running has performed with Awol for seven years and is the mastermind behind Dance Wire, a webpage dedicated to uniting the Portland dance community online, and she is a co-director of Conduit Dance.

Summer Works
Moxie Contemporary Ballet
11:30 am August 7 at Bite of Oregon; 7 pm  August 7 at Lincoln Performance Hall, 1620 SW Park Ave.
Moxie ballet is the newest dance company on the Portland block. Directed by Gina Canland, this contemporary ballet company and school rages against the “ballet body,” opening it’s door to dancers of all body types, mixing rigorous ballet classes with cross training.

The company’s first summer intensive concludes with two shows in one day, an abbreviated version at The Bite of Oregon, and a full-length performance at Lincoln Hall. Students will perform dances choreographed by guest faculty—Drew Jacoby, Doug Baum, Marie Zvosec, Katie Scherman, Michele Oliva, Jourdan Epstein—and expect an appearance by Moxie Contemporary Ballet.

Moxie Contemporary Ballet's Emily Schultz/Photo by Lindsay Hille

Moxie Contemporary Ballet’s Emily Schultz/Photo by Lindsay Hille

(Un)Made Solo Relay, Grand Finale
Linda Austin, Claire Barrera, Danielle Ross, Noelle Stiles and Taka Yamamoto
August 7-8
Performance Works NW, 4625 SE 67th Ave.
It’s Grand Finale time! After a six-month adventure that began in March with a solo created and performed by Linda Austin who then passed it down to six other performers like a game of telephone in relay fashion, is now ready for its final stages where it will be witnessed and performed by a group of movers and then performed again by Linda Austin herself.

Pure Surface
Julia Calabrese, Patricia No, Eileen Isagon Skyers
6 pm August 9
Valentine’s, 232 SW Ankeny St
Curated by Stacey Tran and Danielle Ross, Pure Surface is a performance series interested in encouraging cross-disciplinary practice and performance by bringing together movement, text and film in the spirit of improvised collaboration. Each month a new group of artists is brought together in the intimate, open air setting of Valentine’s and performance is made. This month’s artists are movement artist Julia Calabrese, writer by Patricia No and filmmaker Eileen Isagon Skyers.