Bahaa El-Ansary

Fear No Music & Third Angle reviews: discoveries

Portland new music ensembles open Oregon ears to music from beyond the usual sources

I love going to a concert with exactly zero familiar composers. In Oregon classical music programs, the standard is still usually one new composer per concert, sandwiched between the dead white guys. Even in Portland, it’s relatively rare to hear a concert with music by composers who are all new to me. In the last few weeks, veteran Portland new music ensembles Fear No Music and Third Angle delivered two such concerts that led me to new discoveries.

Fear No Music played recent music by Middle Eastern and emigrant-diaspora composers at Portland’s Old Church Concert Hall. Photo: John Rudoff.

FNM’s October 9 concert at Portland’s Old Church, The Fertile Crescent, featured music by six composers rooted in the Middle East. Although they were new to me, they are all accomplished international composers. Gity Razaz studied at Juilliard with Corigliano, Beaser, and Adler; Kinan Azmeh is a member of Yo-Yo Ma’s Silk Road Ensemble; Reza Vali, Kareem Roustom, and Franghiz Ali-Zadeh have all composed for Kronos Quartet (I’m sure they’ll get around to Bahaa El-Ansary eventually). Although the music performed at the concert didn’t always satisfy me, I liked most of it, and the pieces that left me cold still led me to discover other enjoyable music by the same composers.

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