Bellingham Folk Festival

Sver: epic Nordic folk music

Swedish rhythm machine rocks Scandinavian traditional music in Oregon tour

by DANIEL HEILA

In the front row of Corvallis’s Majestic Theater a flock of fidgety youths — a posse of sjörå on shore leave — hoot and whistle as the string-driven, Swedish rhythm machine Sver cranks out a rousing set of relentless syncopated hooks, exhilarating drops, and odd-metered rollicks. Anders Hall, the band’s fiddle/viola player, prowls the stage (a naughty can of chaw in his front pocket, latent horns pushing against the taut skin of his shaven head), his compact form slightly curved forward, almost as if he is embracing the spirit of this epic music. An old-world strömkarl, he’s here with his partners-in-pulse to enthrall the audience with hypnotic fiddling. And if revelers ask real nice, he’ll teach them how to play…

And that has a lot to do with why he and his bandmates — Olav Luksengård Mjelva on fiddle and Hardanger fiddle, Leif Ingvar Ranøien on two-row accordion, Adam Johansson on guitar, and Jens Linell on drums — are here in exotic Corvallis, Oregon, spreading the happy infection of their rockin’ take on Nordic folk music.

Swedish folk rockers Sver performed at Corvallis’s Majestic Theater. Photo: Daniel Heila.

Back in 2015, the band was in residence at the Alasdair Fraser Sierra Fiddle Camp in Nevada City, California, and so was Cayley Schmid, fiddler with Americana band Polecat, who attended the bands’ workshops and concerts. “I think Sver embodies a perfect combination of reverence for creativity, and musical playfulness,” she says.

A year earlier, Schmid had started the Bellingham Folk Festival winter weekend of folk music workshops and performances for festies of all ages and abilities. Schmid, the festival’s de facto director/booker/volunteer coordinator, realized it would be her dream booking if the Swedes performed in Bellingham. With a decade of touring experience with Polecat, she wound up booking half the shows of SVER’s first US tour in 2018. A successful run of gigs culminated in an appearance at the Bellingham festival and a promise from the Swedes to return.

That promise became reality when Schmid booked a fourteen-show Pacific Northwest tour (from Northern California to Vancouver, BC) in January 2019, with the Majestic Theater show in Corvallis smack dab in the middle of a run from Ashland to Astoria and on to Portland’s Alberta Rose Theater.

A fiddler in the Irish and Scottish traditions for most of her life, Schmid fell for the irresistible buzz and hum of Sver’s music. “They create a sound that is bigger than the sum of its parts,” she explains.

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