Benjamin Krause

MusicWatch Weekly: sizzlers and swashbucklers

A new new music festival erupts in Oregon, plus chamber music and live film scores enliven this week's concert scene

A hot new source of contemporary music has ignited in Oregon. Although, given the incendiary events of the summer and fall, its name might be a tad, er, heated for a West Coast music fest, Spontaneous Combustion New Music Festival, which runs January 20-February 2 in Eugene, Portland and Seattle (with additional West Coast cities intended next year), includes major new music voices including daring New York cellist Ashley Bathgate, City of Tomorrow wind quintet, NYC’s Sandbox Percussion Quartet, and more. Saturday’s concert at Portland’s Old Church concert hall features Eugene’s own Delgani String Quartet, the state’s finest chamber ensemble, performing Portland native Lou Harrison’s majestic String Quartet Set, influenced by medieval Western European and Turkish music, among others; a quartet by the great 20th century avant garde composer György Ligeti; and a new composition by recent University of Oregon graduate Benjamin Krause, which you can read all about in Gary Ferrington’s ArtsWatch story. The busy Delganis also play Ligeti and Beethoven Sunday at Salem’s Prince of Peace Episcopal Church and next weekend in Eugene.

Delgani String Quartet performs in Portland and Salem.

On Monday at the Old Church and Tuesday at Eugene’s New Zone Gallery, Boston flutist Orlando Cela plays music by fellow flutist and contemporary American composer Robert Dick, the great Argentine nuevo tango composer Astor  Piazzolla, and more. Tuesday’s concert at the Old Church brings one of the most talked about younger contemporary classical ensembles, Boston’s Hub New Music, which plays music by Oregon-born, Wisconsin-based composer David Drexler, the premiere of a new half hour piece by Robert Honstein, and a composition by erstwhile Seattleite Laura Kaminsky, whose music we last encountered in Portland  a couple years back. We’ll tell you all about the remaining concerts in this exciting new series created by Cascadia Composer and new Portlander Scott Anthony Shell in upcoming MusicWatches.

Portland Mini Musical Festival returns to Fertile Ground this weekend.

Speaking of new artistic creations, as you’ve been reading all over ArtsWatch, one of Oregon’ most valuable artistic incubators, the annual Fertile Ground Festival of New Works, is back, and at least one of those, Mini Musicals 2018, running thrice at Portland’s Winningstad Theatre this weekend, is of special interest to music fans like all of you. We sure liked last year’s edition.

Last weekend, the Oregon Symphony gave a dazzling performance of Stravinsky’s immortal The Rite of Spring accompanied by newly created visuals tailored to the century old music. (Stay tuned for our review.) This weekend, it reverses the process. Although neither Keith Richards nor Johnny Depp is scheduled to appear, the Oregon Symphony and Pacific Youth Choir play Hans Zimmer’s score to Pirates of the Caribbean: The Curse of the Black Pearl to accompany a screening of the film.

Douglas Fairbanks swashes his buckles in “The Mark of Zorro,” accompanied by musicians from Vancouver Symphony.

More swashbuckling original music accompanies the Vancouver Symphony’s Chamber Music Series screening of Douglas Fairbanks’s spectacular adventure flick The Mark of Zorro Sunday at Vancouver’s Kiggins Theatre. The original score by Colorado based composer/conductor/silent film score specialist Rodney Sauer features members of the Vancouver Symphony Orchestra. Check MusicWatch next week for info about an even more exciting silent film score screening and live performance.

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Delgani Quartet preview: Cascadian perspectives

Eugene ensemble premieres Benjamin Krause’s celebration of Cascade mountainscape

by GARY FERRINGTON

Delgani String Quartet artistic director Wyatt True and composer Benjamin Krause have a natural history. The violinist had performed Krause’s Uv’Chein Variations for violin and piano (2012) while both were students at the University of Oregon, and True later commissioned him to compose The Activity of Sand and Movie Music for Portland as part of his 2015 Oregon Multimedia Project.

So when the Eugene quartet received a grant from the Oregon Community Foundation’s Creative Heights Initiative to provide the score to a video documentary inspired by the towering mountain peaks visible from the Dee Wright Observatory atop the Mckenzie Pass, True suggested that Krause, currently visiting professor of music at Indiana’s Valparaiso University, was a natural choice. The other ensemble members — violinist Jannie Wei, violist Kimberlee Uwate and cellist Eric Alterman —agreed.

Oregon’s Cascade Peaks. Photo: Terry Kneen.

“We wanted it to result in something tangible that could be enjoyed by people throughout the state who would otherwise not be able to hear the music in concert,” True explains, “perhaps by people more interested in nature than string quartets, or students learning about the Cascades in school.” That was natural, too: actively engaged in performances throughout the Pacific Northwest, the ensemble frequently commissions new works for string quartet and has developed an extensive educational program.

Krause’s new String Quartet No. 1 “Cascades,” which premieres this month, supplies the musical component to Delgani’s Cascade Quartet Project, which connects music to landscape through composition, performance, and documentation. The quartet premieres the four-movement, 25 minute piece in Salem October 29, followed by November performances in Eugene and Portland.

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Oregon Media Project: Channeling Oregon’s beauty into music

Oregon composers write new music to accompany images of Oregon

By GARY FERRINGTON

The beauty of Oregon’s sweeping landscapes from the Pacific Ocean to the high desert country has long inspired artists — perhaps none more than photographer and University of Oregon professor emeritus Don Hunter. Even in his 90s, Hunter was a one-person show, packing three projection screens, six projectors, and sound equipment into his station wagon and setting out across the state and beyond to share with audiences his Oregon story programs comprising multi-image, music and narration. When age made it impossible for him to take his show on the road, Hunter donated his collection of 150,000 colored slides to the Lane County Historical Society in 2010

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Oregon’s landscapes inspire new Oregon music for violin and piano. Photo: Terry Kneen.

When  Eugene violinist Wyatt True discovered the Hunter collection, he was inspired to explore the idea of  of combining photographs of  Oregon with music. He conceived an evening of original music for violin and piano with projected imagery, and submitted the idea in a funding proposal to Mu Phi Epsilon, a professional music fraternity. When he was awarded the MPE’s Beth Landis Violin Scholarship in 2013, True commissioned Oregon composers Benjamin Krause and J.M. Gerraughty to write new works for violin and piano inspired by four distinct Oregon land- and cityscapes: Portland, the Willamette Valley, sand dunes, and the high desert. Violinist True and pianist and David Servias, accompanied by projected photographs, will premiere both  new works on October 25 at Oregon State University (where Dr. Servias teaches) and the University of Oregon on October 27.

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