Blue Door

‘Blue Door’: truth & consequences

Profile's taut production of Tanya Barfield's drama of a black man in conflict with his soul brings back the ghosts of pain and opportunity

In the dark, the sounds of African drumming and a loud, exultant chant ring out. Lights up, and the dialogue begins. “Divorce!” the actor Victor Mack declares, rolling and spitting the word in bafflement, savage humor, and contempt. What follows in Blue Door, which opened Saturday night at Profile Theatre, is close to two hours of dramatic exploration of what divorce means – not only or even mostly the divorce of Mack’s character, Lewis, from his wife, but of Lewis’s attempted divorce from his own black identity and cultural history.

Seth Rue in "Blue Door." Photo: David Kinder

Seth Rue in “Blue Door.” Photo: David Kinder

Blue Door, the second full production in Profile’s season of plays by Portland native Tanya Barfield, takes a big leap forward by trimming its sails. Its issues are larger and deeper than those in the season’s appealing but sprawling first production, The Call, but the focus is much tighter: Just Mack and fellow actor Seth Rue, who plays a variety of characters in Lewis’s long family story, are onstage.

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