The Madness of Asae Dean

Making art is often a difficult and thankless proposition. Producing theater, in particular, can be even more of both. It follows that for most fringe theater companies, producing either Shakespeare’s Antony and Cleopatra OR his Troilus and Cressida would be an arduous enough undertaking. Tackling both at the same time, as Salt and Sage Productions […]

Spotlight on: a theatrical ‘Jump’

Expect the unexpected from Confrontation Theatre. Its second full production, a co-production with Milagro, is Charly Evon Simpson’s Jump, which opens at the Milagro space on Friday. Two full shows in (its first full production was James Webb’s comedy Sibling Rivalry in 2017) and the nascent theater hasn’t come across as a company that, on […]

Inside Fertile Ground: Six Tales

For the past ten years, Fertile Ground has been the most dynamic event of the Portland theater season. For eleven days the city is engulfed in theater that is by turns thrilling, preposterous, fantastic, raw, hilarious, scary, brutal, inconsistent, challenging, and courageous – sometimes all at once. For these eleven days, good or bad, professional […]

Speed-dating at Fertile Ground

And lo, on the third day of the New Year, a great clamor fell upon the multitude, and the dread Pealing of the Four Minutes rang out, and the people scurried from line to line, taking their spots in the sun, pitching their pitches, eager to be heard. And a mighty clatter and confusion arose, […]

Stage sense: the year in theater

“The Universe is under no obligation to make sense to you,” the astrophysicist Neil deGrasse Tyson tells us. But you — by which I mean we humans — are under an obligation, or at least a compulsion, to make sense of the universe. That’s easier said than done, of course, even if you’re focusing on […]

Social engagement: politics, resistance, and art

The world is indisputably in a precarious position — not just politically and socially, but economically and even ecologically. It is a moment of crisis. Artists play a crucial role in moments like these, helping the rest of us arrive at a shared cognition of what is — of seeing, sensing, and feeling that roil […]

People & Conversations 2018

By Sarah Kremen-Hicks Theaters have their curtains. Paintings have their frames. Books have their covers. The act of presentation, of framing, of giving things edges, shifts the subject to the work itself and hides the artist away, if only a little bit. ArtsWatch’s writers have spent the past year seeking out the artists behind the […]

David Mamet, plowing through

David Mamet. The name evokes images of hard-swearing, fast-talking, testosterone-dripping, cigarette-smoking, poker-playing, scam-running, angry white men spiritually crippled by existential angst and taking it out on everybody they come into contact with, even – or especially – each other. There was an extended moment, lasting some thirty years, when Mamet was the popping, crackling heartbeat […]

Vertigo at the crossroads

For two decades, Theatre Vertigo has been sending postcards from the edge of the middle-class American sensibility. It’s developed a reputation for gritty, rough, challenging, neurotic, and hilarious theater – often at the same time. Some of the most thrilling pieces of art on the Portland theater scene have been crafted on the Vertigo stage: Hellcab, […]

“Fires” in a crowded theater

At one point, amid the mosaic of testimonials and commentaries that make up Anna Deavere Smith’s play Fires in the Mirror, Leonard Jeffries, a professor of African American studies at City University of New York, talks about his tangential involvement in Alex Haley’s novel turned TV miniseries Roots, one of the biggest cultural phenomena of […]

Love, labor, loss

The dedicated auto workers in Artists Rep’s “Skeleton Crew” have lives on the line and hard choices to make when their plant faces closure.

Devising ‘Very Poorly Indeed’

It begins, as these things often do, at the nexus between worlds, the juncture, the crossroads of realities, with the audience and the performing area both in light and both in darkness. On the stage, just on the other side of a translucent membrane, a pagan entity (Myriel Meissner) approaches. Something stirs inside the audience, […]

Spotlight On: The Portland Horror Film Festival

This weekend, the Portland Horror Film Festival once again will turn the Hollywood Theatre into a morass of thrills and chills and spills of blood. This is only the third year of the festival, but in that time it has grown from two nights to four days, showing more than 40 short films (varying from […]

DramaWatch: two great musicals

There are those among us who — brace yourself for this — dislike musicals. Perhaps they hate them, with an active, withering passion, but more likely they simply dismiss the form altogether as sentimental or soapy or sappy or just stupid. Theater folk understand how much craft and care and sheer intelligence of various sorts […]