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By SANDRA KURTZ

Seattle loves a festival.  Whatever the topic—food, film, music, boats—we’ve got some kind of event that offers city dwellers a chance to dive into their obsessions, and dance is one of those. In June, when a lot of dance communities are winding up the year with studio recitals, Seattle audiences are facing a scheduling challenge with two significant festivals, full of brand-new and new-to-us programming.

Robert Moses’ Kin is one of the big names at this year’s Seattle International Dance Festival. Photo by RJ Muna.

Portland audiences are probably already familiar with On the Boards: the Seattle presenter has collaborated with regional friends like PICA in the past, and Oregon artists have swapped spots with Seattle folks in projects like the TBA Festival. In Seattle, On the Boards stakes its reputation on presenting work from the leading edge of performance, wherever that might be at the time. Most of the year, its artists come from far and wide, but in June, the Northwest New Works Festival (held June 12-16) narrows the geographic focus, digging into the region and connecting local creators to international trends.

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