Bolshoi Ballet

DanceWatch: Dear March, come in!

Oregon's dance month marches in like a lion, and a tango, and some ballet, and some butoh, and some funk, and bootleggers, and more

Dear March – Come in –
How glad I am –
I hoped for you before –
Put down your Hat –
You must have walked –
How out of Breath you are –
Dear March, how are you, and the Rest –
Did you leave Nature well –
Oh March, Come right upstairs with me –
I have so much to tell –

This is the first stanza of Emily Dickinson’s Dear March – Come in –, a poem that describes the month of March like an old friend who has finally arrived, long awaited, but will soon leave because April is knocking at the door. Spring has arrived! The poem seems to express that time is fleeting, patience is a virtue, and we should enjoy things and life while they last. Our Portland winter hasn’t been as challenging as some, but it’s definitely been dark, and I am so glad to see the light again and feel the warmth of the sun on my face.

To me there is such an obvious connection between nature and dance. The body is nature. We are born of the earth, sustained by it, and return to it when we die.  Like nature, dance is also fleeting and lives in the moment. Dance and dancers, like seasons, grow and change, bloom, age, are affected by their environments, and flourishes when they are loved. 

March’s dance offerings are an interesting combination of the political and personal, the historical and imagined, and nature and connectivity, with a bit of comedy and religion sprinkled in. Enjoy!


Week 1: March 1-8

Marta Savigliano, Tango and the Political Economy of Passion
Presented by the Reed College Comparative Race and Ethnicity Studies Colloquium Series and moderated by Reed College Dance Professor Victoria Fortuna
Noon March 4 
Reed College, Vollum College Center, Room: 120, 3203 S.E. Woodstock Blvd., Portland

Offering both an insider and outsider point of view, Marta Savigliano – an Argentine political theorist and dance professor at the University of California at Riverside –, discusses her book Tango and the Political Economy of Passion (1995); a text on tango’s national and global politics that received the Congress of Research on Dance Award for Outstanding Book 1993-1996.
The event is free, and all are welcome. Lunch will be served, so please RSVP to so that the right amount of food can be provided. 


DanceWatch Monthly: February is all about the love

February in Portland dance is all about love and its many forms (not just Valentine's Day)

It’s February and love is in the air. Dance performances this month, appropriately enough, express love in a wonderful variety of ways. From the familiar romantic love to platonic love. From the love of connecting with community too connecting with oneself. From the love of music to the love of pure movement. From the love of sharing, to the love of technology, to the love of the wild. From the love of experimentation and research to the love of a good book and a good story, to the love of intimacy, and to the love of things big and small. For the love of god. For dance itself and for the gift of emotional expression. 

“To dance is to be out of yourself,” American choreographer Agnes de Mille famously proclaimed. “Larger, more beautiful, more powerful. This is power, it is glory on earth and it is yours for the taking.” 

So, let’s dance, and do it with love.

Dances in February

Week 1: February 1-2

Holy Goats!
Performance Works N
2 pm February 2
Performance Works NW, 4625 SE 67th Ave

Holy Goats! Sunday afternoon improvisations and bagels are back!  This new iteration will be devoted to dance and music by Portland-area and visiting artists. The dancers include Allie Hankins and Caspar Sonnet, Pepper Pepper, Tracy Broyles + Adrian Hutapea + jaime lee christiana, Luke Gutgsell + Kennedy Verrett. The musicians: Catherine Lee, Caspar Sonnet, Dan Sasaki, Annie Gilbert, and Stephanie Lavon Trotter.

Founded in 1999 by Artistic Director Linda Austin and Technical Director Jeff Forbes, Performance Works NorthWest || Linda Austin Dance engages artists and audiences of the Pacific Northwest in the process of experimentation, creation and dialogue around the presentation of contemporary performance. 


DanceWatch: a big yes to November

As a new season settles in, Oregon's dance calendar overflows with opportunities

“No fruits, no flowers, no leaves, no birds! – November!” This line begins the chapter on November in my favorite childhood book, A Time to Keep, the Tasha Tudor Book of Holidays, and is also the last line of a poem by poet and humorist Thomas Hood (1799 -1845) called NO!

The story line of  A Time to Keep is prompted by a little girl asking her mother, “What was it like when mommy was me?” Tudor lovingly illustrates each month of the year and that family’s holidays and traditions for each of them.

Tudor (1915-2008) was an American author and illustrator whose stories and beautifully detailed illustrations created whimsical, magical worlds for children of all ages to enter. 

I particularly liked November in A Time to Keep, because it describes a family coming together from all around and celebrating the holiday with food and impromptu performances as entertainment. I like to imagine that this is what we are doing here in Portland in the winter, gathering together in warm, cozy spaces, eating, drinking, and watching dance.

And this November has no shortage of dance: twenty performances, from a few Halloween carryovers to important anniversary celebration performances, circus performances with a social justice bent, Shakespeare, ballet, and much more. Scroll down to see it all! 

Dance Performances in November

Week 1: November 1-3

Members of the cast of Redwood by Playwright Brittany K. Allen that runs November 1-17 at Portland Center Stage at The Armory.
Photo by Russell J. Young/Courtesy of Portland Center Stage.

Redwood (World Premiere)
Playwright Brittany K. Allen 
Directed by Chip Miller
Choreography by Darrell Grand Moultrie
November 1-17
Portland Center Stage at The Armory, 128 N.W. 11th Ave.

A young Black woman’s relationship with her white boyfriend is upended when her uncle’s exploration of their family’s lineage reveals that her ancestors were enslaved by her boyfriend’s ancestors. Guided by a hip-hop dance class chorus, choreographed by Darrell Grand Moultrie (choreographer of Instinctual Confidence and Fluidity Of Steel for Oregon Ballet Theater), this American family learns to live and love in a present that’s overpopulated with ghosts.


DanceWatch: A rich cultural stew

What's happening in Oregon dance now

Welcome to DanceWatch for March, the month that enters like a lion and retreats like a lamb, or so they say. While it’s still cold and dark outside, you can think of this month’s dance offerings like a warm winter stew: hearty, rich, varied, and soul-soothing. And don’t forget that spring is a mere 22 days away!

Let’s start this month’s column with Native American dance. Last fall, the Portland Institute for Contemporary Art caught my attention with this statement in its Time-Based Art catalog: “The land now known as Portland rests on the traditional village sites of the Multnomah, Wasco, Cowlitz, Kathlamet, Clackamas, Bands of Chinook, Tualatin Kalapuya, Molalla, and many other Tribes who made their homes along the Columbia (Wimahl) and Willamette (Whilamut) rivers.”

I didn’t know this. Did you? I was struck. I rarely hear about the native tribes of Portland and the surrounding areas and I even more rarely see dance representing these cultures. I feel weird about this. I can’t go back to not knowing. In fact, this information made me want to learn more about Native American dance artists in Oregon and beyond, and recently, I did.

This past Sunday, I attended the Alembic artist performance at Performance Works NorthWest, where choreographer Olivia Camfield, a resident artists and a Muscogee Creek Tribal member from Texas Hill Country, choreographed and performed a powerful contemporary piece about indigenous people reclaiming their narratives. She welcomed everyone with this statement, a reminder to be respectful when we’re visiting someone else’s territory.

“Hensci (hello), estonko (how are you), Olivia Cvhocefkv Tos (my name is Olivia). I come from the Muscogee Creek nation of Oklahoma. Originally we come from the southeastern region of this continent. I would like to acknowledge that I am a visitor here today and in the spirit of reciprocity, I would like to bring medicine and movement prayer to this land and the people of it. These nations include the Multnomah, Kathlamet, Clackamas, Tumwater, Watlala Bands of the Chinook, the Tualatin Kalapuya, and many other indigenous nations of the Columbia River valley region. I would like y’all to acknowledge whether you are a settler occupier of this stolen land, an indigenous visitor, or you are of this land and this is your ancestral territory. I would like to ask to come here and be in a good way and walk this land as a caretaker and a medicine giver. I would like y’all to do the same, be here in a way that is respectful and honorable to the people and spirits who have taken care of this land since time immemorial. Mvto (thank you).”


DanceWatch Weekly: A dance that can be whatever it wants to be

Shannon Stewart talks about the 3-year process that her dance "Relatives" has gone through

“Honestly, the real reason for this production is because I wanted to get Shannon Stewart here (in Portland) again,” said Portland choreographer Tahni Holt when we met for coffee last week at Posies Bakery & Cafe in NE Portland. “She’s just a power house. She’s an amazing choreographer, and teacher, and a very dear colleague of mine.”

New Orleans-based Stewart’s Relatives and Holt’s newest work-in-progress, Rubble Bodies, will share the stage this weekend at Performance Works NW/Linda Austin Dance. The two pieces are in conversation with each other Holt said.

“So many of our ideas—what we think about, and what we are working on—are on similar paths,” Holt says. “We are at similar points in our lives, and we’re similar ages” she continued. “I think that they will be really amazing pieces to see together and hers (Stewart’s) is an incredibly complicated, rigorous piece, that you get a bit lost in the meditation of it and the consistency of it. The dedication she brings to that hour—and the fierceness—is really amazing. I’m very excited to bring that piece to this community. I want this community to show up for it because I think it’s a really important work to see.”


DanceWatch Weekly: Intersecting with India

A busy week of dance in Portland is loaded with cross-cultural intersections

I have ALWAYS been interested in the intersection and cross-pollination of cultures. As someone who grew up in Berkeley, California, in the ‘70s, ‘80s, and ‘90s (hippie to hip hop), and within the Hare Krishna movement (a Gaudiya Vaishnava Hindu religious organization), I live at this intersection. I am the embodiment of that idea.

I may look like a typical, Caucasian, American woman, but I’m not. I went to protest marches in a stroller before I could walk. I was named after a very important sacred river in India. I can sing and recite songs and prayers in Sanskrit. I know how to wear a sari. I believe in reincarnation and Karma. I have always been a strict vegetarian (no meat, fish, or eggs), and I almost allowed my marriage to be arranged (though I found love on my own). And the first dance class I ever took was a Bharatanatyam (classical South Indian dance) class taught by a white American ballerina. These experiences have afforded me the ability to understand many perspectives, to move between worlds, to see beauty in things outside of my own experiences, and to sometimes/often, feel like an outsider.

This week’s dance performances intersect, cross boundaries, share elements, and they speak of new experiences, shared experiences, multicultural experiences, human experiences, that stretch our brains and go to the edge.

Nritya Suhrid. Photo courtesy of Kalakendra.

On Saturday, 17 Indian dance groups from Portland and beyond, made up of students and professionals, will converge on Lewis & Clark College’s Evans Auditorium to perform in Nrityotsava, a fundraiser for Kalakendra—a Portland-based organization founded in 1987, that promotes the performing arts from across the Indian subcontinent through classical dance and music performances. The dance styles presented on Saturday will include Bharatanatyam, Kuchipudi, Kathak, Odissi, Bharatha Nrithyam, Rajasthani dance, Goan dance, Haryanvi folk, and Garba. It’s going to be an Indian dance feast to end all feasts.

Natya leela Academy. Photo courtesy of Kalakendra.

I spoke with Gidu Sriram, one of the Kalakendra board members, about the importance of an organization like this, especially considering our current political climate and our government’s perspective on immigrants. We spoke via email, and this is what he wrote:

“Indian classical music and dance is one of the richest if not the richest in the world and it dates back to over 2000 years ago. We believe that it is not only our duty to preserve our art but also showcase it to the American audience who may not be aware of it and to present it to the Indian Americans who would be sorely missing it being so far away from their homeland.”

Most of us came to the States to either pursue higher studies or a better standard of living and we were trading our rich culture in this pursuit. Organizations like Kalakendra fill a void by bringing highly talented artists to perform in the United States. In this process, it also brings us pride as we see Americans getting exposed to this art, some of whom have become ardent lovers of Indian classical music and dance.

In the current political environment, it definitely brings diversity and educates Americans to become aware of the rich talent in people from other parts of the world and to not judge people simply by their ethnicity.”

California dancers. Photo courtesy of Kalakendra.

Nrityotsava is being coordinated by Mini Jairaj, a community organizer and accomplished dancer, singer, and musician. Jairaj began taking dance lessons from her father, the late renowned Sri. T Radhakrishnan, at the age of three. He was a master in Kathakali and Kerala Natanam, dance forms from the tropical state of Kerala in South India.

She has also trained in Bharatanatyam from Kalakshetra Vilasini and in Mohiniyattam from Kalamandalam Kalyanikutty amma and her daughter Smt. Sridevi Rajan. She learned Ottamthullal Dance (a Kerala temple art form) from her father and later from master Kalamandalam Prabhakaran. She is currently studying Kuchipudi (a dance form of Andhra Pradesh) from Smt. Anuradha Ganesh, the director of Nartana school of Kuchipudi here in Portland. She is trained in Carnatic music under Sri. Mahadeva Iyer, Sri. Natesan Master and Sri. Kalyana Sundaram Bhagavathar, and has been singing for Bharatanatyam and Kuchipudi arangetrams (an onstage debut for students of Indian classical dance and music) for many years.

Folk Jhalak. Photo courtesy of Kalakendra.

I have admired Jairaj from afar for several years now because of her tireless commitment to organizing community events, her ability to perform so many different styles of Indian dance, and her desire for continued learning. Jairaj of course is not alone. She is part of a large community of talented individuals from all over India, also living in the Portland area, who are deeply committed to creating community and keeping their home cultures alive while living here in America.

I hope to see you all at Lewis & Clark on Saturday where you can experience much more and be part of something much bigger. I’ll be there.

Performances this week

The Light of Progress-Portland Winter Light Festival
February 1-3
Flamebuoyant Productions, Circus Luminescence, BodyVox, Éowyn Emerald & Dancers, and Rainbow Dance Theatre
World Trade Center, 121 SW Salmon Street
Across town, in venues far and wide, Portland Winter Light Festival will attempt to draw Portlanders out of their homes into the night, in the dead of winter, to be together in celebration of Winter, art and technology. The festival will feature live performances by BodyVox, Circus Luminescence, Flamebuoyant Productions, Éowyn Emerald & Dancers, and Rainbow Dance Theatre. A little bit of movement energy to keep you warm.

Reed College Dance Thesis Showing: Greetings and Elaborations
Olivia Hasencamp, Mackenzie Schuller, and Rika Yotsumoto
February 1-3
Reed College, Performing Arts Building, Massee Performance Lab PAB 128, 3203 SE Woodstock Blvd
Reed Dance thesis candidates Olivia Hasencamp, Mackenzie Schuller, and Rika Yotsumoto integrate their experiences with choreographers Bouchra Ouizguen (Morocco), Ohad Naharin (Israel), Wim Vandekeybus (Belgium), and Bailarines Toda La Vida (Argentina), into new works focusing on intimacy, collaboration, and the subconscious mind.

Oregon Bird sketches—open rehearsal
Agnieszka Laska Dancers
7 pm February 1
Polish Hall, 3832 N Interstate
Celebrating its 15th anniversary, Agnieszka Laska Dancers, directed by Polish contemporary choreographer Agnieszka Laska, in collaboration with composer Jack Gabel, will present new choreography to choral works by Henryk Górecki, Oregon Bird Sketches by Gabel, and cabaret songs of Zygmunt Konieczny to name a few. Full concert April 14-15.

The skinner|kirk DANCE ENSEMBLE
Presented by BodyVox
February 1-10
BodyVox Dance Center, 1201 NW 17th Ave.
Highlighting their Portland dance legacy, Eric Skinner and Daniel Kirk present an evening of two restaged works, Here and there, now and then, Semita, and a world premiere duet. The three works, performed by Brian Nelson, Chase Hamilton, Skye Stouber, Skinner and Kirk, reflect complex relationships, aging, perception, and loss. Dance writer Heather Wisner takes a closer look at the works and its choreographers in her preview Skinner/Kirk Dance Company hits rewind and fast-forward for ArtsWatch.

The Shore of Endless Worlds
A solo by Nathan Montgomery
7:30 pm February 2
The Headwaters, 55 NE Farragut St. #4
In his solo, The Shore of Endless Worlds, Butoh performer Nathan Montgomery reveals that his dance is “an energetic and formal pattern stitched through space and time…a deep inner world…a presentation of the wholly unique individual…a gift of one soul sprouting something beautiful from the dark soil of the human experience.”

Nrityotsava 2018: An evening of Indian Classical & Folk Dances
Presented by Kalakendra
4:30 pm February 3
Evans Auditorium, Lewis and Clark College, 0615 SW Palatine Hill Road
See above.

Chitra: The Girl Prince
NW Children’s Theatre, Co-directed by Sarah Jane Hardy and Anita Menon
February 3-25
Mainstage, NW Children’s Theatre, 1819 NW Everett St.
In this retelling of a fourth century tale from the Mahabharata, co-directors Sarah Jane Hardy and Anita Menon along with a collaborative team of theater artists, musicians, and dancers from India and Portland’s Bengali-American community, tell the story of a warrior princess who struggles to stay true to herself while balancing her responsibility to her people and true love’s call.

The Lady Of The Camellias
Choreography by John Neumeier with music by Frédéric Chopin
Performed by the Bolshoi Ballet in Cinema Live from Moscow
12:55 pm February 4
Playing at Lloyd Center 10 with IMAX, Century 16 Eastport, Clackamas Town Center, and Liberty Theatre.
In a live broadcast all the way from Moscow to a movie theatre near you, the Bolshoi Ballet performs The Lady Of The Camellias, live, for one performance only.

The ballet, choreographed by John Neumeier in 1978 for the Stuttgart Ballet, is based on the novel of the same name by Alexandre Dumas fils, and depicts Parisian life in the 19th century. The story tells the tale of a doomed love affair between a sick and dying courtesan, Marguerite Gautier, and her lover Armand. The ballet takes place during an auction after Marguerite’s death, and develops into a series of memories recalled from the points of view from Armand’s, his father’s, and Marguerite’s.

Upcoming Performances

February 1-10, The skinner|kirk DANCE ENSEMBLE, presented by BodyVox
February 3-25, Chitra The Girl Prince, NW Children’s Theatre, Co-directed by Sarah Jane Hardy and Anita Menon
February 8, Fall in Love with Flamenco, Hosted by Espacio Flamenco Portland
February 15-18, a·mor·phous, DownRight Productions
February 15, Faculty Dance Concert featuring guest artist Vincent Mantsoe, Hosted by University of Oregon School of Music and Dance
February 16-March 4, Left of Center, A-WOL Dance Collective
February 17-18, Pink Martini, Eugene Ballet Company, Eugene
February 18, Chapel Theatre Open House, Chapel Theatre
February 21, Mark Morris Dance Group, presented by White Bird
February 23-25, Configure, PDX Contemporary Ballet
February 24-March 4, Alice (in wonderland), choreography by Septime Webre, performed by Oregon Ballet Theatre
February 25, Shivarpanam, performance by Sweta Ravisankar
February 26, Rejoice! at AWMC Regional Finals, Rejoice: Diaspora Dance Theater
February 27-March 1, Kinky Boots, Hult Center for the Performing Arts, Eugene

March 2-4, Zorro: The Ballet, Ballet Fantastique, Eugene
March 1-3, Urban Bush Women, presented by White Bird
March 3-4, Voices: A Choreographers’ Showcase, Hosted by PDX Dance Collective
March 4, The Flames Of Paris, Bolshoi Ballet in Cinema Live from Moscow
March 8-10, Jessica Lang Dance, presented by White Bird
March 14, Compañia Jesús Carmona, presented by White Bird
March 15-17, HEDDA, NW Dance Project
March 22-24, To Have It All, choreography by Katie Scherman, presented by BodyVox

April 4, iLumiDance, Rainbow Dance Theatre, Corvallis
April 5, Earth Angel and other repertory works, Rainbow Dance Theatre, Corvallis
April 5-7, Stephen Petronio Company, presented by White Bird
April 7, Reaching Back to Our Roots: Annual Gala Fundraiser, Kúkátónón Children’s African Dance Troupe
April 8, Giselle, Bolshoi Ballet in Cinema Live from Moscow
April 9, Noontime Showcase: Jefferson Dancers, Presented by Portland’5
April 12-14, Contact Dance Film Festival, presented by BodyVox and Northwest Film Center
Apr 14-25, Peer Gynt with Orchestra Next, Eugene Ballet Company, Eugene
April 12-21, Man/Woman, choreography by Mikhail Fokine, Darrell Grand Moultrie, Nicolo Fonte, James Canfield, Jiří Kylián, performed by Oregon Ballet Theatre
April 19-28, Early, push/FOLD, choreographed and directed by Samuel Hobbs
April 20-29, X-Posed, Polaris Dance Theatre, Robert Guitron
April 24-25, Alvin Ailey American Dance Theater, presented by White Bird
April 24-25, The Wind and the Wild, BodyVox and Chamber Music Northwest

May 4-5, Current/Classic, The Portland Ballet
May 10-12, New work premiere, Rainbow Dance Theatre, Western Oregon University, Monmouth
May 10-19, Rain & Roses (world premiere), BodyVox
May 11-13, Compose, PDX Contemporary Ballet
May 11-13, Alice in Wonderland, Ballet Fantastique, Eugene
May 14, Noontime Showcase: OBT2, Presented by Portland’5
May 16, Ballet Hispȧnico, presented by White Bird
May 17-20, CRANE, The Holding Project
May 23-June 3, Closer, original works by the dancers of Oregon Ballet Theatre

June 8-10, Up Close, The Portland Ballet
June 10, Coppelia, Bolshoi Ballet in Cinema Live from Moscow
June 14-16, World Premiere – Ihsan Rustem, MemoryHouse – Sarah Slipper, NW Dance Project
June 15-17, New Expressive Works Residency Performance
June 24, Salem World Beat, Rainbow Dance Theatre, Salem