Brandon Scott Rumsey

Emblems Wind Quintet preview: fresh breezes

Young ensemble’s concert brings 21st century music to Eugene

By GARY FERRINGTON

When the Emblems Wind Quintet lands in Eugene for a performance at the University of Oregon School of Music and Dance on June 3, it will be a homecoming for two of its members. Bassoonist Brandon Scott Rumsey and clarinetist Clarissa Osborn are former Eugene and Damascus residents and 2012 and 2013 graduates of the University of Oregon.

Emblems Wind Quintet performs Sunday in Eugene. Photo: Chris O’Brien.

Although Osborn now lives in Portland, the other members come from various corners of the world: Canadian-born flutist Merryl Neille (Monard) grew up in South Africa and, like Rumsey, now lives in Ann Arbor, Michigan, where the ensemble was founded in 2016. Las Vegas resident Alex Hayashi (oboe) has roots in Hawaii. Michigan native Caroline Steiger (horn) now calls San Marcos, Texas home.

When they converge in Oregon, the ensemble will be bringing music written by members of the first generation of mature 21st century composers. “A key component of our mission,” Rumsey notes, “is to share with the world fresh, exciting wind quintet gems that did not have a long life after their first performance or, in the case of commissions, have never been heard before.” That includes works by contemporary composers as well as composers who have been historically overlooked or brushed aside.

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Third Angle preview: spring planting, fall harvest

New music ensemble’s Saturday concert celebrates new music for voice and strings by emerging composers, including one with Oregon roots.

by GARY FERRINGTON

Collaboration is an underlying theme of the 21 October Third Angle New Music house concert with guest artist soprano Tony Arnold. The event, premiering works by six diverse composers from around the country, brings closure to a project that began last March at the very first Gabriela Lena Frank Creative Academy of Music. It was at that spring residency the ensemble, Arnold, and invited composers, all of whom are early in their professional careers, planted the seeds for what is now a fall harvest of new compositions for voice and strings.

Academy participant and former Oregonian Brandon Scott Rumsey discovered his passion for composing while attending Lane Community College and the University of Oregon in Eugene and then went on to nurture his art at the University of Texas and University of Michigan. The Las Vegas born composer is currently an adjunct assistant professor at Michigan’s Madonna University, where he teaches music theory and counterpoint. A performing bassoonist, he serves as the artistic director for the Emblems Quintet, a teaching artist with the Trade Winds Ensemble, and an editorial assistant and engraver at the University of Michigan Gershwin Critical Edition.

Third Angle and soprano Tony Arnold play music by composers Dave Reminick (seated on floor) and Nina Shekhar (to the right of Gabriela Frank) this Saturday. Photo: Aric Hartvig.

For Rumsey, the concert will not only be the opportunity to have a new piece premiered, but also the chance to revisit Oregon, which has long been a home in spirit and where he has many colleagues and friends. It will also be a reunion with his fellow participants from the Academy’s inaugural class held on Frank’s beautiful country farms in Boonville, a small rural California community 115 miles north of San Francisco where the composers and guest artists participated in engaging seminar discussions, coaching sessions with master composer/mentor Gabriela Lena Frank and readings performed by guest artists Tony Arnold and Third Angle.

The Poetry of Presence

Rumsey’s Invocation (2017), dedicated to Tony Arnold and Third Angle, is based on American poet Geoffrey Nutter’s short poem of the same title. Rumsey, who earned a doctoral degree in composition from University of Michigan this past spring, has explored Nutter’s poetry for several years. “He frequently writes about mythology, nature, plainness and mundanity, and I return to his poems time and time again for his use of “motivic” language that tells a story while phrases wander, stall, and twist,” Rumsey says.

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