At long last, the keys to it all
Brian Libby
January 30, 2022
A pandemic piano acquisition a century in the making: After stops in Chicago, Sioux Falls, a school music room in Tigard & more, it feels like home.
A pandemic piano acquisition a century in the making: After stops in Chicago, Sioux Falls, a school music room in Tigard & more, it feels like home.
In a year of sharp contrasts, visual art in Oregon bounced between the stark and the hopeful, with plenty of surprises along the way.
The center’s director talks about programming, inclusiveness, flexibility, and the rise of “surban” identity.
The Patricia Reser Center for the Arts, due to open in March 2022, gives Beaverton a stage and sense of place.
ArtsWatch Weekly: Amid a time of violence in America, art that remembers its roots and looks beyond.
The ups, downs, disasters, trends, outrages, and triumphs of Oregon arts & culture in a tortuous year.
Barry Johnson starts with a beloved statue and then follows it and a New York Review of Books article all the way to Confederate monuments and buttons.
Leanne Grabel and Breads & Roses, FisherPoets and the song of the sea. Plus dance, drama, sight, sound.
Space squeeze, RACC reshuffle, Fertile Ground fever, nudes & Federales: a busy week.
Marc Mohan wonders if it matters that the Oscars are a flop. Martha Ullman West revisits the Big Apple of her youth. John Foyston considers sleek cars and fast motorcycles at the art museum. John Longenbaugh starts a podcast “for some very
The journey of the embattled Rothko Pavilion has taken a short cut – straight through the Portland Art Museum’s proposed link between its poorly connected north and south buildings. When the project went public in 2016 the glassing-in of what is now
By BRIAN LIBBY For one week each April, most members of Portland’s design community probably don’t get much rest. Design Week Portland, taking place from April 14-21 this year, is a city-wide series of programs exploring the process, craft, and practice of
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