Broadway producer

Tony and the PAMTAs: a producer’s big week

Corey Brunish races from "Man of La Mancha" to Monday's PAMTA musical-theater awards to Broadway for next Monday's Tonys as a nominee

It’s a busy week even for Corey Brunish, one of the busiest guys in Portland show biz.

  • On Sunday he gives his final performance in Lakewood Theatre’s hit revival of Man of La Mancha, leaving the show a week early to meet some big-time previous commitments. (“Corey Brunish, as the grand tall obelisk of the duke and Dr. Carrasco,” performs the villains “with malevolent dignity,” Christa Morletti McIntyre writes in her ArtsWatch review of La Mancha).
  • On Monday evening he heads to the Winningstad Theatre for this year’s PAMTA musical-theater awards, which were his brainchild and remain in many ways pretty much his baby. This season’s top-show nominees include Falsettos, Thoroughly Modern Millie, Ain’t Misbehavin’, Snow White, and Lakewood’s Man of La Mancha (Brunish himself is not a nominee). See the complete list of nominees below.
  • Then he packs his bags and heads to his other home, near Carnegie Hall in Manhattan, to get ready for next Sunday’s Tony Awards, where one of his shows as a producer, Fiddler on the Roof, is up for the Tony for best revival of a musical. He’s won a Tony in the same category twice before, for Porgy and Bess in 2012 and Pippin in 2013.

A few days ago Brunish took time for a juice break at a Southeast Portland coffee shop to talk about the PAMTAs, the Tonys, and how he got from here to there.

"Falsettos" at Live On Stage: a PAMTA best-production nominee.

Norman Bandersnatch Wilson and Claire Rigsby in “Falsettos” at Live On Stage: a PAMTA best-production nominee. Photo: Gary Norman

The Portland Area Musical Theatre Awards are entering their ninth year, and what began as a protest movement against the larger and longer-established Drammy Awards has evolved into a community celebration that’s also a pretty entertaining event. As ArtsWatch reported after last year’s gala, “A funny thing happened on the way to the grand wrap-up of the PAMTAs: a helluva show broke out. … for all the suspense about who the winners would be, the hardware almost played second fiddle to the show itself, which for two hours and forty-five minutes was pretty much dazzle-dazzle spectacular. Who would’ve guessed that an awards ceremony could actually be entertaining?”

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