Bruce Graham

November surprise at Post5

As "Coyote on a Fence" opens, the company is rocked by resignations and the news that it is losing its Sellwood space. (P.S.: the show is good.)

The true drama of Coyote on a Fence, Post5’s newest show, came after the performance: It’ll be the company’s last production in its Sellwood home. What’s more, ArtsWatch has learned, artistic directors Rusty Tennant, Paul Angelo, and Patrick Walsh tendered their resignations on Nov. 1.

While passing the traditional Post5 giving basket, Coyote  lead actor Jeff Gorham told the audience the company had put on some good productions over the last five years, but this would be it in Sellwood. Board member Stefan Feuerherdt said Monday in an email that the company has found other spaces for the last productions of its current season, and will be exploring options for what’s next with Post5. Oregon ArtsWatch will report more as the story unfolds.

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Farewell, Sellwood: Post5 jumps off the fence.

Farewell, Sellwood: Post5 jumps off the fence.

Almost anticlimactically, Coyote on a Fence has a lot going for it, beginning with a Death Row inmate named John Brennan, who has the sort of sensitive intelligence that we often underestimate in our stereotypes about the South. He carries a torch for the English language and its infinite possibility to tell a story with precision and care. His wardrobe is dictated by the times, doing hard time on Death Row. Post5’s Coyote on a Fence is a well-rounded look into prison and the people in its orbit.

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‘Outgoing Tide’: The play of laughter and forgetting

Bruce Graham's play about how a family contends with Alzheimer's leads to further consideration

Tobias Andersen and Gary Norman in CoHo's "The Outgoing Tide"/Brud Giles

Tobias Andersen and Gary Norman in CoHo’s “The Outgoing Tide”/Brud Giles

By RICHARD WATTENBERG

A play about Alzheimer’s disease and end-of-life decisions hardly sounds like an evening chock full of laughs. And yet Bruce Graham’s “The Outgoing Tide” addresses these topics in a taut family drama that skillfully balances pathos with humor that is sometimes dark and sometimes tender. Graham’s play and the current CoHo production of it successfully eschew sentimentality. Instead we are offered a thoughtful glimpse into the particular dynamics driving one family as its dementia-stricken patriarch tries to tie up loose ends and guarantee the future security of his loved ones.

“The Outgoing Tide” is a loosely structured play. While for the most part Graham’s family drama is set in and around the Chesapeake Bay cottage where the hard-nosed Gunner and Peg, his wife of more than fifty years, currently live, the action frequently detours into the past to represent, by way of showing and not just telling, significant moments in Gunner and Peg’s family history.

The focus, however, is on Gunner and Peg’s current dilemma: Gunner, portrayed with light-hearted irascibility by Tobias Andersen, is gradually losing his battle with Alzheimer’s. The loyal Peg, played with a high-strung intensity by Jane Fellows, believes that moving from their home into a care facility, where she can continue to attend to her husband’s needs but with ever-present professional assistance, has become necessary.

To help her convince the stubborn Gunner to take this step, she enlists their fifty-year-old son, Jack. Gary Norman’s sullen, depressed Jack has his own problems. He is in the process of working out a divorce with his wife, and he is disappointed by his own son’s inability to find a path for himself. Even more troubling for Jack is a lingering fear that Gunner might not ever have really loved him.

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