Cabaret: White

ArtsWatch Weekly: a Persian R&J

Outdoor Shakespeare with a twist; more music festivals; Mozart & Bach; an ArtsWatch apology; a profusion of prints

Summer and Shakespeare seem to go together like Abbott and Costello, or toast and jam: You can have one without the other, but somehow they’d feel incomplete. Little danger of that in Oregon, where we get our summer Shakespeare aplenty, often with a twist.

 

Nicholas Granato as Romeo/Majnun in Bag&Baggage’s “Romeo and Juliet (Layla and Majnun).” Casey Campbell Photography

Consider Romeo and Juliet (Layla and Majnun), an interweaving of Shakespeare’s romance and the 12th century Persian poet Nizami’s epic tale of a feud between families. Bag&Baggage’s premiere opens Thursday on the outdoor stage of the Tom Hughes Civic Center Plaza in downtown Hillsboro, in a production that B&B artistic director Scott Palmer believes blends R&J with one of its primary sources. “When you read the texts side by side, the parallels between the two tales are really astounding,” Palmer tells ArtsWatch’s Brett Campbell. “There’s no smoking gun, but we do know (Shakespeare) was reading Italian sources and those were heavily influenced by Persian masterpieces from the 11th and 12 centuries. There is just no question that Layla and Majnun had a powerful, although indirect, influence on Romeo and Juliet.” Read Campbell’s full story here.

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ArtsWatch Weekly: let’s start over

A new year, a fresh start: Oregon gets set for a cultural revival in January and 2017

We’ve got that nasty old 2016 in our rear-view mirror now, and as our newest Nobel Laureate for Literature once warbled, Don’t look back. Nothing to see there. Or too much to contemplate. Sure, sure: what happens in 2017 will build on what happened in 2016, which built on what happened in 2015, and on and on down the line. But right now, let’s look ahead.

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TRADITIONALLY, JANUARY IS IN THE MIDDLE of the artistic season and also the beginning of what’s called “The Second Season” – a chance to buckle down after the holidays and reinvigorate. Here are a few things, big and small, coming up this month to keep your eye on:

Kara Walker (American, born 1969), “The Emancipation Approximation (Scene 18),” 1999–2000, courtesy the artist. Part of “Constructing Identity” opening Jan. 28 at the Portland Art Museum.

Fertile Ground 2017. This is one of the biggies, made up of all sorts of “smalls.” Begun as an annual festival in 2009, it’s blossomed into one of the biggest, most sprawling, and most intriguingly unpredictable events on Portland’s cultural calendar. For eleven days, in venues scattered across the city, dozens of new performance works by Portland artists will take the stage: plays, dances, solo shows, puppet shows, interactive shows, musicals, more. Shows will range from the biggest companies to indie pop-ups, and from full-blown world premieres to workshops and readings. Trying to keep up is bound to leave you breathless. Jan. 19-29.

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