Carey Wong

‘La Finta Giardiniera’: early blossoms

The young Mozart's relatively obscure comic opera, staged this year by both Portland State University and Portland Opera, showcases emerging singers

Story by ANGELA ALLEN

Photos by JOE CANTRELL

The obscure La Finta Giardiniera (The Fake Gardener) is making its modern-day debut twice in Portland in four months. The opera is Portland State University’s spring presentation (the final show is at 3 pm Sunday, April 28) and Portland Opera stages it in July.

Did Portland’s opera directors have the same dream at the same time?

Or is it the irresistible W.A. Mozart? The composer was 18 — younger than many of these student performers— when he wrote the opera, which premiered in 1775 in Munich. Even if the opera lacks a moral typical of his later pieces like Cosi, Don Giovanni and Figaro, its music hints at the Mozart to come. Guiseppe Petrosellini gets credit for the libretto though there is some controversy around who actually wrote it. Much of it is so repetitive that in the PSU production, subtitles disappear for stretches of time because the characters repeat the same thing over and over.

The Act One opening ensemble: Life, and song, and costumes are abloom.

With its helter-skelter plot, mixed identities, and operatic exaggerations – these characters wear their hearts deeply inscribed on their long sleeves—La Finta, a fun “buffa” piece—is rarely performed, but it provides a good vehicle for young voices and energetic actors. Four couples, plus a mayor, go in and out of love and at times, go stark raving mad, or slightly nuts. The plentiful roles are distributed evenly, so the opera is well suited to such a student production as PSU’s, and in the case of Portland Opera, to up-and-coming resident artists.

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Building Mozart’s garden

PSU Opera's designers and artisans create a world onstage for the comic "La Finta Giardiniera." Joe Cantrell tells the tale in photographs.

Photographs by JOE CANTRELL

Wolfgang Amadeus Mozart was 18 years old when his opera La Finta Giardiniera (The Pretend, or Fake, Gardener) debuted at the Salvatortheater in Munich in 1775. When it opens Friday evening at Lincoln Performance Hall in Portland it’ll feature a cast almost as young, made up of singers in the elite Portland State University Opera program. Under the artistic leadership of onetime New York City Opera star Christine Meadows, PSU Opera has become known for its high-quality, relatively low-cost, professionally designed productions.

The latter is definitely true in the case of La Finta Giardiniera, which is double-cast in seven major roles (“the students have grown incredibly through the experience of preparing Finta,” Meadows says) and will have four performances, April 19, 20, 26, and 28. Its design team is stellar: set by Carey Wong, lighting by Peter West, lavish period costumes by Hadley Yoder, wigs and hair (a major task for this period comic opera) by Jessica Carr and Randy Graff respectively, props by Sumi Wu.

Maeve Stier as the servant Serpetta, surrounded by painterly foliage.

Wong’s ravishing set is dominated in many scenes by a landscape painted on its walls and inspired by Wooded Landscape with a Peasant Resting, a bucolic painting by Mozart’s near-contemporary Thomas Gainsborough, perhaps best-known for his portrait The Blue Boy. Other scenes take place in a cave, providing a sharp contrast in mood between bright and colorful and dark and forboding.

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