celebration works

MusicWatch Weekly: across the ages

Concerts span the centuries from Renaissance to 21st century sounds

Oregonians today are lucky to be able to hear live performances of music from several centuries, not just the narrow 150 year swath of Central European music that once dominated classical concerts. This week’s concert schedule includes music from the Renaissance, Baroque, Classical, Romantic and contemporary eras—- sometimes in the same show.

Big Mouth’s Emily Lau

Big Mouth Society  has added a wonderful, welcome wild card to Oregon music. Headed by accomplished early music performer Emily Lau, the group combines theater, performance art, Renaissance, Baroque and contemporary music, and modern social concerns into singular shows that transcend standard concert format. In King of Monster Island: A Wild Memoir, Lau and another nationally renowned early musician, Tina Chancey, use viol solos, medieval music by Guillaume de Machaut, Irish hornpipes, Bosnian Sephardic tangos, “as well as juvenilia, parody, satire and a shameless reworking of tunes by Michael Jackson, the Beatles, Tom Lehrer and Flory Jagoda” to tell an eventful autobiographical tale.
Friday & Saturday, The Hallowed Halls, 4420 SE 64th Ave. Portland.

• Another ensemble that mingles ancient and modern, Dreamers’ Circus, came together, as so many happy combinations do, in a pub. Jazz pianist Nikolaj Busk had repaired to a Copenhagen bar after a concert and spotted a fiddler (Rune Tonsgaard Sorensen) and Swedish cittern (a Renaissance lute) player, Ale Carr, jamming on traditional Danish tunes. Busk joined on in the bar’s piano, and over the next decade, the trio found itself not only winning folk music awards but also working with classical music bands like Copenhagen Philharmonic and the renowned Danish String Quartet — Sorenson’s other band. His classical background, Busk’s jazz influence and Carr’s long roots in traditional folk music give the band a unique and musically vibrant place in the folk music world, as evidenced by the fact that this show is presented by Portland’s venerable classical organization Friends of Chamber Music.

Along with “classical” piano and violin, they’re liable to bust out accordion, cittern, kokle, ukulele, stomp board, clog fiddle and synthesizers. Their splendid new Rooftop Sessions album shows the band at its best. Here’s a clip of them performing with another great Swedish band, Väsen, which performs at The Shedd in Eugene next Wednesday, April 10. Read Daniel Heila’s ArtsWatch feature about their previous Oregon visit.
Sunday, The Old Church, Portland.

• Despite their name, the Tallis Scholars are far from musty or academic. Long recognized as one of the world’s finest choirs, the award-winning singers make sacred Renaissance music come alive with transparent, soaring performances that move today’s listeners. Over four decades, they’ve toured the world many times over, and won loyal audiences in previous Portland performances. This one is a greatest hits of Renaissance choral music, including Gregorio Allegri’s famous Miserere, and church classics by Josquin Des Prez, Giovanni Pierluigi da Palestrina, and Cristóbal de Morales.
Sunday, St. Mary’s Cathedral, 1716 N.W. Davis, Portland.

• In Guitarology, the latest concert in the valuable (yet free of charge!) Celebration Works Series, Portland Guitar Duo also crosses the centuries in music, tracing the development of the guitar over half a millennium of music on a collection of historic lutes and guitars.
Friday, First Presbyterian Church, 1200 SW Alder, Portland.

Monica Huggett plays French music with Portland Baroque Orchestra musicians.

Baroque

• The most familiar Baroque music is either Italian (Vivaldi, Corelli) or German (Bach, Handel). But 18th century French music has its own elegance and charm. In Leclair, Rameau, and the Age of Enlightenment, Portland Baroque Orchestra’s new chamber music series brings two superstars of Baroque music, guest harpsichordist Byron Schenkman and PBO artistic director and violinist Monica Huggett, to join veteran PBO viola da gamba master Joanna Blendulf and violinist Toma Iliev, in graceful, spirited sounds by François Couperin, Jean-Philippe Rameau, and tragically short-lived Jean-Marie Leclair.
Saturday, First Baptist Church, 1110 S.W. Taylor St. Portland.

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MusicWatch Weekly: solos and duos

Duo pianists and string players, a doomed love duet, and solo pianist, singer, and percussionist highlight this week's Oregon music

Portland Opera opens its season with Verdi’s Bohemian Parisian perennial La Traviata, which runs this Friday night and Sunday afternoon, and next Thursday and Saturday at Portland’s Keller Auditorium. Romanian soprano Aurelia Florian, tenor Jonathan Boyd and Weston Hurt star in this traditional production sung in Italian with projected English translations.

Jonathan Boyd as Alfredo and Aurelia Florian as Violetta in Portland Opera’s production of Verdi’s ‘La Traviata.’ Photo: Cory Weaver/Portland Opera.

• For opera music of more (sadly, in the wake of the latest right-wing gun- and bigotry-fueled massacre) immediate relevance, you’ll have to head up to Seattle’s Benaroya Hall for the powerful Music of Remembrance series, which remembers the Holocaust through music. Performed by Seattle Symphony members, this 20th anniversary concert, includes highlights from MOR’s varied repertoire of Holocaust-era music and new works its commissioned: excerpts from Tom Cipullo’s award-winning chamber opera After Life, imagining a confrontation between the ghosts of Gertrude Stein and Pablo Picasso; Jake Heggie’s opera Out of Darkness, Lori Laitman’s oratorio Vedem, Paul Schoenfield’s Camp Songs. Northwest Boychoir sings Yiddish songs that Viktor Ullmann arranged in Terezín death camp. Members of Spectrum Dance Theater reprise dances that choreographer Donald Byrd created for The Dybbuk.

Courtney Freed, cutting loose as Freddie Mercury.

• Just in time to piggyback on the new Queen movie (or is that the other way round?), Courtney Freed’s one-woman Freddie Mercury tribute concert Mercury Rising returns Friday to Portland’s Artists Repertory Theatre. Aided by David Saffert on keys, Josh Gilbert on reeds, Bernardo Gomez on bass and Tom Goicochea on drums, she’ll sing Queen songs arranged by Reece Marshburn. “Freed thankfully didn’t try to embody the outsized rock star,” ArtsWatch’s Angela Allen wrote after the show’s brief April run at Coho Theater,” but “Mercury fans, who comprised most of the audience, were all over the songs—doing the Wave, cheering, singing and mouthing the words. She added some vamping and dancing (her singing is much better than either) and interspersed her songs with spicy narration…. The music leaned far more toward jazzy cabaret than ear-killing British rock. And even if you weren’t a diehard Queen fan, you couldn’t resist Mercury’s melodies.”

Orchestral Attractions

• The Oregon Symphony brings another musical/theatrical combo Saturday through Monday at Arlene Schnitzer Concert Hall. Petrushka tells the story of a puppet come to life, so it’s only appropriate that creative director Doug Fitch enhances Stravinsky’s sublime 1911 ballet score (in its 1946 revision) with puppets, dance, set design, audience participation and other visual touches designed to evoke the 1830s St. Petersburg fair that inspired the original. One of the season’s best classical programs also boasts Haydn’s stirring penultimate symphony, William Walton’s African music-influenced Johannesburg Festival Overture, and Swiss composer Arthur Honegger’s unseasonably sunny Summer Pastorale.

Doug Fitch’s puppetry enhances Oregon Symphony’s ‘Petrushka’ this weekend.

• On Saturday and Sunday at Newport Performing Arts Center, Newport Symphony plays Schubert’s Overture In the Italian Style, along with Ravel’s gravely beautiful At the Tomb of Couperin, and brings in trumpeter Katherine Evans to lead the way in Hertel’s third trumpet concerto and the late Seattle-based composer Alan Hovhaness’s haunting Prayer of Saint Gregory. The show closes with Mendelssohn’s ebullient “Italian” Symphony #4.

• Speaking of the peripatetic Mendelssohn, Vancouver Symphony Orchestra plays his “Scottish” Symphony No. 3, Berlioz’s Roman Carnival Overture, and Khachaturian’s Piano Concerto, with soloist Dimitri Zhgenti on Saturday and Sunday at Skyview Concert Hall.

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