Charles Froelick

The Gallerists

In photographs and words, K.B. Dixon profiles three leading Portland gallery owners: Martha Lee, Charles Froelick, and Elizabeth Leach


TEXT AND PHOTOGRAPHS BY K.B. DIXON


No one (or almost no one) goes into the gallery business for the money—they go into it for the art.

I once published a piece titled An Artist’s Alphabet. It was a satiric tour of the art world in dictionary form. A was for Aerial View: “When an artist looks down on you.” B for Brushstroke: “The painter’s declaration that ‘Kilroy was here’.” C for Craft: “To the Classicist what ‘invention’ was to the Romantic.” D for Dada: “The movement that was, in a sense, MOMA’s papa.” E for Easel: “The rack upon which an artist’s hopes are tortured.” F for Form: “The shape ships are in.” And G for Gallery Owner: a person I cavalierly defined as “Satan in a black turtleneck.” I was, of course, parodying a barnacle-encrusted stereotype. When it comes to gallerists the opposite is true in most cases—most cases outside of New York, anyway.

Gallerists are, in fact, the hidden heroes of the art world. They are the people who promote our established artists and who bring new artists to our attention; the people who provide those artists a place to exhibit their work and a chance to pay their rent. They have a unique and valuable set of skills—they are part aesthetician, part businessperson, part soothsayer.

The three gallerists here have been a vital part of our artistic community for decades. They have played a major role in the creation and development of this city and states cultural history.


MARTHA LEE: Owner of Russo-Lee Gallery


“It doesn’t seem that long ago,” Martha Lee writes, “that I sat with Laura Russo as she worked on her introduction for the gallery’s 20th Anniversary catalogue…and suddenly here it is ten years later and we are celebrating our 30th.” That was in 2016. “While much has changed, so much remains the same. The Laura Russo Gallery remains firmly rooted in a deep commitment to the Pacific Northwest art community. The fourteen years I worked with Laura instilled in me a passion for the art and artists of this region. And since taking ownership of the gallery over [ten] years ago, my own commitment to promoting and celebrating the careers of local artists has only grown stronger.”

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In the Frame: Eleven Men

In photographic portraits, K.B. Dixon captures the essence in black and white of eleven people who've helped shape Portland's creative soul

Essay and photographs by K.B. DIXON

A good picture tells a story, and nothing tells a story better—more eloquently, more efficiently—than the human face. The story these eleven faces tell, in part, is Portland’s. These are talented and dedicated people who have contributed in significant ways to the character and culture of this city, people whose legacies are destined to be part of our cultural history.

Why eleven? Why not? It is the atomic number of sodium, the number of players on a football team, the number of thumb keys on a bassoon. I am a retentive sort with a bias in favor of symmetry who prefers numbers that divide evenly by two. I thought I would challenge myself. If the helping professions are to be believed, it is a way for one to grow.

With each portrait it has been my hope to produce first a decent photograph—a truthful record, one that honors the unique strength of the medium; but I have also sought to produce a photograph that is more than just a simple statement of fact, one that preserves for myself and others a brief glimpse of the being behind the image, one that presents a feeling as well as a form.

Soon I hope to be doing portraits of eleven Portland women. I have written to the President & CEO of one of our major cultural institutions, but she has not gotten back to me. Ms X, if you’re listening…. The portraits will be black & white, casual, available light, and done, ideally, in your office or work space. (My style is pretty straightforward as you can see—a nondenominational mix of street, fine art, and documentary photography.) Time, I know, is always an issue so I try to keep the intrusion to a minimum—30 minutes or so. Please let me know if you would be interested. We could set up a shoot at your convenience.

 


 

Will Vinton

Oscar-winning filmmaker. Vinton was a pioneer in stop-action animation. He is the head of Vinton Entertainment.

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