Charlie Latourette

4X4 review: quality quartet

PDX Playwrights' Fertile Ground showcase presents diverse selection of short takes

An agitated, hooded man angrily approaches a Transportation Security Administration agent at an airport security station, demanding to know what they’re doing to his son. Violence seems likely to erupt any moment.

That was the arresting opener of Contraband, the opening play in Fertile Ground‘s 4X4: a Collection of One Acts. Produced by PDX Playwrights, the local reading group whose many contributions to the annual showcase of new works amounted to a festival within a festival, the four short one-acts performed at Portland’s Hipbone Studios demonstrated the group’s eclectic variety of theatrical approaches. This creative generator (whose meetings I attend) makes a fine pairing with Fertile Ground’s annual performing arts incubator.

Tom Wiitherspoon and Jonathan Wexler (or is it the other way around?) in ‘Steve and Steve,’ at PDX Playwrights 4×4: A Collection of One Acts. Photo: Charlie Latourette.

As Contraband’s tense encounter continued, a TSA supervisor joined in, until the low-level agent was able to find enough common ground to get the dad conversing instead of confronting. As Karen Polinsky’s play progressed, with the guard mediating between the father and the higher level TSA bureaucrat, we learn that the dad’s obnoxiousness really arises from fear — not just about the incident that landed his son in lockup, but about the boy’s differentness, and more.

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