choreography

Suzanne Haag plays with fire

"The Firebird" tests the former Eugene Ballet dancer's transition from performer to choreographer

By GARY FERRINGTON

On a recent flight home to Eugene, former Eugene Ballet dancer Suzanne Haag struck up a casual conversation with the man seated next to her. He asked her the questions non-dancers usually ask: What are pointe shoes made of? What’s a typical workday like? Then he asked her what it was like to retire after dancing with the company for 15 seasons, and whether she had any regrets. It wasn’t the first time she has fielded that question, Haag told ArtsWatch: “I keep getting asked ‘How do you feel, you know, now that you are done?’”

In retrospect, she said, there are things she might have done differently: working out and practicing more on her days off, asking for additional feedback and guidance on how to improve, seeking different roles.  But, she concluded, “… that’s not regret, just my older, more experienced self assessing my work.”

As the plane prepared to land, Haag acknowledged to her seatmate that while her life in dance was indeed about to change, it wasn’t about to end. Reflecting on her career made her realize that she had been preparing for this transition since she was a young dancer.

Suzanne Haag (left) coaches Reed Souther and Yuki Beppu in "Surrounding Third." Photo by Antonio Anacan
Suzanne Haag (left) coaches Reed Souther and Yuki Beppu in “The Surrounding Third.” Photo by Antonio Anacan.

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