Chris Thomas

Music 2020: Streaming through the shutdown

Watching music at the end of the longest year

When the pandemic struck last spring, leaving shuttered venues and canceled tours and performances in its wake, it seemed unlikely that there’d be much news to report about music. Nevertheless, musicians persisted, using their creativity to find though new ways to connect to listeners. As you’ve read in our unabated music coverage, many Oregon musicians and institutions regained their balance after the staggering blows of winter and spring, turning to online presentations–including several embedded in this year-end news wrap–to keep the music flowing. Thanks internet! Remember, we paid for it.


LOOKING BACK: 2020 IN THE REAR VIEW MIRROR


For me, regular video offerings by 45th Parallel, the Oregon Symphony, Portland Baroque Orchestra (and its Great Arts. Period program that gives other music presenters access to its advanced streaming tech) and more initially kept me feeling connected to our homegrown music scene, albeit at a distance. They were soon joined by Third Angle New Music (whose John Luther Adams show last month might have been my favorite music streaming event of the year), Chamber Music Northwest, and others as the year unfolded. Here, you can watch this year’s version of PBO’s annual Messiah, albeit reduced (to singers, string quartet and organ) and distanced like so much else this year.

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Music Notes: new year, new directions

New year brings new leadership to Oregon music institutions, and more recent news in Northwest classical and jazz music

Portland’s classical music scene is experiencing a leadership transformation. This season, Third Angle New Music selected Sarah Tiedemann as its artistic director, replacing Ron Blessinger, who had moved over to 45th Parallel Universe as interim artistic director of the now collectively run organization. Now two of the city’s biggest classical presenting organizations have announced upcoming new directors.

Marc-André Hamelin

Portland Piano International announced that one of today’s most esteemed performing classical pianists, Marc-André Hamelin, will curate the presenting organization’s 2019-2020 SOLO season. The Boston-based Canadian ultra-virtuoso is the first guest curator in PPI’s new, annual single-year guest curatorial system, instituted after artistic director Arnaldo Cohen ended his five-year tenure last year, leaving founding artistic director Harold Gray to step in and curate PPI’s current season.

• Another venerable Oregon classical music institution that recently flirted with the rotating curator model PPI has adopted is evidently having second thoughts. The Oregon Bach Festival has announced a search for a new artistic director, apparently prompted by its School of Music and Dance’s new dean, Sabrina Madison-Cannon, who oversees the festival. (Last year’s festival was run by a committee of music school faculty and others.) Eugene writer and longtime festival observer Tom Manoff argued recently in ArtsWatch that the absence of a single artistic leader in the wake of the messy and still mysterious dismissal of its respected previous AD created a vision vacuum at the nearly half-century old Oregon music institution. The good news: the search will be headed by savvy Eugene lawyer Roger Saydack, who spearheaded the successful searches for Eugene Symphony conductors Marin Alsop, Giancarlo Guerrero, and others who have gone on to starry careers on larger stages.

Soon-to-be CMNW artistic directors Kim and Chien

Chamber Music Northwest announced that violinist Soovin Kim and pianist Gloria Chien will become joint artistic directors in fall 2020. They will succeed David Shifrin, the New York clarinetist who has led the organization since 1980 and who will curate the next two summer festivals before passing the baton to the husband and wife team, chosen from among 60 candidates. They’ve run chamber music series in Tennessee and Vermont, and Chien was a CMNW Protege artist in 2017.

• Portland’s BRAVO Youth Orchestras named Cecille Elliott to the newly created position of Director of Creative Play, which has to be the coolest title on any music resume in memory. “Her primary responsibility is to find existing activities and develop new ones that are not usually seen as components of classical music education,” the press release says, “using body percussion, rhythmic chants, songwriting, singing, circle songs and games, as well as body movement.” She’s been with the admirable youth organization since 2015.


BREAK THE CAGE – Collective Composition at BRAVO from Seth Truby on Vimeo.

•  All Classical Portland’s new Artist in Residence program has chosen renowned Portland pianist Hunter Noack as its first Artist in Residence, and  Lakeridge High School senior and cellist Taylor Yoon as its first Young Artist in Residence. The program provides residency for both a professional and a young musician, with plans to announce a poet and visual artist in the fall of 2019. They’ll have access to All Classical Portland’s facilities and studio time, including on-air opportunities including appearances on Thursdays @ 3, at station events, concerts and special broadcasts. Noack is best known here for his In a Landscape: Classical Music in the Wild project, an outdoor concert series involving a 9-foot concert Steinway in state and national parks, historic sites, and other spectacular locations. Yoon and her sisters formed a musical group, Yoontrio, and she helped launch Olivenbaum, a non-profit organization that uses music to promote social harmony. This past summer, the group performed in the demilitarized zone between North and South Korea as part of the Lindenbaum Music Festival. Noack and Yoon will make their performance debut at All Classical Portland’s Lovefest Concert on February 26 at Portland’s Newmark Theatre.

Hunter Noack, playing in the wild

• The Siletz Bay Music Festival named Karin M. Moss as the festival’s new executive director. She’s a 30-year veteran of music promotion and business development at organizations in California, New York, Chicago, North Carolina and beyond.

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