Cicely Tyson

Strike up the virtual festival band

ArtsWatch Weekly: Online Fertile Ground fest marches on, film fest updates, Hal Holbrook on jackasses & politics, monthly guides

BELLS ARE NOT RINGING AND NO MARCHING BANDS OR HIGH-STEPPING HORSES are sashaying through the center of town, but it’s festival time in Portland. We’re talking, of course, about Fertile Ground, the city’s annual festival of new performance works, which in an ordinary year would see revelers scurrying high, low, and in between across the metropolitan area, into basement and attic spaces and grand theater halls, to be among the first people on the planet to see the beginnings of upwards of a hundred new creative works, in all stages of development, from first readings to workshops to full-blown world premieres. Over its dozen years Fertile Ground has become something like a localized Edinburgh Fringe Festival, with the restriction that shows aren’t imported – they have to be made here, by people who can plausibly claim to live here.
 

A whirlwind of dance, circus, and aerial action awaits in Petra Delarocha’s “Prismagic Radio Hour,” premiering at 9 p.m. Friday in Fertile Ground.

This year everything’s changed: What had been known and celebrated for its in-the-moment acts of performance has transformed because of Covid restrictions into a virtual festival. As the 2021 festival moves into its final days – it began on Jan. 28 and closes on Saturday, Feb. 7, although projects can be viewed online through Feb. 15 – ArtsWatch’s writers have racked up a lot of screen time. We haven’t seen everything, but we’ve spent hours watching, and we’ll be watching more. One thing that’s stood out has been the ability of some projects to think like hybrids, making the most under the circumstances of the possibilities of both film and live performance. 

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