Cinema Project

FilmWatch Weekly: OMSI goes avant-garde

Two members of Portland's cultural superstructure host visiting artists, while a third announces plans to leave town

A pair of veteran participants in Portland’s truly independent film culture will be back in action over the next couple of weeks, presenting the work of visiting artists, while another is on the verge of departing after over two decades spent laying the foundations of the city’s experimental film community.

The non-profit collective Cinema Project was founded fifteen years ago, its stated mission to promote avant-garde cinema from the past and present. In a shifting lineup of venues, from Produce Row warehouse spaces to chic photography studios, this dedicated group of true believers in the power of sound and image loosed from narrative shackles presented challenging, fascinating work from around the world, often with the filmmaker in attendance.

As one might imagine, this was a fairly thankless task, from a financial perspective, and in February 2017 the group wrapped up what had been billed as its final season of regular programming. Now, though, Cinema Project returns, at least for the moment, after an 18-month hiatus, with a screening of films by the Belgian artist and researcher Anouk De Clercq on Wednesday, July 11. This time, however, it won’t be in some drafty loft with the whirring of a 16mm projector as background audio (not that there’s anything wrong with that!), but on one of the largest movie screens in the Portland metro area: the Empirical Theatre at the Oregon Museum of Science and Industry.

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