collectif9

Portland Taiko, Portland Baroque, collectif9: Home field advantage

Stellar local performers match the musical radiance of visiting stars

Artistic centers seem to go through phases. At the outset, they predominantly host performances by local amateurs. As more ambition and money arrive, they worshipfully import Big Names from artistic capitals, often neglecting homegrown talents who might be equally talented (and more original) in favor of the imprimatur of NYC cred — a sure sign of provincial insecurity. Sometimes, like my hometown of Austin, a city’s artistic culture develops to the extent that its local artists realize that they don’t need to move elsewhere to make vanguard art (not to mention a living), and in fact, the city becomes a magnet for others in the region and then the world.

Los Angeles's TaikoProject and Portland Taiko joined forces at the end of their joint concert, 'Sound in Motion.' Photo: Brian Sweeney.

Los Angeles’s TaikoProject and Portland Taiko joined forces in their joint concert, ‘Sound in Motion.’ Photo: Brian Sweeney.

Although some of Oregon’s artistic institutions and their insecure audiences still haven’t quite realized that many arts lovers are looking to us for inspiration than vice versa, Portland in particular and Oregon in general are reaching that third phase. A trio of autumn concerts involving both visiting and locally cultivated musicians showed the value of learning from outsiders — and also just how good our locavore music has become.

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