Colleen Loverde

The unkindness of strangers

James Canfield's distillation of "A Streetcar Named Desire" highlights NW Dance Project's premieres, with Sarah Slipper's dance of love

The funk and sweat and desperate seediness of New Orleans are so thick in the air above James Canfield’s new dance Sketches of Connotation that you can almost smell them rising from the stage of Lincoln Performance Hall. It’s an intoxicating aroma.

Sketches, Canfield’s distilled evocation of Tennessee Williams’ beautiful nightmare of a play A Streetcar Named Desire, is the anchor of NW Dance Project’s fifteenth-season-ending Summer Premieres program, which opened Thursday and continues Friday and Saturday nights, and it’s a gorgeous, exquisitely crafted piece of dance theater, the work of a choreographer who’s stayed true to his longtime vision of dance as a reflection of popular culture and who now, as a veteran artist, seems fully in control of his considerable imaginative skills.

William Couture, Anthony Pucci, Colleen Loverde, Kody Jauron, Katherine Loverde, and Franco Nieto in the world premiere of James Canfield’s Sketches of Connotation. Photo: Blaine Truitt Covert

NDP’s program of three premieres also includes company artistic director Sarah Slipper’s Save Me the Plums, a sweet and often funny dance of love and loss performed beautifully by Andrea Parson and Franco Nieto; and Felix Landerer’s angsty All’s Been Said, in which a dancer in a polar-bear mask declaims about magicians and climate change.

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