Comic City USA

ArtsWatch Weekly: wine divine, proscenium live, Comic City USA

A look at the week that was in Oregon arts. A glimpse ahead at the week that's going to be.

It’s the middle of August, the temperature’s flirting with triple digits, and the city sidewalks are getting hot enough to grill a veggie burger on. Time to get out of town. And if you’re going to get out of town, why not to wine country? This weekend marks the beginning of another Oregon summer music festival – a small one, but with some fine musicians and refreshing repertoire. It’s also a great excuse, if you really need one, to hit some good wineries.

The brand new Willamette Valley Chamber Music Festival kicks off Friday night with a concert in the barrel room at J. Christopher Wines (think cool, like a cave) near Newberg, continues with free open rehearsals noon-3 p.m. Saturday at Artisanal Cellars in downtown Newberg, and concludes with a Sunday afternoon concert at Elk Cove Vineyards, one of the region’s most picturesque, near Gaston.

Music at the wineries: a new Oregon chamber festival goes for the gusto.

Music at the wineries: a new Oregon chamber festival goes for the gusto.

Who’ll you hear? Violist Kenji Bunch, one of Portland’s busiest composer/performers; Boston violinist (and Portland native) Sasha Callahan and her husband, cellist Leo Eguchi, who’s worked with the likes of William Bolcom and Lukas Foss; and violinist Megumi Stohs Lewis, who grew up in Portland and, among other credits, has performed with Yo-Yo Ma and toured with Jethro Tull. What’ll you hear? Two different programs including works by Bunch, Zoltan Kodaly, the contemporary Argentine composer Osvaldo Golijov, and, just to keep things grounded, Schubert’s Rosamunde string quartet and Beethoven’s Op. 18 No. 1 string quartet.

Plus, of course, there’ll be wine.

 


 

PROSCENIUM LIVE. Then again, if you stick around town, this is a very good bet: some of the city’s top actors doing staged readings of a hefty handful of new plays by writers including Amy Freed, noted for the likes of Freedomland, The Beard of Avon, and The Monster Builder. Sponsored by Proscenium Journal in partnership with Portland Shakespeare Project, it runs for four days starting Thursday at Artists Repertory Theatre, and it’s free – which, as the late, great Portland TV pitchman Tom Peterson used to proclaim, “is a very good price.”

The full-length plays: C.S. Whitcomb’s Dracula’s Father, Freed’s Them That Are Perfect, Ellen Margolis’s Pericles Wet. Friday night’s one-act showcase includes pieces by Freed, Wei He, Simon Fill, and others.

Reading frenzy: good actors, new scripts at Proscenium Live. David Kinder, kinderpics photography, www.kinderpics.com

Reading frenzy: good actors, new scripts at Proscenium Live. David Kinder, kinderpics photography, www.kinderpics.com

 


 

TBA 16. The fourteenth edition of Time-Based Art Festival, Portland Institute for Contemporary Art’s annual feeding frenzy of the new, the brash, the edgy, and the provocative from the worlds of performance art, visual art, film & video, dance, and multidisciplines, doesn’t run until September 8-18. But tickets and passes go on sale starting today (Tuesday, August 16), and some shows go fast: time to check the attractions, make your plans, and score your seats.

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