Complexions Contemporary Ballet

It’s almost Halloween, which means it’s time to dress up like a zombie and join Thrill the World, in which thousands of people gather in cities worldwide to dance the choreography from Michael Jackson’s famous 1983 music video Thriller.

Thrill The World was created by Canadian Ines Markeljevic in 2005 with the goal to unite the world through dance. The event happens on the Saturday before Halloween. You don’t need to be a professional dancer or even have a zombie costume: just learn the dance in one of the group lessons, or online, and get out there and dance.

Portland’s Thrill The World takes place at 3 pm; registration begins at 2:40 pm Saturday, October 27 at Irving Park’s covered basketball court. The event will be emceed by Portland Bollywood dancer extraordinaire DJ Prashant and radio host Contessa de la Luna; Prashant’s Jai Ho! Dance Troupe will perform a Bollywood version of Thriller at 2:45 pm.

Performances this week

Thrill The World Portland 2018
3 pm October 27
Hosted by Thrill the World Portland
Irving Park, Covered basketball court, 707 NE Fremont St.
See above.

Complexions Contemporary Ballet in “Star Dust” mode. Photo courtesy of White Bird.

Star Dust
Complexions Contemporary Ballet
Presented by Eugene Ballet
8 pm October 26
Hult Center for the Performing Arts, 1 Eugene Center, Eugene
7:30 pm October 27
Craterian Theater, 23 S Central Ave, Medford
In this tribute to David Bowie, New York’s Complexions Contemporary Ballet (co-directed by former Alvin Ailey American Dance Theater dancers Dwight Rhoden and Desmond Richardson) thoughtfully explore new layers to Bowie and his music. Star Dust, choreographed by Rhoden, features dances to nine well-known Bowie songs: Lazarus, Changes, Life on Mars, Space Oddity, 1984, Heroes, Modern Love, Rock and Roll Suicide, and Young Americans.

Flamenco Pacifico dancer Elena Villa. Photo by Mary Landberg.

Flamenco Pacifico
Presented by Berto Boyd
7:30 pm October 26
Hawthorne Theatre, 1507 SE 39th Ave.
In the spirit of convivencia (“coexistence” in Spanish), Flamenco Pacifico’s acclaimed guitarist and composer Berto Boyd integrates Brazilian samba and American jazz with traditional Spanish flamenco in this one-night-only performance. Boyd, with guitarist/singer Grant Ruiz, percussionist Terry Longshore, and bassist Randy Tico, will accompany dancers Elena Villa and Melissa Cruz.

Young Peruvian dancers. Photo courtesy of the Peruvian Cultural Festival.

Matices Criollos
Peruvian Cultural Festival
3 pm October 28
Multnomah Arts Center, 7688 SW Capitol Hwy.
This first-time festival celebrates the kaleidoscope of influences on coastal Peruvian culture with dance and music performances by an array of Portland artists.

Dancers Adrianna Audoma and Nicole Osbon of Tongue Dance Project. Tongue Dance Project will be teaching a modern contemporary dance class as part of Steps PDX’s one-year anniversary celebration. Photo by Elliot Petenbrink.

Full Circle
Steps PDX
9 am- 9 pm October 28
Troy Laundry Building, 221 SE 11th Ave. Suite 220
Celebrate the one-year anniversary of Portland’s newest dance studio, Steps PDX, with a full day of FREE dance classes, snacks, raffles, and giveaways (admission is by donation). The studio, owned and directed by Kathryn Harden, kicks off the event at 9 am with an open ballet class taught by Harden herself, and winds it down with the all-abilities movement class Dance Church at 5:45 pm, taught by Allison Jacks. The anniversary event concludes with party.

Harden trained with Pacific Northwest Ballet’s Professional Division, performed with Ballet Idaho, and received a degree in Exercise Science for Kinesiology and Dance Performance from Towson University. With Steps PDX, her goal has been to create a safe, comfortable space for students of all skill levels and ages to experience professional-quality training.

Upcoming Performances

November
November 1, Windows 11, Beth Whelan and Roesing Ape, Night Lights-Regional Arts & Culture Council
November 2-4, A Midsummer Night at the Savoy, Rejoice! Diaspora Dance Theatre
November 4, civilized-Happy Hour, Catherine Egan
November 8-17, Future Voices, Willamette University Theatre Department, Artistic Director Michele Ainza
November 9, ¿LISTEN?, ELa FaLa Collective and Polaris Dance Theatre
November 9-11, Cloth, PDX Contemporary Ballet
November 11, Unfolding, a dance film premiere by Muddy Feet Contemporary Dance, SubRosa Dance Collective, and director Dylan Wilbur
November 11, La Sylphide, Bolshoi Ballet in Cinema-Live from Moscow, presented by Fathom Events, BY Experience, and Pathe Live
November 13-14, The Hip Hop Nutcracker, Jennifer Weber
November 14, Tangueros del Sur, Presented by White Bird
November 16-18, Perceiving The Constant, Jessica Hightower
November 17, The Nutcracker, Oregon International Ballet Academy, Choreography by Xuan Cheng / Ye Li after Marius Petipa / Lev Ivanov
November 23-25, A Midsummer Night’s Dream with PSU Orchestra, The Portland Ballet

December
December 2, Don Quixote, Bolshoi Ballet in cinema, presented by Fathom Events, BY Experience, and Pathe Live
December 6-8, Winter Performance, NW Dance Project
December 8, So You Think You Can Dance Live! 2018, Eugene
December 8-25, George Balanchine’s The Nutcracker®, Oregon Ballet Theatre
December 14-16, Babes in Toyland (World Premiere), Ballet Fantastique, Eugene
December 16, Fiesta Flamenca Navideña, Presented by Espacio Flamenco
December 21-23, The Nutcracker, Eugene Ballet, Eugene
December 23, The Nutcracker, Bolshoi Ballet in Cinema-Live from Moscow, presented by Fathom Events, BY Experience, and Pathe Live

January 2019
January 9-20, The Lion King, Eugene
January 20, La Bayadère, Bolshoi Ballet in Cinema-Live from Moscow, presented by Fathom Events, BY Experience, and Pathe Live
January 24-February 3, Fertile Ground Festival of New Work/Groovin Greenhouse
January 24-February 2, The Cutting Room, BodyVox
January 31-February 2, Shay Kuebler/Radical System Art, Presented by White Bird

February
February 9-10, Romeo and Juliet, Eugene Ballet, Eugene
February 13, Les Ballets Trockadero De Monte Carlo, Presented by White Bird
February 16-23, Cinderella, Oregon Ballet Theatre
February 20, Beijing Dance Theater, Presented by White Bird
February 28-March 2, Compagnie Hervé Koubi, Presented by White Bird
February 29-March 2, Trip The Light Fantastic, NW Dance Project

March
March 1-3, The Odyssey, Ballet Fantastique, Eugene
March 1-3, Materialize, PDX Contemporary Ballet
March 7-9, Compagnie Marie Chouinard, Presented by White Bird
March 8-10, Interplay, Eugene Ballet, Eugene
March 9, Painted Sky Northstar Dance Company, Walters Cultural Arts Center
March 10, The Sleeping Beauty, Bolshoi Ballet in Cinema, presented by Fathom Events, BY Experience, and Pathe Live
March 29-31, New Expressive Works Residency Performance

April
April 4-6, Parsons Dance, Presented by White Bird
April 4-13, The Pearl Dive Project, BodyVox
April 7, The Golden Age, Bolshoi Ballet in Cinema, presented by Fathom Events, BY Experience, and Pathe Live
April 9-10, Savion Glover, Presented by White Bird
April 11-14, Director’s Choice, Oregon Ballet Theatre
April 13-14, The Firebird, Eugene Ballet, Eugene
April 24, Philadanco, Presented by White Bird
April 25-27, Spring Performance, NW Dance Project

May
May 9-11, Contact Dance Film Festival, BodyVox and NW Film Center
May 10-12, Shaun Keylock Company
May 10-12, Current/Classic, The Portland Ballet
May 10-12, Cleopatra (World Premiere), Ballet Fantastique, Eugene
May 17-19, Undone, PDX Contemporary Ballet
May 19, Carmen Suite / Petrushka, Bolshoi Ballet in Cinema-Live from Moscow, presented by Fathom Events, BY Experience, and Pathe Live
May 26, Derek Hough: Live! The Tour, Eugene

June
June 7-15, The Americans, Oregon Ballet Theatre
June 7-9, Up Close, The Portland Ballet
June 13-15, Summer Performances, NW Dance Project

DanceWatch Weekly: White Bird turns 20, OBT season opens

A big week in dance starts with White Bird and Oregon Ballet Theatre and then moves to Indian dance and "Moving Through Darkness"

Twenty years ago Paul King and Walter Jaffe moved to Portland from New York City and launched White Bird, Portland’s biggest dance presenter and the sole, dance-only presenter West of the Rockies.

Their 20-year contribution to Portland’s dance scene and to the dance community at large is huge. Over the 20 years they have presented 250 dance companies from around the world, commissioned and co-commissioned 36 new works in a range of styles and choreographers from Portland and beyond, and have developed some of the most enthusiastic, dedicated, and educated dance audiences I have ever seen. White Bird’s 20th season is dedicated to those audiences.

Jamuna Chiarini

Complexions Contemporary Ballet from New York, co-directed by Dwight Rhoden and Desmond Richardson, opens that season. Rhoden was a principal dancer with Alvin Ailey American Dance Theatre and Richardson was the first Black American Principal dancer at American Ballet Theater.

The company is 23 years old itself, and has been called “America’s original multicultural dance company.” They pride themselves on being based in ballet but not limited to it, expanding their movement vocabulary into any and every genre, proposing an alternate view of classical ballet.

The company will perform three pieces, all choreographed by Rhoden: Ballad Unto…. for 14 dancers, performed to Bach, that explores love’s many facets; IMPRINT/MAYA, a solo performed by Richardson,
danced to a pre-recorded track featuring Melanie Nyema on Vocals, Ron Pedley on piano and Mat Fieldes on bass and the words of Maya Angelou; and STAR DUST, a tribute to David Bowie.

Journalist Joe Lynch, for Billboard magazine online, stated in his impassioned review of STAR DUST after it premiered at The Joyce Theatre in New York in January, that STAR DUST “isn’t a cheap attempt to capitalize on Bowie’s fame, but a thoughtful exploration by choreographer Dwight Rhoden of the way movement reveals additional layers in Bowie’s music (something Bowie himself did onstage, mimicking gifted movers from Pierrot the Clown to kabuki actors over the course of his career).” Lynch says if you’re a Bowie fan, “Star Dust is a must—whether you think you enjoy the ballet or not.”

Oregon Ballet Theatre kicks off its season this weekend with the world premiere of Rhapsody In Blue, a collaboration between Oregon Ballet Theatre resident choreographer Nicolo Fonte and Pink Martini founder Thomas Lauderdale. With permission from the Gershwin Foundation, Lauderdale created a new arrangement of George Gershwin’s jazz classic that lengthens the score, draws out nuances in the music, and allows for more movement possibilities.

The score, originally created for a solo piano and jazz band, will instead be performed live on two grand pianos by Lauderdale and Hunter Noack. The program also includes Never Stop Falling (in Love), Fonte’s 2014 piece created for Oregon Ballet Theatre’s 25th anniversary. It features Pink Martini singer China Forbes and a medley of Pink Martini songs.

Rhapsody In Blue the dance, softly weaves together abstract contemporary ballet choreography with a narrative describing the mood of the blue hour or “L’heure bleue.” A French phrase with no exact English translations, it describes the magical hours between daylight and night that lovers might meet before returning home to their spouses. A kind of magical time of day when things become less linear and boundaries become more fluid.

Last week I sat in on a rehearsal for Rhapsody In Blue as the costume designer was trying out different costume possibilities on the dancers. The room was abuzz with activity, full of company dancers, stage managers, costume designers, lighting designers, and other artistic personal. I am always amazed at what a massive production ballets are and how many people it takes to put a production together, compared to many smaller productions I regularly see where the choreographer does almost everything.

The costumes for Rhapsody are a gorgeous, textural mix of electric blues in satins, laces, brocades, and matte cottons, with swirling skirts, and tailored suits, evoking decadent sumptuousness and ease. The movement, like the chosen color, is also electric and explosive, shooting out from the dancer’s centers like arrows, creating dramatic, stretched lines with arms and legs. The movement sweeps and falls, rebounds and flies, describing the music and the space around the notes perfectly. Sometimes the dancing is large and uses the whole cast and sometimes it is quiet and uses a singular gesture. It’s a beautiful, dynamic work that might make you see/hear Gershwin’s Rhapsody In Blue in a whole new light.

Performances this week

Complexions Contemporary Ballet. Sachyn Mital Photography

Ballad Unto…., IMPRINT/MAYA, and STAR DUST
Complexions Contemporary Ballet
Choreography by Dwight Rhoden
Presented by White Bird
October 5-7
Newmark Theatre, 1111 SW Broadway
See above.

Eugene Ballet Company’s Mowgli. Photo courtesy of Eugene Ballet.

Mowgli – The Jungle Book Ballet-Eugene
Eugene Ballet Company directed by Toni Pimble
October 6-8
Hult Center for the Performing Arts, 1 Eugene Center, Eugene
Toni Pimble, the artistic director of Eugene Ballet, retells Rudyard Kipling’s “The Jungle Book” through ornate costumes, masks, sets, and world music, in the story of orphaned Mowgli, his friend Baloo the Bear, the terrifying Tiger Shere Khan and the snake Kaa.

Dance artist Oluyinka Akinjiola performing at Ten Tiny Dances in Beaverton.

Moving through Darkness
This is a Black Spatial Imaginary
Featuring Intisar Abioto, Akela Auer, and Oluyinka Akinjiola
5 pm October 7
Paragon Arts Gallery, 815 N Killingsworth St.
Moving through Darkness, is a movement and dance performance featuring writer, dancer, photographer, and the author/photographer/curator of The Black Portlanders Intisar Abioto; writer, poet, dancer, and choreographer Akela Auer; and dancer, choreographer, teacher, scholar and artistic director of Rejoice! Diaspora Dance Theatre, Oluyinka Akinjiola.

“This Is A Black Spatial Imaginary’ considers the movement and fixity of Black communities, by activating past, present and future spaces for Black life. This is a Black Spatial Imaginary brings together installation, video, print media, performance, and public intervention, exploring new forms of practice at the intersection of art, collaboration, historical record, urban planning, collaboration and creative exchange.”

Bharatanatyam dancer Jayanthi Raman. Photo courtesy of Jayanthi Raman.

Dance Of The Hummingbirds
Jayanthi Raman and dancers
7 pm October 7
Dolores Winningstad Theater, 1111 SW Broadway
Combining live music, poetry by Oregon poet laureate Paulann Petersen, artwork by Shashank Rao, and guest dancers from Chennai, India, Portland Bharatanatyam choreographer/teacher Jayanthi Raman reflects on finding inner strength to overcome life’s obstacles in her new work Dance Of The Hummingbirds.

Rhapsody in Blue by Nicolo Fonte. Photo courtesy of Oregon Ballet Theatre.

Rhapsody In Blue (World Premiere) and Never Stop Falling (in Love)
Choreography by Nicolo Fonte
Performed by Oregon Ballet Theatre directed by Kevin Irving
October 7-14
Keller Auditorium, 222 SW Clay St.
See above.

Upcoming Performances

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