contemporary American theater

Random order: a trick of fate

Steven Dietz's "This Random World" opens up warm and rueful possibilities (and a few questions) at Portland Actors Conservatory

The question, if you really need to ask one, is this: What is the relationship between randomness and fate? Are they simply sides of the same coin, spinning back and forth in a universe in motion, teasing their onlookers with their brief appearances and near-misses, like streaking Halley’s Comets of human comprehension? Is it all coincidence, or none of it? And on a practical level, does it matter at all?

That is the subterranean (or stratospheric) territory of Steven Dietz’s This Random World, which was a hit last year when it premiered at the Humana Festival of New American Plays in Louisville and has just opened in its West Coast premiere in a swift and appealing production at Portland Actors Conservatory.

Kristin Barrett (left) and Tyharra Cozier in “This Random World.” PAC photo

The beauty of a good Dietz play is that it can explore such theoretical issues with both feet on the ground. Because he concentrates on structure, language, and character – that solid three-legged stool of the well-crafted play – the theme rises gently, tickling instead of pounding, like a wisp of afterthought that’s been carefully planted. And Dietz doesn’t answer his questions, which might help explain why, for all his regional-theater success, he’s never had a play on Broadway. He simply picks them up for closer inspection, and invites the audience in.

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