Cunningham Press

Austin Granger’s commonplace miracles

When things go right, "I have the uncanny sense that the photographs were already there, just waiting for me. They feel predestined."

STORY by ANGELA ALLEN

PHOTOGRAPHS by AUSTIN GRANGER

Portland photographer Austin Granger, who grew up in northern California and studied philosophy at the University of California, Santa Cruz, prefers to load film into his Fuji GF670 or Deardorff 5 by 7 instead of pushing a card into a digital camera. Sticking to the old rituals, he’d also rather shoot in black and white than in color. Sixty of his images are on display through April 10 at LightBox Photographic Gallery in Astoria.

Granger calls photography “at once commonplace and utterly miraculous.” Among his landscape and nature images, the influence of Group f/64 photographers Ansel Adams and Edward Weston is apparent, Granger readily acknowledges. Adams is one of his heroes, and sharp-focused, meticulously framed photos are among his images’ hallmarks, as they are of his mid-century California predecessors.

“Self, Alvord Desert, Oregon,” self-portrait, 2016.

The 76-page catalog for Granger’s LightBox exhibition is titled Correspondence. “When I’m photographing well, I have the most uncanny feeling that the pictures are predestined,” Granger said. “I recognize them. They echo the feelings inside myself. They correspond.”

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